My personal blog as a 'grown-up' Goth and Romantic living in the Highlands of Scotland. I write about the places I go, the things I see and my thoughts on life as a Goth and the subculture, and things in the broader realm of the Gothic and darkly Romantic. Sometimes I write about music I like and sometimes I review things. This blog often includes architectural photography, graveyards and other images from the darker side of life.

Goth is not just about imitating each other, it is a creative movement and subculture that grew out of post-punk and is based on seeing beauty in the dark places of the world, the expression of that in Goth rock. It looks back to the various ways throughout history in which people have confronted and explored the macabre, the dark and the taboo, and as such I'm going to post about more than the just the standards of the subculture (Siouxsie, Sisters of Mercy, Bauhaus, et al) and look at things by people who might not consider themselves anything to do with the subculture, but have eyes for the dark places. The Gothic should not be limited by what is already within it; inspiration comes from all places, the key is to look with open eyes, listen carefully and think with an open mind..

Showing posts with label red hair. Show all posts
Showing posts with label red hair. Show all posts

Thursday, 5 June 2014

Red hair, Black Dress, Green Meadow

I sadly have but the one offering for red and black week - this Gothic Lolita outfit. It's a photo from a couple of months back. 

Currently I am ill again; I have had bad luck this year with illnesses! 

I have frequent headaches from what I presume is sinus problems, and I am very congested indeed and rather under the weather. I've also developed a rather unpleasant cough. I am off to the doctor tomorrow as today is my 8th day of being ill with what started as a sore throat and then seemed to move upwards into the rest of my head. 

While I have been in to work up until this morning, I was coughing and spluttering continuously, have lost my voice and can barely concentrate with the headaches. I made sure I stayed until I had sorted all tasks so I wouldn't leave anything for others to do in my absence and requested to go home sick. The over-the counter medication is having little effect, not even the nasal spray specifically designed for sinus and mucus problems. Right now, I am tucked up in bed with hot drinks. Even though I slept badly last night and the night before (and the night before, etc.) I can't manage to sleep today, so I am alleviating the tedium of recuperation with updating my blog. I am in no position to do more than display an old photo, and have been too unwell to prepare anything in the last few days. Next year I will try and have more done in advance.



The photograph is by ::Chance Photography:: and the location is the meadow near my apartment. The weather was being typically Scottish, with a grey but surprisingly bright sky and cold, damp air. I was photographed in the same meadow a while back for a previous Red and Black Week post (::here::) wearing a different red wig - that one I eventually decided to straighten as the fibres had kinked and become damaged with frequent wear and it was easier to keep them in check on a straight wig than a curled one. The wig in this photo is a Lockshop wig and the fibres seem far more durable and the curls have remained very well. 
✯♕✯


As this is primarily a fashion post and not actually JUST a rant about my being ill, here is the outfit run-down:

Hair flowers: off-brand, various including H&M, Claire's and Poundland
Wig: Lockshop  Blouse: Tesco  Dress (JSK): Baby, The Stars Shine Bright
Tights: off-brand, probably Tesco  Shoes: T.U.K.

✯♕✯


It is certainly not the fanciest Lolita outfit, but I am quite pleased with it. I am quite tall, so the skirt of the dress comes to just above my knee rather than ending at the knee itself, but I am not really fussed that it is on the edge of breaking "the rules" as I rather like this outfit irrespective of how Lolita it is. I am more interested in feeling pretty than making sure I adhere completely to the Lolita template. 

The shoes in this photo are my first pair of "Lolita" style shoes. I have replaced the skulls with a matching set as the shoes were secondhand and the previous owner had lost some of the original skulls. The construction of these shoes does not appear to be of very high quality as I have had to re-attach all of the decorative bows at some point (none seemed sewn securely) and one of the straps snapped. I am, however, quite good at mending things so this has not been a huge bother, and while I have not owned them long, I am not sure how much the were worn by the previous owner.

My favourite thing about this outfit is how with such a dark colour-scheme for the majority of the photo, the red of the wig stands out really well even though it's actually not that vivid. I know it looks quite bright in some photographs as it tends to look quite plastic under bright flash, but this photograph is probably most representative of how it looks in real life. 

