Makeup Tutorial: Date Night

I figure ivory is a good counterpoint to black... 

This was going to a bit earlier in the month, on Valentine's day, to be precise, but it wasn't ready. This is a makeup tutorial recreating the makeup design I wore to the dinner date with Raven that we had to celebrate three years of us being together, earlier on this month! As I wore a ruffled satin blouse and floor-length skirt, and my curly black wig, I wanted something to break up pillar of black effect, so opted for ivory lace gloves and pearls, and thus consequently, ivory eye-makeup. 

Photographs by SuzyBugs
My hand looks awkward because my thumb nail is actually bandaged.

I didn't get chance to photograph my makeup on the actual night, but decided that it definitely needed a step-by-step so recreated it a bit later. You might notice that it is decidedly similar to my last makeup tutorial, and this would be right, but this is my preferred style - asymmetric with swirls only on one side. Many thanks to SuzyBugs for photographing me (and I'm not even a spider!).

On to the tutorial itself!

Neatly plucked eyebrow and moisturised and primed skin.

Preparation
As always, it is important to start by preparing your face. First of all, wash your face, then carefully pluck your eyebrows and any extraneous facial hair (I find that this is less uncomfortable after I've washed). Moisturise your skin. Once this is done, apply a good toner. After that, a good primer is essential - go for a very lightly coloured translucent primer. Once the primer has dried, apply concealer. If you don't wait, the concealer is thinned by the primer and does not conceal very well. The three brown moles on my cheek don't conceal very well as they are slightly raised, so I don't bother, personally I think leaving them gives me character as most of the time I am not aiming for a doll-like look. 

Foundation
I used a very light amount of foundation, thickest over my nose and on my face either side of my nose, where I tend to be the pinkest. I then set the foundation with a porcelain-coloured powder, and a light dusting of matte white on my cheekbones, forehead and nose as a highlight. My nose has a tendency towards pinkness and I work to counteract this.

I use Rimmel Kohl pencil; these are my favourite.

Kohl
Starting in the middle, under my lower lashes, and working towards the outer corners I drew in my eyeliner with a soft kohl pencil. I used soft kohl because it goes on quite dark and can be blended outwards with a brush for a smokey effect. I did indeed blend it outwards with a brush, and added a light amount of black eye-shadow as a powder to set it afterwards. I did not do anything to my upper eyelids as working in off-whites and white means that I need to add anything black afterwards to avoid the white getting mucky.

White on the waterline makes my eye look larger.

White Waterline
I added white to the lower waterline to help give me the illusion of larger eyes. This is done carefully with a white eye pencil. I also add just a little bit to the inner corner of my eye, where it meets my nose, to help give me the illusion of a slightly narrower nose or slightly further apart eyes (depending on which way you see it), and to contrast nicely with the black eyeliner I applied later.

Cream eyeshadow near the inner corner, white towards the outer.

Eyeshadow
This is was relatively simple and I only used two colours - a matte creamy off-white and white with a very slight amount of shimmer. Before I got that far, I primed my eyelids, as I wanted a dense colour that would last. You can get special eye-makeup primers, but I use my regular primer with no issues. I used an eye-shadow sponge (the kind with the nice long handle, like a brush) and started with the cream colour, working from the inside corner of my eyelid to the middle, and patting it on rather than sweeping in order to keep it dense, then I used the white eye-shadow from the outer corner inwards to the middle and carefully blended them, trying not make them patchy in the process. I then took a small fluffy brush and added a dusting of the cream eyeshadow out along my brow bone and out to my temples. At this point it is done symmetrically, but once I decide which side the swirls will go on, I add slightly more to that side in order to give a nice contrasting creamy base for the black swirls.

Eyeliner
I use a dip eyeliner with a fine brush tip to first of all line my upper lid, then draw narrow 'cat-eye' tails at each outer corner. The eye-lining is decidedly wider towards the outer corner. I draw a very narrow line on my lower lids, coming down slightly as I approach the inner corner in order to add to the illusion of larger eyes. 

Still needs more swirls...

Swirls
At this point I pick which side will have swirls, add a touch more cream eyeshadow, and draw the swirls on. The brush tip is what allows for the calligraphy-like variation in line thickness and clean swirls. My skin is not as smooth as it once was, and I do sometimes have to go back and touch up any patchy sections. One thing I have to make sure of in the preparation stage is that there are no fine, almost invisible hairs on my temples, because if eye-liner gets on them, they become instantly very visible! Swirls are tricky, but it just takes practice. Doing them with either a gel or liquid eyeliner and brush or a brush-tipped eyeliner makes them so much easier. I tend to go for finer, more intricate swirls, but Adora BatBrat often does good examples of what can be done with bolder strokes. 

I added a couple more swirls in...

Mascara
Mascara is the last step. As you may have seen in the photos above, I am lucky enough to have fairly long and curly lashes anyway, so do not curl them, but if you want to, you can.

As before, yes, I do have naturally grey eyes, and they are not contact lenses. If you look at all my photographs you will see that I do indeed have grey eyes, but in this set the lighting makes them seem slightly darker than normal.