Dundee City

For New Year's/Hogmanay, I went to stay with some friends in Dundee. I think it was either New Year's Day or 2nd January, but one of the days of the trip, Raven and I went for a wander around the city. There's a lot of very pretty architecture there, and an interesting cemetery in the city centre. Raven and I were on a quest to find a specific restaurant, so most of the pictures were just snapshots, and I didn't get a chance to look at what they actually were, and with this being exam season (and with me having been generally extremely busy with college this spring) so there's not my usual historical and architectural context.

Quiet Dundee Streets

The one place I have some context on is the Howff Burial Ground. It is urban, bordered on two sides by walls and roads, and on the other two by the rear walls - and windows - of tall Victorian buildings, including the former newspaper offices. There's a windowed tourelle on one of the old newspaper offices that seems to be firstly an afterthought, and both leaking and leaning precariously, which seemed expected - the whole cemetery seemed like a bubble within the city that was in a different time and a little bit like a different world. Even the trees there were tangled, winding and strangely shaped! The burial ground was originally part of the grounds of a Franciscan monastery, and I think the wall with the arches dates from 1601!

Tangle-wood tree

I don't know if this is is a specific species of tree that grows like this, or the result of some kind of pruning technique, but this tree just grew in knots and tangles and lumps and snags. I've never seen a tree like it, but there were at least two in Howff Cemetery. There were no leaves or flowers on it so I, who am no expert on trees, didn't even have that to go on to identify them.

It is possible to do a virtual cemetery tour if you look up 'The Howff' in Dundee, Scotland, on Google StreetView. Apparently it was uploaded by a Google user (a Kevin Reid) - I didn't even know that was possible! It looks like it was done with one of those 360° image cameras or something, as a series of "image spheres" at locations all around the cemetery paths. I don't know how you link to a specific place in Google StreetView, so I won't add the link here, but I do recommend looking it up. 

Neoclassical tower

Near the cemetery was this rather large and fancy Neoclassical building - I didn't catch what it actually was, as I was walking within the cemetery walls, not without, and didn't actually walk past the exterior of whatever it was to see a sign or anything. Whatever it is, it's a very ornate and grand building, and the light on that wintry day caught it beautifully. I looked it up on Google StreetView, and it looks like a concert hall or theatre. 

Church tower, one of a pair

I liked this church, but it was hard to get a god photograph of it because there is a bus stop right in front of it. It is on Panmore Street and has two of these towers and a charming rose window. I thought I'd take one of its 'witches' hat' roofed spire. I love the vents - possibly to help the sound of bells escape. 

McManus Galleries

I had a walk around the McManus Galleries - an amazing Gothic Revival building. I didn't get to go inside them as they were shut, but I took several photographs of the exterior. I would love to do a photo-shoot on the fabulous steps - I wonder if that could be arranged! I also think the steps - in Baroque swirling design - work really well with this otherwise very Gothic design. It's an altogether fabulous, magical-looking building... 

Steeple under rainy skies

This is the steeple on a rather interesting building. In the centre of Dundee is a building that, at first glance, would look like a cathedral. It is huge, old, and Gothic and very definitely the size and shape of the average cathedral. However, it is not a single-purpose building. It has been subdivided, and done so historically. There is the steeple, shown above, which I think is a municipally run clock tower, and at least two churches and a youth group using the rest of the building, with the spaces subdivided for these uses. Apparently subdividing the building became a necessity centuries ago, as there have been several serious fires in the building. The history of the site is very long with the earliest church on the site being from 1192 - a time-line of history of the building can be read ::here::. It's currently surrounded by a shopping mall!

The observant will have noticed that some of the photographs -specifically the ones of  buildings and monuments - are watermarked 'Architecturally Gothic'. This is one of the two Tumblr accounts I run. ::Architecturally Gothic:: is  my architectural photography Tumblr. It's mostly my own work, but I reblog a lot of other people's architectural photography too. 

Gables, Clouds and Rainy Skies - Photographic Friday

Another instalment of 'Photographic Friday'. I haven't done these in a while, especially since I established my architectural photography blog on Tumblr - ::Architecturally Gothic::. If you like my photography work, I recommend looking at that. I'd like to get a few more followers, too! I've watermarked all of my architectural photography with that blog now - if it's going on Tumblr, it needs to be watermarked so attribution doesn't get lost if people reblog without source. 