Saturday, 1 February 2014

Terrible Vanity (And Advice Request)

What is vainer than a post (nearly) entirely of selfies? 
I do actually have a reason for posting all of these selfies. As many of you know I am foraying into the world of Gothic Lolita fashion. One part I am struggling with is learning how to accessorise my hair and wigs. I've tried bows and clips before, and mini-hats, but I haven't as yet got the hang of wearing those in a way that really works and doesn't look tacky. One thing I have got quite fond of, and seem to be able to do quite well (I hope!?), is decorate my hair with fabric flowers.


These flowers are a mix of ones I've picked up in charity shops, and ones from Claire's Accessories and H&M. The two black roses I use to keep the front of my wig from sweeping and drooping in-front of my face are from H&M - they were very cheap compared to Claire's Accessories, which I think charges over-the-odds for fabric flowers by comparison. One of my big fabric black roses (the one I was wearing as a corsage on my dress... I think) was from Poundland. As far as accessories go, these ones are pretty darn cheap, which is appealing to me as I am on quite a small budget.


Lolita fashion is known for having quite elaborate hair decorations these days, and as this is not something I have done before as a part of Goth fashion, I am struggling. I've posted one of these selfies up to the Lolita Fashion Mentoring community on FaceBook, but I feel like it might be useful for me to open it up to a wider audience. Please provide feedback as to what could be done better, and what works as it is. I am finding it hard to judge what is too much ornament, enough ornament, or not enough ornament for the style. Compared to some other Lolitas, I feel underdone. I don't want to wear as many decorations as an OTT Sweet Lolita, because that's just not the style I am aiming for. 


The wig itself is from Lockshop, but I bought it secondhand from my friend Laura Sheridan (check out her awesome photography ::here::). It's the same colour red as my other previously-curly and now straightened red wig. It only looks like pale wine here because of the awful lighting in my bathroom as it was too dingy in the hall to take photos in the mirror I usually use. The wig has had the fringe trimmed, but otherwise I am not really wanting to style it further because I don't want to ruin the curls, which is what lead me to straightening my other red wig out entirely. 

 

Outfit Rundown: Wig: Lockshop, via Laura Sheridan. ♛ Hair Flowers: Claire's Accessories, H&M & thrifted 
Blouse: Tesco (other Lolitas may want to note that F+F is the abbreviation for both Fan + Friend and the Florence + Fred range at Tesco!) 
 JSK: Baby, The Stars Shine Bright ♛ Gloves: Claire's Accessoires ♛ Roses bracelet: H&M ♛ Bangle bracelet: thrifted.

I am looking for any suggestions and advice on better and alternative ways to style the wig and flowers, and for any good online tutorials for Lolita hair/wig decorations, especially those for Gothic Lolita style. Thank-you in advance for contributions. 

Sunday, 7 July 2013

Confidence And Being Visibly Alternative In Public

I am more confident in my full Romantic Goth gear than I would be in jeans & t-shirt. 

I actually feel really uncomfortable when I'm not dressed Goth; I feel like I am wearing the costume of being somebody else. I am certainly comfortable with being alternative in public, even as obviously so as to wear long skirts, corsets, frock-coats and wigs in town.

I have seen several video and read several articles about this sort of thing, and here is my take on it.


I dress for only myself, and wear what I think is beautiful, and my tastes in clothes are far more layered, detailed, extravagant and anachronistic than most people's, and this to me is too eclectic to be formal-wear, even if the materials (like the jacquard and lace) are often thought of as too luxurious for everyday wear. For formal wear, I would wear either a dress, or a matching set.

The trick to being confident is realising that you are the ultimate judge of your own beauty, not some random stranger. You don't know the strangers by default of definition - you can't know the motivations for a passing comment; they could be complimenting you, but really think what your wearing is hideous (perfect example of this in the film 'Mean Girls') and be insulting you despite actually liking what you wear because they want to show off to their friends (<sarcasm> because insulting strangers really demonstrates how macho you are! </sarcasm>) so there's no point in taking stead in their opinions; although I think genuine compliments are fairly easily identified, and most people who make mean comments about Halloween or vampires or just shout "GOTH!" or whatever at us in the streets are doing so for the sake of being mean (because they are insecure, afraid of anything different, want to show off to the rest of their group, want to get attention etc.). Yes, some people just don't like the Goth (or other subcultural) aesthetic, but they generally don't feel the need to be publicly rude to a stranger about it, but on the other side of that, those who like your outfit may not want to publicly complement you.


