My personal blog as a 'grown-up' Goth and Romantic living in the Highlands of Scotland. I write about the places I go, the things I see and my thoughts on life as a Goth and the subculture, and things in the broader realm of the Gothic and darkly Romantic. Sometimes I write about music I like and sometimes I review things. This blog often includes architectural photography, graveyards and other images from the darker side of life.

Goth is not just about imitating each other, it is a creative movement and subculture that grew out of post-punk and is based on seeing beauty in the dark places of the world, the expression of that in Goth rock. It looks back to the various ways throughout history in which people have confronted and explored the macabre, the dark and the taboo, and as such I'm going to post about more than the just the standards of the subculture (Siouxsie, Sisters of Mercy, Bauhaus, et al) and look at things by people who might not consider themselves anything to do with the subculture, but have eyes for the dark places. The Gothic should not be limited by what is already within it; inspiration comes from all places, the key is to look with open eyes, listen carefully and think with an open mind..

Showing posts with label cliches. Show all posts
Showing posts with label cliches. Show all posts

Sunday, 31 March 2013

Romanticism, Mysticism and Witchcraft

As I may have mentioned before, I am Neo-Pagan. For a while I was Wiccan, but these days I don't follow that path. I see my faith as more of a spiritual extension of my Romantic outlook than as religion, and the two are certainly intertwined in my thinking. First and foremost I am a pantheist with a strong regard for what I see as the intrinsic divinity of the Universe. I am not the sort to anthropomorphise my view of the divine - I don't believe in the personifications of the divine as various Gods and Goddesses, nor as a humanoid single God. To me the Earth, the sky, the sun, the moon the vastness of space - the universe, really - ARE God. To me the Divine is intrinsic, immanent, omnipresent in a literal way, not some transcendental being. 

The rocks providing a natural wall. Craig Phadrig, Inverness
I am not entirely sure on the consciousness of the Divine - the idea of one set of monolithic governing thought seems strange to me. I prefer the idea of the Universe being conscious of itself through its denizens rather than having its own separate consciousness. I think this belief in a sanctity of everything rather than a 'spirit' of everything is what differentiates me from an animist. 

Looking ponderous in the late evening.
These days I do still celebrate the eight major Neo-Pagan holidays, but I don't do so as a group. Sometimes I celebrate with a few friends, but I am not part of a Coven or anything similar. I go to the Pagan moots when I can though. To me, faith is mostly a private thing, which is why I am not really writing about it in any depth here. I have been asked before, so this post exists. I have never really felt the inclination to join a 'working group' or any Pagan equivalent to a Church. I'd much rather commune quietly in the forest. 

Lurking amongst the ferns.
I am not really into mythologising the world around me, hence my rejection of God and Goddess characters, and this extends into mythological creatures. While I do believe in the existence of beings that people might consider 'supernatural' and have encountered things that would commonly be termed ghosts, I don't like categorising any such encounters and experiences into the usual mythological taxonomy of angels, fae, demons and suchlike. Partly this is because I like to keep an open mind about what happened, and while I like the 'supernatural' explanations, I know I have no definitive proof of that or any other explanation, and not categorising what happened is part of how I try not pigeon-hole and look upon these experiences narrowly. 

Hiding behind a tree.
I get categorised as a Witch, but I don't like the word - it has too many fantasy-world connotations of flying brooms and turning people into frogs and talking animals and suchlike. I also don't like being called a psychic, as I am no good at 'seeing' the future or any form of pre-cognition, and am also no medium. I do practice what gets termed 'magic' or 'magick' but it is more like a prayer to the universe or or a very exacting wishing than pointing a wand and expecting pyrotechnics and miraculous instantaneous change. I have no idea how magick works, but in my experience I consistently get what I try for, so I will continue to believe in its existence. Don't try requesting spells from me - I won't do them. I know I might be wrong about the existence of magick and that a lot of people think it's hooey, but really, if it doesn't exist all I've done is waste a few moments of time and the cost of a few coloured candles that I'd have probably bought anyway because I like decorating with candles. 