Anyway, this is a set of photographs from over a week ago. I actually made myself ill by going out and photographing this set - or rather significantly accelerated the progress of a cold straight into the worst parts. I've ended up missing college and not really doing much for over a week, and I'm worried I will get behind. 

Columba hotel, named after the Saint. Dramatic skies. Photo by me.

This is one of a whole heap of photographs I took of Inverness for a university project, and the only day I had to go in take photographs happened to be one of frequent torrential downpours, and I got soaked (despite my umbrella and coat) and the following day felt like death, and have spent most of the following week ill in bed with some sort of bad cold, perhaps the flu. 

At least the Scottish Baronial gables are pretty. Note the stepped gables - these are called 'corbie-steps' or 'corble-steps' from the Scots word for crow; "corbie", or just 'crow-steps'. At some point I'm going to have to take a picture of some crows perched on them - there are enough crows about the place, but the seagulls keep chasing them off. 

Close up of Columba Hotel sign and gables and dormer. 

In a break from the rain the clouds were really rather snazzy. Again, the gables of the Columba Hotel (and a cute wee dormer window). Scottish Baronial architecture dominates Ness Walk, with the all narrow windows, many gables (and roof goes up to the wall and stops, instead of overhangs past it. This is very common with Scottish roofs. There's often a sort of hidden lead gutter called a raggle, behind the wall, otherwise water would get in.) These photos are for a college project. I’m doing an analysis of the current architectural context for a site, so I pretty much photographed the entire area around it…

Gables all in a row. Photograph by the HouseCat

Another photograph from Ness Walk. Many of Ness Walk’s gables all in a row, against the clearing clouds. It did rain again after that, but at least the weather was dry for a moment. The old parts of Inverness are beautiful and full of character - it’s a shame they demolished so much of it between the 1950′s and ‘70s and replaced a lot of it with ugly box buildings. A lot of Inverness’ older districts make me think of a scaled-down Edinburgh. There's even a prominent city-centre castle on a hill!

Gothic windows. Photograph by the HouseCat 

Gothic Revival apartments/offices/accommodation (I can’t remember which portions of this building are what), opposite the Cathedral, in Inverness. I took this photo because of the Gothic Revival details on an otherwise very Scottish Baronial building - bridging the Scottish Baronial style of most of Ness Walk (and the Castle across the river) and the Gothic Revival style of the (perpetually unfinished) cathedral.

Here's another combination of Gothic Revival and Scottish Baronial. I think the two columns either side of the gable might be chimney-pots, either that or they are purely decorative - I'm not actually sure! The blind round 'window' in the centre is a cinquefoil Gothic tracery, and the tops of the windows have been pointed to Gothic arches, but still retain the overall 'vertical rectangle' feel of Scottish Baronial windows. The crow-steps are capped wit fancy stone, but are still very much crow-steps. It's a well executed hybridisation of what in this case are two medieval-revival styles. I think this particular building is either offices or a hotel. 

Hopefully these pictures have been enjoyable. I think my architectural photography is certainly improving, and I really must update my Tumblr with more photography. 

Photographic Friday: Gothic Revival Church By The Sea

I have to do a precedent study for college, as I am designing a seaside home in a semi-rural location, so I have been visiting a bunch of little fishing villages on the Black Isle coast as that is the area our home is for. That is quite a long way to go just to look at stone cottages with bottle-neck gables, rectangular windows and dormers ('coastal vernacular residential architecture idiosyncratic to the locality')  as lovely as they may be, so I gathered up some friends and made a road-trip of it. Raven, Catastrophe and K went with me. 

Catastrophe and K photographed by Raven; he's an awesome photographer!

The weather was a bit chilly, and partially cloudy, but a lot milder than I would expect for February in Scotland; there's still snow on the taller hills, but it's strangely mild this year in terms of temperature -  in terms of storms, it's been quite bad. Catastrophe and K went to stand right up near the sea wall and got utterly soaked by the crashing waves. Raven photographed them, and I went off to look at cottages. But I didn't JUST look at cottages... 

Above the cottages I noticed a graveyard and church... 

How can I resist Gothic Revival architecture?

I haven't been able to find out much about Rosemarkie Parish Church except that it was opened in 1821, and is in a similar style to most of the stone-built Gothic Revival parish churches in the Highlands; it's very 'Church of Scotland' - fancier than most Free Church churches and less fancy than Catholic ones. I know that many of the parish churches are very similar, but I find them all uniquely charming in their own way, and while to some it may seem "they're all the same", to me each one is different with its own quirks, and I appreciate all of them. 