Diamonds, clubs and the Ace of Hearts
Phone-cam selfie.
The only people you should listen to about your appearance are those who genuinely want to help you with it, for example friends and family and even then, you are allowed to disagree with them. My Dad is accepting of me being Goth, but actually prefers it when I wear black trousers, Doc Martens or New Rocks, a black turtle-neck, studded cuffs, etc. because he prefers a more practical aesthetic and thinks my "frilly stuff" is too busy for his tastes. I happen to disagree, and continue to wear frills when they won't get in the way. (See ::this:: post for my more practical aesthetic). Of course, sometimes friends will have a valid point and will try and broach any fashion advice politely. It's a tricky subject, and a tact minefield.

The second trick is being comfortable with your own appearance. If you feel pretty and feel comfortable, others will be more relaxed about it. The more self-conscious you are, the more you will subconsciously project that. If you really like your own appearance, then your own self-belief will shine through and you will carry yourself better and look pretty. 

If, when I look in the mirror before I go out, I look just how I want to, then I am confident to wear it in public. If something doesn't look quite right, then I will either try it and see (perhaps later in the day I will like it) if it is something minor, or simply change whatever it is that doesn't work. My reference point is my own aesthetic taste, and yes, that is inspired by other things I have seen, as nobody is truly original (only innovative). My tastes are influenced by photographs I've seen of other Goths, and people into Aristocrat, New Romantic, Lolita and other fashions, as well as high-fashion garments, costuming for stage and screen productions, works of art, historical fashions, works of fantasy etc. 

An important thing is being able to distinguish art from reality - high-concept fashion shoots are art, an inspiration, not a reflection of real life, and even a lot of other photographs have been improved with the aid of a computer, even if it is only to tweak the lighting, colour-balance, contrast, etc. and models tend to try and pose in flattering ways. Nobody looks like a perfect photograph all the time, not even professional models. Some people are highly photogenic, but even they have their 'derpy' moments and their off-days. 




I pay attention to the small details; for example having makeup-swirls that compliment the designs on my clothes, keeping strictly to a limited colour palette, carefully coordinating glove length to sleeve length and hosiery to skirt/trousers and making sure that the shoes and handbag compliment each other. I am picky about which jewellery I am wearing, which hair accessories, how I have styled my hair, and my wig. Once I know I have every small detail just how I like them, I feel pretty - but I am a perfectionist, and not everyone cares about that level of detail. Personally, I feel that it is an important part of being stylish and well coordinated, but some people revel in the deliberately clashing, or wear things that don't go simply because one of the items is of too much sentimental value to take off, or it just simply is not their priority.

If such ways of paying attention to detail make you feel more confident in your appearance, then do them, but don't agonise too much, though - you shouldn't end feeling like you just can't get close enough to perfection to go out, however many times you re-tie your bows, whatever necklace you wear, however many times you re-do your makeup, or whatever you do your hair or whatever. Remember, nobody is perfect, and it isn't perfection you should be aiming at. If you see a photograph that looks perfect, chances are it is a) a studio set up and b) a digitally altered image - and if you get too flawless, it can actually be uncanny and inhuman (which is fine if you want to look like a living doll, a vampire or a robot, but not so good if that is not your thing). Also, some of my prettiest outfits have come together out of whatever wasn't in the laundry. Sometimes over-planning can make me, and therefore probably others, look fussy and too much like I'm in a costume or going to a specific event or in a costume.

Also remember that really fancy wardrobes take time to assemble; I mentioned this in ::this:: previous post. Sometimes it can be a while before you have a whole outfit to wear - just be patient, keep saving/sewing/thrifting, and you will have all the parts. It doesn't mean you look ugly without the whole outfit, just that you haven't got what you want yet. Of course, some things just don't work without the rest matching; for example a fancy Victorian blouse can look a bit out of place with ordinary skirts and trousers, but  if you buy things in stages you can look quite nice, and gradually become more ornate/unusual.