Watching birds above.
The only thing that bugs me is people who assume I am a Witch because as a Romantic Goth I look a LOT like a stereotypical witch, just minus the pointy hat. I even have a lot of silver 'occult' jewellery and a black cat, and I am a walking cliche, but there are a lot of other Goths who look a lot like me who are Christians, Atheists, Agnostics, Jews, Muslims, etc. etc. and while that assumption might be right with me, the version of 'Witch' they are assuming is going to have a lot more to do with Harry Potter or Charmed than Wicca or Neo-Paganism. 

The photographs have nothing to do with me being Neo-Pagan or witchy other than I'm wandering around a forest and wearing a zodiac necklace and pentagram rings; I just wanted an excuse to use them for something. I guess in some ways they reinforce that stereotypical image of the witch - and yes, they were inspired by Morgan La Fey - but this is also a lot of just how I am and how I look like on a day-to-day basis; I wear that medieval-fantasy dress as a summer dress, that is my favourite wig and I love wearing lots of jewellery. Yes, I do like the aesthetic of the stereotypical witches and sorceresses, that fantasy archetype that gets oft recycled, but that's more part of me being Goth than of me being a Witch. I know more earthy nature-loving Hippy Witches than Goth ones, and I know as many male Witches as female, too. 

All photographs are by Raven, although he doesn't think they are his best. The low light levels were tricky, but trying to do this shoot was an educational experience. Spooky colour-changes and other such post-production was done by me as an exercise in being more artistic with Photoshop. 

Tuesday, 2 October 2012

The Synthetic Aesthetic & Hypocrisy

Recently, Amy of ::Stripy Tights and Dark Delights:: wrote ::this:: post on Goths that denigrate people of a certain popular aesthetic (Essex Girl in the UK, Jersey Shore to an American, I would guess that a lot of places have their equivalent) for being "fake" because of the fake tan, fake eyelashes, bleached hair, fake nails, hair extensions, heavy makeup, bust augmentations, etc. etc. I am probably repeating what she said here, but it is an important message, so I feel like reiterating it in my own words on this blog 

A lot of Goths and other Alternative types are just as "fake". I certainly go around with a corseted waist, a wig, fake eyelashes, heavy makeup, a pallor that is partly nature and partly makeup (more to even it out than make me paler), high heels, piercings etc. My waist is not naturally that thin, my hair is is not actually red (not even by dye), my eyelashes are pretty long, but they don't come with feathers, and I got all those jewellery-attachment-points through having someone poke holes through me! I go to great lengths to achieve a particular aesthetic, and that is all that these 'Essex Girls' are doing. There are people who have had far more extensive body mods than me; more piercings, elaborate tattoos, and even fangs, pointed ears and horns, all in search of a particular aesthetic. This is certainly a synthetic aesthetic, one that is created through artistry overlaid on nature. 

Usually someone comes in with the justification of something akin to 'oh, but they are following a trend, to them it's about fitting in and appealing to men and getting attention, they must be really insecure! We do it in the pursuit of our own personal aesthetic!' 

Who are we to judge? 

Unless you know someone well enough to have good estimation of their real motivations, you have no business judging someone. It is the same sort of prejudicial assumption as when mainstream people assume that we dress and look the way we do for attention or to rebel against our parents or to opt out of decent society. Considering the time and money and effort spent on a lot of these women's looks, I would say that there has to be a significant proportion who really are chasing their dream aesthetic. Yes, there certainly are those who follow that aesthetic to be trendy, to get attention, to impress men, because they are insecure with who they are under the fakery, etc. but there are also people who co-opt the Goth aesthetic in order to get attention, to impress men, to be rebellious, to try and shock people, because they are insecure with who they are under the fakery, etc. It is unfair to judge a group by the action of individuals who are not necessarily representative. It is easier to distinguish a Goth from someone co-opting the aesthetic, because there is some broader definition of Goth, but the 'Essex Girl' aesthetic is just an aesthetic (the party animal lifestyle, drinking, etc. are not inherent; plenty of people who don't follow this look behave like that, and not all who follow this look behave like that); there is no co-opting it away from a broader subculture. 