I like dramatic skies and pointy arches

As far as churches go it is not the biggest, nor the fanciest, nor the most unusual, but the thing I really like about it is not just the building itself - it is its location. It is just up the hill from the beach; it overlooks a row of cottages and then there is the coastal road and the pebbled beach. The view is pretty impressive. It is an exposed place and the salt on the wind reminds you that you're not far from the sea at all. 

That's not a field beyond the hedge, it's the sea

I love these wee churches with their pretty graveyards. I've been around hundreds, and they never fail to enchant me. I've written about why graveyards appeal to me before, and while I am no longer Christian, ecclesiastical architecture still appeals to me - people have made such beautiful things in devotion to their God (and sometimes, I guess, for secular ulterior motives too) and many of the better-designed churches convey a sense of peace and optimism, or in the case of grand cathedrals, seem to be man's best attempt to build something on Earth approximating how it is in Heaven.  I think some of them got pretty close. 

I also like mausoleums...

It has its own graveyard. I would think there are quite a few who would like to be buried looking out at sea for the rest of eternity, especially in a community that was for a long time a fishing village. I really liked this Gothic iron fence - the gate seems broken, not closing properly; I didn't leave it open like that out of laziness or anything; I didn't even open it, and I didn't want to fiddle with it in case I broke it more. 

Beyond that row of graves and the hedge behind them is a steep hill and then it is, as you can see behind the fence at the rear, the sea. Rosemarkie faces onto a firth, rather than the open sea, so somewhere on the horizon will be Morayshire - the land between Ardersier and Culloden. 

This is just one point on my road-trip, and there will be more architectural photography over the next few days, including the ruins of Fortrose Cathedral. It  surprises me how many truly grand and quite vast ecclesiastical buildings lie in ruins across the Highlands - Beauly Priory and Elgin Cathedral being notable examples. 

Edinburgh City Part 5: The Hub and its Spire

This really is a fabulous building. I was walking up the hill to the castle and could not help but be stopped, transfixed in awe at it. I was already running behind schedule for the day (with my mission being photographing the castle thoroughly to produce a display for the school) but still had to stop and take pictures. 

I have a fondness for setting spires diagonally.

When I went on the ::history:: page of The Hub's ::website::, and read that it was a collaboration between James Gillespie Graham (who designed St, Mary's Catholic Cathedral, featured yesterday) and the famous Augustus Welby Pugin (Think 'Palace of Westminster') and I was both delighted and not entirely surprised. Everything about this building is wondrous, and the more recent conversion and restoration have been done most tastefully and include the work of a lot of modern crafters of great skill. 

A sense of verticality.
Photo taken after castle visit, hence duller sky.

It's dominating spire and wonderfully vertical architecture draws one to look upwards to he heavens and even on a cloudy, awful and drizzly day like the day I was there, it is beautiful. The page says the spire is the highest point in central Edinbugh, but after walking uphill into the castle and looking up at some of its towers, they certainly seem higher up, even if they are shorter towers. I am not a surveyor, though, and appearances can be deceiving. 

The sky was white with cloud, but weirdly bright.

The Hub is currently a venue associated with the Edinbugh International Festival (an arts festival) and includes a cafe. When I was there, the entrance was lit by flaming torches flickering in the wind (it certainly gets breezy on that hill, even if all the buildings make it look less exposed) and a piper was standing by the door. The next time I go to Edinburgh, it will certainly be somewhere I will have to visit the interior of, rather than just walk past.

At least the clouds were vaguely interesting here.

I'd like to visit this building again when the weather is more conducive to good photographs. The skies are dull and white here because they were dull and greying white with cloud on the day. It was also a rather windswept day. A calmer day with more varied and interesting clouds would be preferable. 

Edinburgh City Part 3: St. Mary's Catholic Cathedral

A Cathedral for a Sunday

Old residential style buildings are visible on the right.

I was actually on my way to take a short-cut through a shopping mall, being lead by K. to the castle, and insisted we stop so I could photograph some of the architecture around the road junction as I could see this Cathedral, something that looked like a very fancy Gothic Revival church in a late Gothic, almost Tudor style, converted into a restaurant called the Glass Box by the use of much modern glass and steel, and another church with towers done as open lanterns (which I took a photograph of that as at the end of this entry), and a few other interesting things.

Rock doves, I think, perched on an artificial cliff...