If you are wanting to wear something particularly fancy out (like corsets, petticoats under skirts, hooped skirts, really high platform boots, trailing skirts, wigs, fancy headdresses, etc.) then wear them at home first; some of these things are going to feel strange, perhaps slightly uncomfortable, when you first wear them, and you will, with some, need to adapt to moving slightly differently because of restricted movement, altered balance, or increased size (large skirts catching on things, knocking things over, catching antlers or headdresses on door-frames, being taller in really high boots, etc.). Until you feel 'naturalised' and comfortable in those garments. If you are doing something that radically alters your appearance, then it might take some time for you to get used to your own new appearance! This has happened when I have had radically different hair-cuts or bought wigs; re-framing my face can make it look so different that I hardly recognise myself. Again, getting used to yourself looking different in your own home can help build confidence for wearing it outside.

Once you are used to wearing things at home, wearing unusual clothes with other eccentrically dressed people can be a good stepping point. Some people are never confident to be the only unusually dressed person. I am confident enough to be different in public but on my own, yet I still feel more comfortable when there's at least one more Gothy or frilly type person with me. You might actually stand out more as a group, but you are also not having to take all the attention on your own.

Most of all, remember that there is nothing immoral about choosing to go outside looking different. There IS something immoral about trying to make others feel bad.

Yes, you WILL garner attention if you look very differently, and some people will want to ask curious questions or even photographs. If you are too busy to answer, stop for photographs, or suchlike, you are allowed to politely decline. If people are rude to you, more than likely they are looking to get a reaction, either out of some kind of sadism or because they want attention; just don't give that to them. If you are upset (and sometimes even I get upset when people are rude, especially if I am having a bad day anyway) don't show it to them. Go somewhere else, somewhere you feel comfortable, talk to someone about the negative experience (I personally rant to my other Gothy friends, who have had similar experiences), and do something that cheers you up (for me, I like sitting quietly somewhere green, so I will go sit in the park, or the meadow, or take a walk in the woods if I am really upset about anything.). 

Also, if you get a proper compliment (at least one that's not obviously a backhanded insult, sarcastic, or a patronising attempt to humour you - yes, I'm a suspicious person.), take note of it. I get more compliments than insults. It's a really nice feeling to get a genuine (or at least hopefully genuine compliment) from a stranger, and sometimes I get more lengthy positive interactions based initially on my outfits. Personally, if another alternative type compliments me, I am especially happy, because I think it is more likely that they're genuinely being nice or curious and less likely to be treating me like an interactive zoo animal, and because I like getting a compliment from people who share my tastes to some degree; I feel that it means I am doing a good job of working within that style.

With more neutral responses, I notice that sometimes people stare and do more discrete things like mutter to their friends, but as I can't tell whether that is positive or negative, and isn't really impacting on me, I ignore it. I am also not the best at reading people unless I am paying very good attention to them, and still have trouble even then, so I am also oblivious to a lot of more subtle and private reactions.

The public reaction to you will be different depending on the local demographics. Since I moved to Scotland, my compliment to insult ratio has been pretty good - I get a lot more people telling me I look nice, especially older people! I think because I prefer an anachronistic style that is inspired by funereal elegance rather than a punky style with ripped fishnets and revealing clothes (although I do wear those on occasion) that older women of a more conservative background like what I am wearing as it is feminine, modest, elegant, detailed, etc. If I am wearing fishnets and platform boots and a really short skirt or hotpants, with lots of spikes, I generally get more advances from men (and sometimes women), but fewer compliments that aren't the opening to flirtation. Oddly enough, when I have been in major cities in southern English cities, the number of insults (usually from gangs of teenage boys, young men and drunks) was much higher than the number of compliments, despite Goths being far more prevalent. There are some places where it can be downright dangerous to stand out too much, and especially to wear certain clothes - take care in areas you know to be less than safe, and tone it down if you have to. Yes, bad things can happen anywhere, but some places do harbour greater risks than others.