Basically, this is an encouragement not to judge; instead take people on their individual merit, on their own actions and behaviour. How somebody looks is not necessarily and indicator of what they are like, as we should all well know. A dose of humility and an open mind are good things to have. 

Tuesday, 25 September 2012

Arthurian Legend, Medieval History and Gothic Architecture

Or how I came to fall in love with anachronism...

This is in response to Jess, who suggested the topic on the Domesticated Goth Facebook Page.


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I have always had a broad appreciation of history. My father is involved in archaeology as a geophysicist and archaeological surveyor, and I was therefore brought up saturated in local history and British history. This, however, can only partially explain why I like history in general, and not really explain why I have a fascination for the medieval in particular, or how this ties in with my other historical interests (we're heading over to Pre-Raphaelite territory...)


My attempts to be a real-life Pre-Rpahaelite depiction of Morgan LaFey

⚜ Childhood Fascination
It all started with an illustrated book of fairy tales from when I was a very, very small child. In it were children's versions of some Arthurian tales. I really, really wish I still had the book, but sadly it is long gone. I can't even remember what the book was called, but I remember that it had lavish, beautiful illustrations in full colour and great detail. There was this fabulous image of a knight in armour on a horse, with the horse adorned in barding and caparison and the knight with a very sharp and shiny looking sword. Then there was a book ordered from the back of a packet of Weetabix (::this:: book - I'm showing my age! ) which I read avidly and repeatedly and with great enthusiasm. It was the first book on history I ever owned, and my favourite section was that from the Norman Conquest on to Henry VIII - just a bit broader than the time-span  referred to as the 'High Middle Ages' and 'Late Middle Ages'.

This interest was picked up, and I was given a French language (I was brought up bilingual, my first language is actually French) history book with a few transparent pages called ::Le Château Fort:: which just fed this interest. I even got taken on some trips to some real-life castles, such as Rochester Castle in Kent, which probably sealed it for me. 

I can't really place what it is that drew me to these things, but  it was partially a confusion between what was myth and reality (probably on account of being a child with a broad imagination). There was something wonderful and exciting about believing that all these knights and maidens and brave chivalrous warriors and fierce monsters and witches and wizards had been real, just centuries and centuries ago. For some time, as a small child, my career ambitions were "knight"... 

As I read more I quickly learnt that no, dragons were not real (dinosaurs, on the other hand...) and neither was the Green Knight, and that chivalry and courtly love were not as later poets would have us believe. I also learnt, over time, that the "shining armour" of knights was often actually depictions things such as 1480s Gothic plate armour from what is now Germany and other parts of the Holy Roman Empire, that there are an awful lot of types of "pointy arches" buildings, and recorders are fabulous musical instruments with a long, long history. Basically, I learnt that a lot of the things I found really interesting came from between the mid 11thC and very beginning of the 16thC. 

⚜ Art History And Gothic Architecture
The more I got to know of art and architecture from that period, the more I realised that it was rich aesthetics that I adored, and still adore. 

I gained an interest in calligraphy and illuminated manuscripts when I was about 12 or 13, after being introduced to them in an English lesson focused on Arthurian myths. I began my first pseudo-'illuminated' Book of Shadows, the precursor to my current book of Shadows, which is all written in uncial calligraphy, richly decorated with a mixture of foliate, spiral and knot-work designs, a lot of silver and gold embellishments (albeit via more modern techniques) and even has a few illustrations. 

I also fell in love with Gothic architecture (no surprise to my regular readers). I like most styles of highly decorative architecture on grand scales, from the temples at Angkor Wat to Christopher Wren's St. Paul's Cathedral, but I have a special fondness for the Gothic and Gothic-Revival. I especially like buildings in the later Gothic styles, especially the Perpendicular Gothic, with their emphasis on verticality and arrays of stained glass windows. I can't explain why I prefer a pointed Gothic arch or fan-vaulted ceiling to a round Romanesque arch or barrel-vaulted ceiling, nor what it is about tracery designs that appeal to me, but that is the way I am, and I could spend all day looking at them. 