Edinburgh city has an over-abundance of glorious architecture. I tried to take as many photographs as I could, but I simply did not have time to photograph everything I saw that was interesting. Much of the beautiful architecture is Gothic and Gothic Revival - my two favourite styles, especially in their more elaborate variations. This is not the fanciest building in Edinburgh by any means, but it was fancy enough to catch my attention - as were several in the immediate vicinity. I will have to go back there and take more photographs because with cars and pedestrians and buses and lorries all getting between me and good photographs the last time, a trip on a quieter day is in order. I do hope to go back to Edinburgh because I only had chance to explore a small fraction of the city, and I didn't get to go on any ghost tours, nor visit the dungeons, nor visit any cemeteries or necropoli (and most cities for the living have their cities for the dead). 

Some lovely Gothic grandeur for an entrance. 

The sign at the right of the entrance relates some of this building's history (although with photographs taken at that distance it is quite unreadable here) and says, among many other things, that it was built in 1814 and designed by the architect James Gillespie Graham, and that it had originally been surrounded by residential buildings to keep it tucked away from anti-Catholic vandals, rather than the being in broad view at a busy road junction as it is now. I guess trying to remain hidden to a degree is why it has no tall spire or tower. I did not go into the Cathedral, being an apostate that left Christianity for Neo-Paganism, and feeling somewhat awkward actually in places of Christian worship. I always feel like however beautiful it is, it is sacred to someone else's God, and I don't belong there. 

Lovely lantern towers on a church I spotted across the road
 from the cathedral. Not sure which church, though.

Edinburgh has so many beautiful buildings that I could probably stay there a month and not photograph all of them. I hope my readers don't mind how much I am posting in the way of architectural photography. October is going to be a picture-heavy month, and Gothic and Gothic Revival architecture is going to feature quite prominently. 

One of the fascinating things about cities is how much history every single building and square foot of land has - even newer buildings are often built over older buildings, and in some places you get catacombs as buildings are built over the cellars and sub-basements in increasing levels, with the newest buildings not always having access to their own cellars, I would not be surprised if this is not the case in some parts of Edinburgh; I certainly went to enough buildings where because of topography and various extensions, what is ground floor in one place would be basement to another in the same building - "upper ground floor" and "lower ground floor" being common stops on lifts! I know London has 'lost' underground buildings, some being branches now disconnected of the London Underground Railway, some of them cellars detached from their parent buildings, and some of them parts of old sewerage and drainage systems, and Paris is famous for its catacombs, but I don't know about Edinburgh. If any Edinburgh readers can shed light on this (pardon the pun) then I would be very interested.

Edinburgh City Part 1: Scottish National Portrait Gallery

A few weeks ago, not long after my laptop broke, I went on a weekend trip to Edinburgh. Raven was away in Glasgow for four days, and I had nothing planned for the weekend, so took the opportunity to visit my friend K. in Edinburgh. I had hoped to meet up with my friend Laura from Sheridan's Art while she was on holiday, but she left Edinburgh the same morning I arrived, but a lot earlier than when my coach came in. 

Enough Gothic twiddles to keep me happy!

The ::Scottish National Portrait Gallery:: is on Queen St. and just around the corner from the bus station. I was struck by the beauty of the Gothic Revival building, especially the warm colour of the red sandstone and the statues of various historical figures (K. and I had fun trying to figure out who each of them were). I didn't initially know it was a gallery, and when I spotted the sign, and the big signs advertising an exhibition on Ruskin (who I'm not particularly fond of, especially in light of how he treated the women in his life, but I appreciate his contribution to the Pre-Raphaelite movement) I decided I had to go in.

And this side just faces an alley!

 The interior is even more glorious than the exterior. As a lot of the actual paintings are still in copyright and as special exhibitions areas have photography within them prohibited, I didn't take any photographs of the paintings. I did, however, take photographs of the glorious atrium with its Victorian mural of famous Scottish historic figures. It's a splendid building, glimmering with gilt and brightly coloured. I kept joking with K. that if I ever become a dark queen, my castle of doom will be as well decorated! It's so rich, such a vibrantly painted interpretation of the medieval tradition; I just adore it. My favourite things are the hanging amber lights - I guess they were once candles or gas lights, but even as electric lights they are fabulous!

Gloriously decadent in the Gothic tradition.

I was having fun playing with the saturation.

