Remembering Summer In Autumn

Outside a gale is howling and leaden clouds scud across a pale, wan and grey sky. Everything is damp; there's not enough warmth between the rain showers for anything to dry. Autumn is here, rapidly turning into winter. Snow was reported on the mountains to the south, and it has been too hazy for me to see whether or not there is snow on the mountains to the north. Summer seems like it was a century ago. Currently I am wearing a scarf indoors and I am getting good use out of my trench-coat and wellies when outdoors, but right now, I'm not even thinking about being outdoors; I am indoors in the warm and more importantly to me, the dry. I love the colours of autumn- leaves of copper, gold, bronze and burgundy, skies of silver, steel and lead, an ocean like mercury - but I am not at all fond of the weather, as it seems to mostly be driven rain that comes when the wind sweeps off the ocean and across the foothills and drags the rain anywhere from diagonal to almost sideways. 

Relaxing in the garden after some summer rain.
Photograph by Raven of Chance Photography

As such, I cast my mind back to summer, when it was warmer (sometimes too warm!) and I could spend time outdoors without the wind relentlessly trying to drive water into the space between my coat and my neck (hence scarves, scarves all the time!) and I even sometimes went around bare legged. Back in July I showcased ::this:: make-up, and here is the outfit that went with it, summoned out of the depths of the external hard-drive and finally on my laptop and now my blog. 

I look grumpy when made to pose for photos!
Photograph by Raven of Chance Photography

This is probably my favourite dress - it is the 'Adare' dress by Hell Bunny, a black and white print of haunted houses, skulls, graves and ravens. Adare is a village in Ireland - near it stands one of the Desmond castles, and in it stands the Gothic Revival building of reportedly haunted Adare Manor, but the print has no castle, and the house featured looks nothing like Adare Manor, so I am not sure why it is named such. Some of the faces on the dress appear to be zombified version of Edgar Allan Poe. I love the feathers, as I am a fan of bird motifs in general. In this print they are white on black, but the dress comes in a red-on-black colour-way, and the feathers looked bloodied in that version.

Cropped by me(hence grainy)
Photo by Raven of Chance Photography

It might be raining outside, but summer can live on. Autumn will come and go then Winter, but after the Winter Solstice, the days will grow longer and summer will, eventually, return.

Many thanks to Raven, who always makes me look lovelier than I am!

Vintage Inspired Gothic Makeup

I am calling this vintage inspired rather than vintage because it is not accurate to any one period and is very much of a mixture of '50s inspired vintage and Gothic elements.  

Raven recently bought me the Adare dress by HellBunny, which is an A-line skirted, sweet-heart neckline dress in a vintage-inspired cut reminiscent of '50s designs, but with a Gothic print and Gothic detailing in the ribbons up either side. I will do another blog post that is an outfit post for the dress;this is just about the make-up.

Doe-eyed selfie.

I was aiming for make-up that complemented the vintage theme of the dress and the outfit I was wearing, and that wasn't to overtly or traditionally Gothic, as the weather and the outfit were both quite summery, so I did not want to wear lots of heavy make-up. I opted for tinted primer, concealer and powder rather than thick foundation, and also wore sun-screen because it was bright out and I burn easily. I contoured my cheeks and used a little shimmer. Pale skin was fashionable in the '50s, so I didn't really have to do anything there!

I'd rather condense selfies into not too many images.

Whenever I think of '50s pictures of women, I think of that rich red lipstick. I was trying out a new lipstick I'd bought - 'Russet' by Miss Beauty London. It's a really rich, almost blood-red colour, and I think it makes a nice pop of dramatic colour without being too bright to be Gothic as I felt a rich, bloody red would be a bit suited. My lips were over-drawn slightly for that full, pouty Marilyn Monroe look.

The eye make-up is certainly more a nod to the Gothic than to vintage styles; from what I have seen of vintage make-up adverts, pin-ups and photographs, eye makeup tended to involve black mascara and winged eye-liner to create definition without being the dramatic centre of the look. I went for something heavier as one of the trademarks of Gothic make-up is dramatic eyes. I lined both lids heavily and went with the 'cat' winged looked, then made them smokey with a black blending into a rosy red; this was to complement the red of the lipstick. I used white on the inner corner and waterline to give a more doe-eyed look.

Very blurry feathers close-up.

None of my make-up designs are complete without me drawing something in eye-liner, and as there are feathers on the dress, I decided to draw a few feathers encircling one eye. Drawn designs are something of a trade-mark of mine, and the outfit certainly wouldn't have suited any of my elaborate scrolling foliage, so I drew some feathers, carefully placed to help define my cheek-bone. Certainly this is not very vintage, but it is very much me. 

One thing I feel I should have done but did not, is fill out my eyebrows more. I usually have eyebrows that are plucked to a thin line, and most vintage looks, especially those of the '50s, have fuller, defined eyelashes, and while I did pencil them slightly to darken them, I was unsure about successfully filling them out when there's so little of my natural eyebrows left. Also, I don't usually use blusher, so I think I may have ended up a bit heavy-handed on this look. A much more pastel pink would have probably been more suitable. 

This is quite the deviation from how I normally look, so I would appreciate constructive criticism (and links to tutorials I can follow, in order to improve.)