It is not enough for me to merely find interest in the appearance of buildings, I am always led to their function, and that then draws me back into the history - old abbeys, cathedrals, grand houses etc. always have rich histories, and it fascinates me how the uses of buildings change over centuries, and boggles me to think of all the thousands of people from so many periods and places that have visited these places and looked at them with their own unique perspectives. 

What also amazes me is the size and complexity of the buildings designed considering the limited understanding of physics and mathematics at the time. People sometimes think that because people in the past were illiterate and superstitious with a limited grasp of science and mathematics that they were stupid but education and intelligence are different things, as can be shown by ::this:: article, where it describes how a string and a weight could show if the vast spire of Salisbury Cathedral was straight or not (it wasn't, it was leaning, and Christopher Wren figured out how to straighten it in 1668) in an age long before optical surveying equipment, let alone laser levels! These cathedrals were built by a largely illiterate work force. People had to be creative and use their initiative to overcome the lack of technology and get things done by other means. 

This does not just apply to great cathedrals across Europe, or even to medieval times alone, of course, but it is one of the things about the medieval period that does intrigue me. 

Also, as an enthusiastic archer, and a person with an interest in historical arms and armour, Medieval European weaponry is very interesting to me, and to understand the weapons, one has to understand the conflicts that were their context, and how they became visual symbols in later periods, which necessitates some understanding of medieval life. 

(Those interested in medieval weaponry may be excited to know that I have asked a friend who is more knowledgeable than me in this area to write a guest post on such things!).

Understanding Where I live
As my readers already know, I live in the UK, currently in Scotland and previously down in the Thames Valley. I am the sort of person that likes to know the history of the places where I live; they make up part of the culture, and inform present day attitudes (like someone I know here, with a tattoo of the Declaration of Arbroath, which was originally made in 1320). The history of the UK stretches back millennia and millennia before the Middle Ages, but much of its best recorded  history is that recorded by the monasteries and onwards, i.e Saxon through to Medieval and onwards. 

Earlier history interest me too, especially the pre-Roman 'Celtic' history of the various Iron Age, Bronze Age and earlier peoples of Britain, but much of these cultures is lost to time, and what we know is pieced together from artefacts and remains, and the writings of later Roman authors writing as outsiders. The very early history is full of mysteries, and these mysteries intrigue me, but they are mysteries, not things we know. 

Medieval history, on the other hand, includes quite a body of knowledge about what life was like then, and is quite accessible - it is not that expensive to go on a tour of Oxford castle and get quite good account of the castle's history, starting with its ecclesiastical history and moving forwards, and I certainly studied the Norman Invasion, the Charter of Liberties, the Magna Carter and the Peasant's Revolt at school, and am sure that various aspects of Medieval history are fairly widespread in history teaching at various levels. I guess it was something I could easily get into, and unlike Roman history, I wasn't faced with my Dad's near-obsession (he spent several years working at a Roman pottery manufacture site with several kilns and a processing works for clay) with the subject. 


The Victorians Have A Lot To Answer for
Another thing my readers may well know is that I have an interest in Victorian things, and as all the Victorian-era Gothic Revival and Scottish Baronial architecture I photograph show, and the subject matter of many Pre-Raphaelite paintings also, there was a definite interest in a fairy-tale and Arthurian Medievalism in that period (as well as an interest in legitimate history). My interests become recursive at this point. To elaborate on the previous examples, I look at a Victorian Gothic Revival buildings, and see in them their stylistic ancestors (and giggle at the Victorian tendency to turn practical medieval things into nonsensical decorative devices.), I look at Pre-Raphaelite depictions of Arthurian legends, and wonder which suits of armour were used as costume references, and how many details are flights of fancy.  

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Hopefully I have managed to detail from where my interest stems in a helpful manner to those curious, and have not been too boring and introspective. Personally, I find the history far more interesting than my appreciation of it! I don't think this explanation is exhaustive, and in racking my brains I wonder if I am overlaying too much of who I am now onto my past self, but hopefully it is at least a bit helpful. 