The exhibitions are informative, well lit (I hate going into galleries and museums where the light is either glaringly bright, or too dim to see anything) and the paintings are, of course, amazing. Best of all, entrance is free, which is important when you've spent most of your money just on coach fare to Edinburgh from Inverness. I did, however, donate a few coins on exiting. I thoroughly recommend it to all visitors to Edinburgh (and any residents who haven't been there already) and I will certainly be returning (probably taking even more photographs of the exterior!).

I must say, when I spend over 4 hours on a coach getting south to Edinburgh, I am strongly reminded of just how far north Inverness actually is, and there is plenty more Scotland even further north! Having traveled so far down on the coach, I really made the most of my trip, so there will be quite a few more photographs of Edinburgh architecture to come! I even went to the castle, partly to gather photographs to show the children at work as the Primary 4 class currently have castles as their topic - I do love it when work and hobbies intersect! 

Inverness Cathedral

The first instalment of Architectural Photography Week!
Firstly, this week is going to be architectural photography week here at Domesticated Goth. For the next few days, expect plenty of photographs of various buildings and ruins I have visited, and a few guest posts from better photographers than me as on Sunday 13th we went on a little trip to some interesting locations. 

The rose window has a pentagram
(and I've only just noticed!)

Secondly, enjoy these photographs of Inverness Cathedral. These are the only two I've taken that turned out well, and all the others are just the same angles with different settings as I played with the 'proper camera' on manual. Raven helped me, as I'm quite the photography newbie when it comes to the technical side of things. 

This one was intended as a cover picture for my Facebook

Inverness Cathedral is reasonably small by cathedral standards, but is beautifully decorated both inside and out. It is Victorian (1860s), built in the Gothic Revival style and it was designed by Alexander Ross, who also designed Eden Court, the bishop's house just a little further down the river. The two towers at the front were supposed to be full spires, but were never built at such. If you go inside the cathedral, there's a lovely watercolour painting of the original design with the two spires, framed up nicely and on display. I personally feel that the original design would have appeared more cathedral like, rather than church like. 

Forres Mercat Cross

Finally! Another instalment of Photographic Friday...

Photography by the HouseCat

The mercat cross in Forres is a Victorian Gothic Revival piece built on the site of the original mercat cross. A mercat cross was built to designate a market town or village, and larger and fancier towns had larger and fancier crosses. Forres must have been a lot less quite and sleepy in the 19thC, for it has a lot of lovely Victorian architecture and a rather fancy mercat cross. Back in 2011, the cross was restored.

Photography by the HouseCat

As per usual, I saw something pretty and historical and clambered around it trying my best to photograph it. There are plenty of photographs of it in full - that's the standard tourist shot of it - so I decided to try some more interesting angles and capture some details. I'd have loved it if the sky was something other than uninteresting, misty grey that day, as I think some dramatic clouds would have really improved these shots. Any feedback on the photography from a technical aspect would be much appreciated. 

Photography by the HouseCat

I'm hoping to go back to Forres at some point as there is plenty of interesting architecture there, including an empty and derelict church and the Tollbooth. As I was in Forres for other purposes that day, I only had limited time to take photographs, and so my next trip will be completely for architectural photography purposes. 

Photography by the HouseCat

I will be on more travels in the near future, so stay tuned for more architectural photography, and other things. I sadly don't know much about the mercat cross in Forres, so there's not much historical information in this post - sorry! 

Snow, Executions, Graveyards and Cats

Well isn't that a strange list of things!

Firstly, it snowed. I know it is mid-March, and theoretically Spring began on March 1st (for those places that use other dates than the equinoxes and solstices as seasonal starts) but it is once again terribly cold and snowy. We have had patches of warmer, brighter weather, but it seems to have plunged once again into winter. 

Snow and trees. Photograph by me.

This is a photo I took in local woodland. It was around 09:20 (I wasn't working at that point, my shift was later) in the morning, and the sun was quite low in the sky soon. Snow had blanketed everything in powdery whiteness, and the branches glittered brightly in the sun. The sky was blue, with more snow-clouds blowing in. I spent some time walking around the woods with the camera, and took a few other pictures, but this one was the best.

I caught a bus shortly after this and went into the city. I was surprised that it was so snowy in the city itself, as it is usually slightly warmer than the surrounding countryside, and often if it is snowing out on the hills, it is only raining in the city. Instead, I found great swirling flurries of snow. I wandered into the graveyard on Church St. to take photos, as I know it to always be very pretty, and the church beside it is a lovely Gothic Revival example (the church in it being much older).