Lastly, in the case of extended interaction, some people have certain prejudices about various subcultures - I am talking about "Goth girls are easy sluts" and "Goths are all Satanists and devil-worshippers" and "Goths are suicidal or homicidal lunatics" and "Goths think they are vampires" other misinformed and dangerous rubbish. If you join a subculture and wear that subculture's signifiers in public, be aware that there are prejudices, and people may act on them. Try to politely correct misinformation, don't play into the negative stereotypes, and generally, be polite and sensible. Sadly, there will be times when even if you are the nicest person, others will react badly on the grounds of things they think they know about 'your kind'. That sort of thing is highly situational, but read through the experiences of others, sites like Gothic Charm School, and try to handle things in as calm and rational a manner as possible, but I know that this can be hard when people are being really horrible and irrational to you. 

Generally though, if you are a polite and sensible person, people will judge you on your actions rather than your appearances, although they may still be a tad nervous and scrutinise you more closely. Often, if you give a good impression and are polite and friendly, they will realise that their misgivings were unfounded.

Basically, there are four main points to being confident in alternative clothes in public

✯You are the ultimate judge of whether or not you look nice, not others. 

✯If you feel comfortable in your clothes, you will come over better. Get used to things in your own space if you need to first. 

✯Reactions vary between places - a good indication of how they are more about the person reacting than the person being reacted to!

✯There is nothing immoral or wrong about different. 

Go out there beautiful! Wear whatever you want to wear - whether you want to be a Sweet Lolita or the darkest Goth, do it. Sometimes confidence takes time to build, but it is worth it.

Saturday, 29 June 2013

Birds of Prey, Owls and Scottish Weaponry

Today was exciting, but it didn't exactly go to plan! I went to the International Pipe-Band Championship with 2Wit 2Woo. I was helping alongside Suzy_Bugs, who is also a volunteer. 


An older photo of me with Skirly, a buzzard.
Skirl is a word for the sound of badly played pipes.
It was originally a word for mournful piping.
Buzzards make a screech noise.
Photograph by Suzy_Bugs

First of all, I over-slept, which is a common occurrence as I often find it rather hard to go to sleep at anything approaching a reasonable hour, so I am very, very tired many mornings. I had set my alarm clock, but turned it off and then promptly fell back to sleep (in a funny heap, getting a neck-ache), then could not find my clothes for the day. As I was supposed to be going to volunteer with the owls and raptors, I wanted to be reasonably practical rather than frilly. I then missed the bus I was supposed to be on, then the next bus arrived into the city centre about 30 seconds after the connecting bus from Inverness to Aviemore departed, so I had to wait for about half an hour for that... 

The bus journey was between 45 minutes and an hour, and I ended up in Forres about just gone 11:30, but without being with the 2Wit 2Woo van, and not having the money to pay for a regular ticket (I think volunteers are supposed to get in for free or reduced rates). I walked up the wooded hill above the park being used as a show-ground, and found a suitable vantage point to work out where our stall was, and then asked two nice young men near the fence and the stall to go over and pass a message on to those running it. Thankfully everything got sorted out, and I got my blue wrist-band.

I spent most of the time helping fairly static, remaining at the stall. I got to handle a variety of the owls there, including Spotty, who I had never handled before, who bit me (but not very hard) and was in a bit of a bad mood. Most of the birds seemed complete unperturbed by the fact that there were over 150 pipe-bands, and approximately 4,000 pipers and drummers, and a whole lot of spectators! We were near one of the pipe-band practice stations, which was quite cool, as I got to hear a lot of good piping. I haven't got a good ear for telling just how good piping is, as it is not a genre and tradition of music that I am hugely familiar with (yes, I've seen and heard a few since I moved to Scotland, but I hardly know it well ) but I did enjoy what I heard. 