Tuesday, 7 August 2012

Goth, Hate and Ignorance

☠ WARNING: RANT AHEAD ☠

I am in foul mood, and a rant is ahead - you have been warned. 

Amongst the slurs aimed at Goths, I have noticed a trend - I think a lot of the people who hate us have only met those amongst Babybats who are perhaps the least representative of the subculture, not even representative of Babybats, and are more in it for the shock factor and to seek attention than Goth being a true representation of themselves.

The Negative Stereotype
Goths are sullen, moody teenagers. We're white, from a middle-class background, and complain without reason in the face of a privileged life, or are always depressed. We dress the way we do to "rebel", we think we are special snowflakes, unique and individual and soooo non-conformist. We listen to Marilyn Manson, Evanescence and My Chemical Romance. We self-harm, and self-harm for attention. We wear white-face makeup and lots of chains. All male goths are gay, or transvestites, and all female goths are lesbians. Goth girls are promiscuous and all goths are into fetishes. We live with our parents, will either grow into sad, unemployed adults or give up looking weird at college. We're rude, anti-social and cliquish, and we think we're a cut above the rest. Goths are either anorexic or morbidly obese. They're ugly, using their freakish style to try and hide behind, etc. Goths are Nazis, or shoot up schools. Etc. etc. 

This is the view I see come across in various goth-bashing post on the internet; on YouTube, on forums, in the comment sections of various pages. I'm pretty sure if you've seen a Goth video on YouTube you'll have come across some of this sort of nonsense in the comments section. It's also surfaced in real life situations where people have expressed their intolerance towards Goths. You might have noticed the latent homophobia and sexism, and also the fact that it is self-contradictory. The self-contradictory nature is probably because it is coalesced from a variety of hatred spewed forth on the internet and real life (although there are quite probably people who hold these self-contradictory views too). Anyone who has spent any time in the subculture or is friendly with actual Goths will see this as nonsense far removed from the actual nature of the subculture, but this is the stereotype that remains.

Mostly, it is ignorance, closed-mindedness and an intolerance for people who are different, but somewhere in there I think there's people who have had bad experiences with those they think are Goths. Now, I don't doubt that there are few adult Goths who are neither young nor Babybats who give the subculture a bad name and act deplorably - especially as I have met a few - but the majority of these stereotypes reflect the behaviour of the more obnoxious younger pseudo-Goths; not a reflection of Babybats as younger members of the subculture or as those just starting out in the subculture, or even as those meandering through subcultural identities in search of their own, but a reflection of those people who use the subculture as a means to play the rebel or seek attention or who seem so caught up in the false stereotypes of the subculture that they become living embodiments of them. 

Goths are not all depressed, but this is a common stereotype. There is this concept that we are indulging in melodramatic angst when there is nothing really wrong with our lives. Most Goths I know are actually relatively happy people, they have their ups and downs, and I think are more likely to be open about when they are down than those in the mainstream, but are not, on the whole, particularly miserable people. Maybe it exists because Goth music has been dark and a bit depressing since the days of Joy Division, and this has probably been around for as long as the subculture. In recent years this has been worsened by the conflation of Goth with Emo, and the negative portrayal of Emo being all about depression, or worse, affected depression for attention.

Goths and Emos are often conflated in hate comments, and there seems to be a genuine lack of distinction made between the two, although one would think that on looking at a Goth and an Emo that they even look vastly different. This conflation is really annoying me, especially when perpetuated by the media., and so do people conflating Goth and Punk. It's like not being able to tell the difference between deer, sheep and goats. Lots of people have already written about the differences between Goth and Emo and between Goth and Punk and suchlike, so there is no need for me to go into it here.

The stereotype of the sullen teenager writing angsty poetry, acting in a melodramatic manner exists for a reason. Teenage years are complicated, confusing times which make a lot of young people unhappy, especially in a modern world where so much pressure is put on young people to have flourishing social lives, be sexually active, and keep up to date with trends as well as deal with the sorts of issues that come with puberty and with secondary education and whatever may be happening in their family lives. A lot of teenagers seek release in various subcultures, and sometimes do so in less than advisable manners, but that is no fault of the subculture, and while the teenagers who do this do need to be held responsible, there should be full acknowledgement of how even with all modern technology and trained adults, that the teenage years will always include mistakes, mistakes we should learn from to become better adults. That is what being a teenager is about.