Old High Church Graveyard

The sky, as you can see, had begun to cloud over once again, as more snow was falling and even more snow heading our way. I try not to photograph individual graves too legibly, but some were included as I tried to get a photograph of the overall scene. I will remember to photograph from the opposite angle in future, where I only get the backs of the stones. They are not (by any means) recent graves, and I hope I cause no offence to the families of those interred there. I tried very hard to photograph a rather fluffed-up crow that was scooting between the stones, and at one point perched on top of an urn-shaped grave stone, but he was too flighty (probably a result of the cold). 

Graveyard in the snow.

While I was there, I noticed that the visitor's board - the educational one with a brief history of the church and grounds - was buried under snow, so I cleared it off. Having cleared it off, I glanced over it, thinking I had read it all before, but then realised I hadn't, and that the parts missed included a rather gruesome episode in the Church's history. After the Battle of Culloden, Jacobite prisoners were kept there temporarily, and executed in the graveyard. There were, and are, two stones in the graveyard, one with a groove in the top that was used as a musket rest, and one 9 yards directly in front of it, facing the river, where the prisoner to be executed was placed. I think quite a few died there. Apparently the executioner missed once, and there is dent in the wall of the house opposite. Reading about it sent chills down my spine, and it seemed quite eerie that the churchyard that is now peaceful and pretty and full of wildlife and nice statuary was once witness to such bloodshed. While graveyards are often associated with death, it is rare for people to have actually died in them. 

I had to go home at this point, as I had to get ready for my shift at work, but the weather started improving again. A lot of the snow melted in the afternoon. 

There's a cat perched on me. 

On a lighter note, on the way home to change for work, this friendly cat from a neighbour's house came over to see me. She likes clambering on me, and as you can see in the photograph, especially likes sitting on my shoulders. She's a very, very cute little kitty. And yes, I am terrible at taking selfies. I often get to play with her on my way too and from the bus, and once she refused to get off my shoulders, and I wondered if she was hoping to sneak onto the bus with me... Eventually she climbed onto a fence next me and was content to be petted while sitting up there. 

Arthurian Legend, Medieval History and Gothic Architecture

Or how I came to fall in love with anachronism...

This is in response to Jess, who suggested the topic on the Domesticated Goth Facebook Page.

⚜✥⚜

I have always had a broad appreciation of history. My father is involved in archaeology as a geophysicist and archaeological surveyor, and I was therefore brought up saturated in local history and British history. This, however, can only partially explain why I like history in general, and not really explain why I have a fascination for the medieval in particular, or how this ties in with my other historical interests (we're heading over to Pre-Raphaelite territory...)

My attempts to be a real-life Pre-Rpahaelite depiction of Morgan LaFey

⚜ Childhood Fascination

It all started with an illustrated book of fairy tales from when I was a very, very small child. In it were children's versions of some Arthurian tales. I really, really wish I still had the book, but sadly it is long gone. I can't even remember what the book was called, but I remember that it had lavish, beautiful illustrations in full colour and great detail. There was this fabulous image of a knight in armour on a horse, with the horse adorned in barding and caparison and the knight with a very sharp and shiny looking sword. Then there was a book ordered from the back of a packet of Weetabix (::this:: book - I'm showing my age! ) which I read avidly and repeatedly and with great enthusiasm. It was the first book on history I ever owned, and my favourite section was that from the Norman Conquest on to Henry VIII - just a bit broader than the time-span  referred to as the 'High Middle Ages' and 'Late Middle Ages'.

This interest was picked up, and I was given a French language (I was brought up bilingual, my first language is actually French) history book with a few transparent pages called ::Le Château Fort:: which just fed this interest. I even got taken on some trips to some real-life castles, such as Rochester Castle in Kent, which probably sealed it for me. 

I can't really place what it is that drew me to these things, but  it was partially a confusion between what was myth and reality (probably on account of being a child with a broad imagination). There was something wonderful and exciting about believing that all these knights and maidens and brave chivalrous warriors and fierce monsters and witches and wizards had been real, just centuries and centuries ago. For some time, as a small child, my career ambitions were "knight"... 

As I read more I quickly learnt that no, dragons were not real (dinosaurs, on the other hand...) and neither was the Green Knight, and that chivalry and courtly love were not as later poets would have us believe. I also learnt, over time, that the "shining armour" of knights was often actually depictions things such as 1480s Gothic plate armour from what is now Germany and other parts of the Holy Roman Empire, that there are an awful lot of types of "pointy arches" buildings, and recorders are fabulous musical instruments with a long, long history. Basically, I learnt that a lot of the things I found really interesting came from between the mid 11thC and very beginning of the 16thC. 

⚜ Art History And Gothic Architecture

The more I got to know of art and architecture from that period, the more I realised that it was rich aesthetics that I adored, and still adore. 

I gained an interest in calligraphy and illuminated manuscripts when I was about 12 or 13, after being introduced to them in an English lesson focused on Arthurian myths. I began my first pseudo-'illuminated' Book of Shadows, the precursor to my current book of Shadows, which is all written in uncial calligraphy, richly decorated with a mixture of foliate, spiral and knot-work designs, a lot of silver and gold embellishments (albeit via more modern techniques) and even has a few illustrations. 

I also fell in love with Gothic architecture (no surprise to my regular readers). I like most styles of highly decorative architecture on grand scales, from the temples at Angkor Wat to Christopher Wren's St. Paul's Cathedral, but I have a special fondness for the Gothic and Gothic-Revival. I especially like buildings in the later Gothic styles, especially the Perpendicular Gothic, with their emphasis on verticality and arrays of stained glass windows. I can't explain why I prefer a pointed Gothic arch or fan-vaulted ceiling to a round Romanesque arch or barrel-vaulted ceiling, nor what it is about tracery designs that appeal to me, but that is the way I am, and I could spend all day looking at them. 

It is not enough for me to merely find interest in the appearance of buildings, I am always led to their function, and that then draws me back into the history - old abbeys, cathedrals, grand houses etc. always have rich histories, and it fascinates me how the uses of buildings change over centuries, and boggles me to think of all the thousands of people from so many periods and places that have visited these places and looked at them with their own unique perspectives. 

What also amazes me is the size and complexity of the buildings designed considering the limited understanding of physics and mathematics at the time. People sometimes think that because people in the past were illiterate and superstitious with a limited grasp of science and mathematics that they were stupid but education and intelligence are different things, as can be shown by ::this:: article, where it describes how a string and a weight could show if the vast spire of Salisbury Cathedral was straight or not (it wasn't, it was leaning, and Christopher Wren figured out how to straighten it in 1668) in an age long before optical surveying equipment, let alone laser levels! These cathedrals were built by a largely illiterate work force. People had to be creative and use their initiative to overcome the lack of technology and get things done by other means. 

This does not just apply to great cathedrals across Europe, or even to medieval times alone, of course, but it is one of the things about the medieval period that does intrigue me. 

Also, as an enthusiastic archer, and a person with an interest in historical arms and armour, Medieval European weaponry is very interesting to me, and to understand the weapons, one has to understand the conflicts that were their context, and how they became visual symbols in later periods, which necessitates some understanding of medieval life. 

(Those interested in medieval weaponry may be excited to know that I have asked a friend who is more knowledgeable than me in this area to write a guest post on such things!).

⚜Understanding Where I live
As my readers already know, I live in the UK, currently in Scotland and previously down in the Thames Valley. I am the sort of person that likes to know the history of the places where I live; they make up part of the culture, and inform present day attitudes (like someone I know here, with a tattoo of the Declaration of Arbroath, which was originally made in 1320). The history of the UK stretches back millennia and millennia before the Middle Ages, but much of its best recorded  history is that recorded by the monasteries and onwards, i.e Saxon through to Medieval and onwards. 

Earlier history interest me too, especially the pre-Roman 'Celtic' history of the various Iron Age, Bronze Age and earlier peoples of Britain, but much of these cultures is lost to time, and what we know is pieced together from artefacts and remains, and the writings of later Roman authors writing as outsiders. The very early history is full of mysteries, and these mysteries intrigue me, but they are mysteries, not things we know. 

Medieval history, on the other hand, includes quite a body of knowledge about what life was like then, and is quite accessible - it is not that expensive to go on a tour of Oxford castle and get quite good account of the castle's history, starting with its ecclesiastical history and moving forwards, and I certainly studied the Norman Invasion, the Charter of Liberties, the Magna Carter and the Peasant's Revolt at school, and am sure that various aspects of Medieval history are fairly widespread in history teaching at various levels. I guess it was something I could easily get into, and unlike Roman history, I wasn't faced with my Dad's near-obsession (he spent several years working at a Roman pottery manufacture site with several kilns and a processing works for clay) with the subject. 