The part that does, however, get to me, is the part where people do things for attention. Self-harm is a serious issue, real mental illness is very serious too, but there are people who fein mental illness for attention, and will even go as far as to self-harm for attention, or to emotionally manipulate people, and this causes a lot of problems for people who do have self-harm problems and mental health issues. I had mental health issues as a teenager, and self-harmed, but it was often pushed aside with me merely being an 'attention-seeker' in the eyes of those I was trying to seek help from and my subcultural interests I think did not do anything to sway their opinions in my favour. This sort of behaviour causes real harm to people.

There are also those who use  Goth, among other subcultures as a method of getting attention - these are the people who wear all the "gothiest" things at once regardless of whether or not they clash, that claim that they really are vampires to everyone in their school, threaten to curse people, or even threaten to shoot their fellow pupils, say rude things about "preps" or "chavs", claim to be Satanists while ignorant of actual Satanism, graffiti things with scrawled pentagrams, think Marilyn Manson is shocking, and generally try and act like they are spookiest, most evil thing to ever go to secondary school/high school/college/etc. They want to shock, they want to get attention, and they don't necessarily realise that they are embarrassing themselves and making the subculture look bad, and if they receive negativity for their behaviour, claim it is discrimination on account of their subculture. Attention seekers often think of themselves as special snowflakes, too, and are people who try and gather to themselves labels that set them apart from the majority, to make themselves ever more esoteric, and Goth can be a convenient label.

If someone is seeking attention then they are making a determined effort to be noticed, and it is these attention seekers that are therefore more likely to stick in people's minds. Those who are particularly negative in one way or another are also more likely to be remembered than those who behave politely and decently.

I have explained before how Goth is not an act of rebellion, simply a set of differing tastes, a subculture rather than a counter-culture. We are not trying to be "nonconformist". 

The mental image that many have of a Goth, as someone with white-face makeup, badly done or over-done eye-makeup, lots of chains and the sorts of clothes and accessories that were available in Hot Topic in the early '90s or in Claire's Accessories now (although I admit I have bought gloves, socks and  earrings from Claire's, as there are some nice things in amongst the tat, but my experience has usually been of things of low quality and over-priced), trying very hard to act the spooky part, perhaps being sarcastic and cliquish, or acting with pretension and superiority (such as referring to non-Goths as "mundane mortals" in seriousness) is not a representative of Goths, it is representative of Babybats and Mallgoths, who either are just learning in their subcultural beginnings or are going through a phase. Most people do not think of the many talented artists and musicians in the scene, or the elaborate outfits of Whitby Gothic Weekend or Wave Gotik Treffen, or of anything representative of just how amazing, well-done and classy Goth can be.

The homophobia, sexism, heteronormative bias, and suchlike inherent in the sort of hatred that says "Goth guys are gay because they wear makeup" or "all goth girls are dykes because they wear combats and have piercings and listen to angry music" and similar is a representation of just how inculcated into mainstream Western culture these attitudes have become. I am not here to write about gender and sexuality and society; there are reams of articles already in existence on these topics, and I am not going to paraphrase people who are far more studied and eloquent on the topics than I am. 

A lot of people who have, for one reason or another, felt uncomfortable looking "normal" have found Goth and other alternative-looking subcultures helpful to them. There are certainly Goths with eating disorders of various sorts. There are also Goths who are not traditionally "pretty" or "handsome" and suchlike. Some people find being able to create their own appearance through creativity and artifice a whole new way to be beautiful when not happy with the way they naturally look, and that is a) not necessarily a bad thing and b) not unique to Goth. There are Goths of all shapes, sizes and Goths of all colours, from paler than pale to goths of colour who are more than just black in terms of their clothes. Goths are vastly variant in appearance and body-type. 