⚜The Victorians Have A Lot To Answer for

Another thing my readers may well know is that I have an interest in Victorian things, and as all the Victorian-era Gothic Revival and Scottish Baronial architecture I photograph show, and the subject matter of many Pre-Raphaelite paintings also, there was a definite interest in a fairy-tale and Arthurian Medievalism in that period (as well as an interest in legitimate history). My interests become recursive at this point. To elaborate on the previous examples, I look at a Victorian Gothic Revival buildings, and see in them their stylistic ancestors (and giggle at the Victorian tendency to turn practical medieval things into nonsensical decorative devices.), I look at Pre-Raphaelite depictions of Arthurian legends, and wonder which suits of armour were used as costume references, and how many details are flights of fancy.  

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Hopefully I have managed to detail from where my interest stems in a helpful manner to those curious, and have not been too boring and introspective. Personally, I find the history far more interesting than my appreciation of it! I don't think this explanation is exhaustive, and in racking my brains I wonder if I am overlaying too much of who I am now onto my past self, but hopefully it is at least a bit helpful. 

Inverness Town House

⚜ It's Friday and that means it's photo time! ⚜   

This is was the quietest moment for photographing...

The focus this week is the Town House in Inverness. I've been avoiding it for a while because it's not exactly in the quietest part of town, being at a busy intersection, off the high street, and always full of people, and I'm not exactly a 'people-person' or the sort of person that is happy standing around on the high street with a camera. That and I was considering clambering up the street furniture to get a reasonable angle.

The front of the Town House.

There's two sets of lights outside the townhouse - big cast iron things. I can't figure out if they quite fit the aesthetic. I know the chunky design is supposed to compliment, and I am sure they are purpose made, but maybe it's the fact that I know that real castles would not have had electric (or gas) lights outside the front door like that. Still, they serve a function, and they are quite fabulous in their own right, and they look far better than the brackets for the flowers. 

Turrets, tourelles, something...

The Town House in Inverness is one of those over-the top Scottish Baronial buildings - Scottish Baronial architecture being a combination of Gothic Revival extravagance and inspiration from the old Scottish defensive tower houses. Basically, it's pretending it's a castle, which is quite surprising considering it is next to the actual castle (now the Sheriff court - I had to do jury duty there) and really does not compete when it comes to size and location. The current castle in Inverness is also 19thC, built in 1836 (a year too old to be Victorian) but not quite as overtly Gothic. Inside the castle there's a good few Gothic Revival details, but on the outside it's actually rather plain with lots of rounded arched windows. Anyway, the Town House was one of those Victorian buildings where it seems no expense was spared and all architectural exuberance was permitted. It is one of those buildings designed to impress, and it does that very well indeed. 

Fancy windows.

Apparently the Highland Council run guided tours of the building twice a week, and apparently it is rather fancy inside (and has swords), but I haven't actually been in it yet. I'm hoping to go on one of the guided tours during half term, as it is a historically interesting building with a lot of items within it relating to the broader history of the city. I'm still trying to work out what the difference between a turret and a tourelle is. I think a tourelle is a specific sort of turret which has to be round, corbeled, with a conical roof and on a corner (as opposed to rectangular or starting on the flat plane of a wall.) Anybody who knows the answer to this is encouraged to elucidate me on the matter. The decorative ironwork on the roofs, and the dormer windows, show a Parisian influence. 

The top of Mercant Cross

A lot of my photographic ventures have been based in Inverness, and I think it is about time I addressed the Cathedral, seeing as I've showcased Eden Court (directly next to it) and a few other ecclesiastical buildings of various denominations already - leaving out the Cathedral, of all buildings, seems odd! I wanted to hear the Merlewood ensemble there yesterday - there was a free concert with a charity retiring collection (I think in aid of the building's restoration, not entirely sure), and I like a bit of chamber music, but unfortunately I had somehow got convinced it was tonight rather than last night. Oops. Anyway, I have been out to photograph the cathedral, but my efforts have been less than satisfactory, so far. The Cathedral shall be next week, if I haven't been to Cromarty church in the meanwhile. 

Sometimes I'm just lucky...

When out photographing things in any city, it is always a good idea to look upwards as even a lot of boring shops are part of more interesting. I originally wanted to take a photo of this Scottish Baronial style façade over a shop, then I saw the seagull and waited...