A lot of Goths remain so long into their adult years and have successful careers, often in careers that require a significant amount of education and are certainly respectable, and often well-paying. Just look at blogs such ::Siouxsie Law:: or ::Sophistique Noir:: or ::The Dancing Maenad::  (previously ran Le Professeur Gothique) for proof of well-educated and successful adult Goths (as well as really interesting blogs). 

The last three paragraphs are things that members of the subculture already know, but yet somehow elude those outside of it, as do many of the ways in which the stereotype differ wildly from the actuality of the Goth subculture. As to the BDSM community confusion, ::this article:: at The Everyday Goth should be helpful, and as to the "goths are Nazis that shoot up schools", most of the blame can be put on the shoulders of the media coverage of the Columbine massacre. 

I am not blaming Babybats or even Mallgoths for the discrimination Goths face - only the people who discriminate against us are to blame for their actions. Babybats are not bad people, they are not deliberately giving Goth a bad name, and a lot of them are simply new to the subculture and people judging Goth by the efforts of Babybats are as misguided as people judging the whole of archery by the people who do it for an afternoon on an adventure holiday. Even attention seeking pseudo-Goths are not to blame, however annoying they may be, for the actions of others. People are ultimately responsible for their own actions. 

The Babybats a person meets at secondary school, or the Mallgoths lurking in the local shopping-centre may be the only Goths and Goth-like people that a lot of people outside the subculture interact with, partly because they are the most numerous as those for whom Goth is a phase will often have it as a teenage phase, and partly because a lot of older Goths tend to keep their subcultural affiliation fairly quiet. 

I do think, though, that more needs to be done to show the positive side of Goth, to show what the subculture is really about. The resources are there, but somehow both the mainstream and younger Babybats are not getting them, because the stereotypes remain, and even people who are interested in Goth seem to be getting stuck at the level of these stereotypes. I think the answer is for ordinary Goths to stick their heads above the parapet a bit more, for all the beautiful, creative, and wonderful sides of the subculture to be allowed to outshine all of the flawed characters and fringe members and things that just go a bit wrong that come with it being a subculture made of real human people with all of their human strengths and weaknesses, and for the subculture to encourage the best in its members and make it clear what Goth is really about, so that however much the term is abused by people twisting it for their own ends, that such abuses are infinitely outweighed. 

Monday, 9 January 2012

30 Day Goth Challenge, Day 4

I'm usually mostly out and about after dark. That is partly because I've moved North, and the days here at least feel considerably shorter than they were, but I think that this is partly because I am ringed by mountains, so the sun has set behind the mountains long before it would set behind a flat horizon. This is also because my partner works until quite late, he often finishes work at gone 19:00 and then has a 45 minute commute home, so if we want to do anything together, including mundane shared chores like food shopping, it is usually done after 20:00. I am up and awake long before then, and do get up at a sensible time, but with the weather having turned for the worse, there's less conservation work for me to do, and I am less inclined than usual to walk into town, especially as I know I'll be walking home alone in the dark if I do that. Also, if it gets dark before 16:00 and light after 09:00, there's not that much of the day when itisn'tdark here in Winter :P I'm also a sucker for not going to bed until I've done a task - for example last night I stayed up working on a Doodle or Die drawing of a Samurai, in great detail, until it crashed at 03:30. If I start something, unless something really distracting happens, I'm usually locked off from the world until I've completed it.

Pale As Death
I'm naturally rather pale, though pale with a reddish tinge, and I tend to do my makeup not to make me actively paler, as I'm pale enough anyway, even for the Gothic look, but simply to make my skin less pink. I am often asked if I'm feeling ill, or what the matter with me is, but the truth is I'm fine, this is my natural, normal skin-tone. I've also got poor circulation, so my hands and feet are often very cold. As you can imagine, this means I end up the butt of corpse-jokes, but that's fine by me. I've found a lot of Goths are naturally pale people, maybe it's because Goth provides a style alternative for people who are never going to pull off the sun-kissed blonde look but can do pale and interesting quite well.

All Black Everything
Black is not my favourite colour, but it is one of them. I do tend to pick the black option even when buying items with little inherent Goth potential, not just because I don't want my cleaning stuff to clash with my clothes, but simply because I like the colour black. My four favourite colours are purple, green, black and blue - in that order. This said, I have, and this list is not exhaustive, the following: black coat-hangers, black-handled cutlery (and that actually IS deliberately Goth), black serviettes, black bedding (also Goth), a black "Gothmas" tree, square black crockery, a black electric-guitar-shaped grater, black towels, black coffee mugs, black tissue-box, black sushi plates, black plastic cooking utensils, black-handled scissors, black photo-frames (also fairly Goth) etc. etc. My wardrobe is a black-lined pit of black clothes and black shoes. Sometimes I wear a bit of green, blue, or purple, but it's mostly black on black. I get teased by friends who, when I buy something totally not goth-related and it turns out to be black, say "Oh! What a surprise! It's pink! Wait, no, it's black." Even my socks are at least mostly black.

Skulls Are Beautiful
I collect animal skulls, collect skull-shaped items, wear skull jewellery, and generally love skulls. I even paint and draw them. I also like Reapers, and bones, and other stereotypically skeletal things. I want to get a biology model skeleton to hang on my wall because I think they're aesthetically pleasing as well as educational. All my animal skulls are found pre-deceased (and mostly picked clean) on walks. I do boil them thoroughly and wash them thoroughly before displaying them. I like deer skulls the best, but have the skulls of other wildlife. I want a raven skull. My favourite art pieces are Memento Mori and Vanitas paintings.

Caught In An Explosion In A Lace Factory
I think this is as much a Lolita/Aristo stereotype as it is a Gothic one, but it's often true for me. I'll wear shirts with triple-lace cuffs, a lace trimmed skirt over petticoats, a lace jabot, lace head-gear and lace as cuff-bracelets and then tie another bit of lace in a loop under my collar and over my jabot, probably in contrasting black, and then carry a lace parasol. Trim my lace with more lace! Lace is a favourite material of mine, I love its intricacy and delicacy and the beautiful patterns it is made in. If I liked pastels and suited them, I'd probably be a Sweet Lolita cliche. I always feel very elegant when I'm wearing lots of lace.

Breathing Is Unimportant!
I lace my corsets tight and wear them pretty much constantly. I'll wear leather studded corsets with buckles, and I'll wear fancy brocade corsets over lacy tops. I like underbust, I like overbust, I like anything as long as it is mostly black, has proper steel boning and pulls me right in like an hour glass. I like white and ivory corsets to wear under period-inspired clothes, I like fancy PVC outerwear corsets to wear as a futuristic cyber-goth. I really, really, really, like corsets. In fact, I think I'm in love with them. They make me look skinnier, bustier and better proportioned. They're warm in winter. They're sexy. They're classy. They're everything I could wish for in one garment.

Bleak-eyed Writer
I wrote my fair share of angst-ridden poetry and bleak, dark fantasy fiction as a teen. Now I'm writing an apocalyptic novel set in a world where civilisation has collapsed and humanity is tearing itself apart, the environment is ruined and a lot of people die. I guess it's gone from Gothic to Rivethead literature, but hey, it doesn't depress me to write it. That said, I'm writing this novel as a warning, not an instruction manual for annihilation nor as a morbid adrenaline-junky's holiday brochure. I also like black humour, and write things that are funny-yet-morbid. I still write poetry, though it is more in the vein of admiring the beauty (and dark beauty) of the universe than in complaining about how awful my life is in poorly-written verse. My poetry abilities have also improved since I was a teen, mostly because writing poetry is one of those things I do quite frequently, for example when bored, on trains, while waiting for public transport, on long journeys, or anywhere else I get 5 or more minutes of sitting-down time. I have also learnt that angsty ramblings are not good subject matter and that good poetry requires more than just rhyme and raiding the thesaurus.

These are the main ones, but I also love ravens, magpies, crows and other corvids, do Siouxsie Sioux style eye makeup or draw curlicues, tend to go out everywhere pretty darn goth, read lots of vampire stories and hang around in graveyards. Yep, I'm a cliche, but I'm having fun being a cliche, so I don't care.