Targe, dirk and broadsword...
Rocket the owl in the background.
Photograph by Suzy_Bugs

Towards the later afternoon, I took a walk around the grounds with Rocket, a barn-owl, sitting on my arm, and talked to lots of people, including representatives from the RAF the Army - the latter Rocket seemed to take a real liking to, giving them affectionate nibbles in return for lots of scritches and petting. Something I learnt was that in local parlance, if you stroke or pet something, it's called "clap" not "pet" or "stroke" - so there was a momentary mix up in communication when I thought someone meant applaud the owls, and I didn't want them to startle the owls with noises.  I got to meet some historical re-enactors from Brodie castle, who were wonderfully friendly. I sadly can't remember the chap's name but he was really helpful, told me lots of interesting things (including how to make a targe for re-enactment or L.A.R.P purposes) and let me handle the weaponry (all false-edged, but pretty fun anyway.)

The highlight of the day was handling Sweep, a young jackdaw. The little bird was incredibly calm on his first outing. We did minimise his handling, nonetheless. He even fell asleep once! He's an incredibly bright young corvid, and was trying to figure out (unsuccessfully) how to remove his jesses. 

Sweep and I! A cute wee jackdaw.
Photograph by Suzy_Bugs

Suzy_Bugs and I had to leave early, as we had to catch a bus back for getting home at a reasonable time. She bough Chinese take-away for Raven and I, for which I am grateful. I am also grateful for her taking all of today's photographs. 

Tuesday, 5 June 2012

Red Hair, Black Ribbon and White Lace

❀ Summer Meadow Anachronism

It is still Red & Black Week, the bloggery event being organised by Victorian Kitty of ::Sophistique Noir:: and this is my second Red & Black Week post, although as the photographs are only from the bust upwards, they are mostly white, which while making for fabulous photographs (thank-you Raven! check out his photography business at ::Chance Photography::) is not really inclusive of a lot of black. This is because the original plan was to wear my floor-length tatters skirt (the one featured ::here::) but two things happened that meant I had to wear rather boring trousers out into the meadow instead. The first was that I stood on the hem of the skirt and tore it (oops!) and the second was that it had rained recently, making the grass rather wet and full of slugs and snails, and I was not really wanting to pry slimy creatures off my skirts nor to wander around in skirts soaked and muddy for the bottom inches. 

By the time I went out into the meadow, on this occasion only for photographic purposes, the weather had cleared up significantly, and the view behind me across to the mountains was gorgeous. All these lovely photographs were taken by Raven, who is rather wonderful with a camera. I did the digital editing because I wanted to give everything a summery glow and he's not into doing that sort of thing. Raven spent as much time photographing the view as he did me! Just so you know, I haven't really changed how I look apart from the colour balances and contrast. 


Gazing into the distance.
Photo by Raven, Tweaked by Housecat
While on that occasion I was in the meadow to model my outfit, more often I am there as a beautiful place to sketch or paint in, for even if I am not drawing what is around me there, it is such a pleasant place that makes me feel inspired. I have the same attitude about drawing in the garden, although as my garden is a tad over-looked, I tend to wander across the street to the meadow instead. 

The meadow I am standing in is literally across the street from my apartment. It is on the brow of a hill, with glorious views down, across the river and to the mountains. There was still snow on the mountains a couple of weeks ago! Trees shade parts of the meadow and a burn (stream) runs through it. I feel very lucky to live in such a beautiful place. When I moved to Scotland it felt not just like moving to a different country but to a different world, as if I travelled to Middle Earth. There are castles in the midst of lochs (a sort of lake), snow-capped mountains, ancient standing stones and a history that blurs with myth and magic. 
What is that deep and profound thing out of shot?
Photo by Raven, Tweaked by Housecat
This outfit, however, is not inspired by Scottish history or even by Tolkien-esque fantasy, it is inspired by a this ::recent post:: (post contains painted artistic nudity) at ::The Kissed Mouth::, an absolutely fascinating Pre-Raphaelite and Victorian-Era art history blog that isn't the least bit stuffy. I loved all the elegant ladies wandering about outdoors in beautiful white and pastel dresses. While I am no fan of pastels, I do rather like their outfits, and I am prepared to wear white, even if usually in stark contrast to black. Generally, I simply prefer darker, richer colours. 
♫ A daydream believer... ♫
Photo by Raven, Tweaked by Housecat
It is also pretty much the type and style of outfits I was wearing back a short while ago where the temperatures soared to 33℃ according to the thermometer in Raven's car, and when I would have probably ended up with heat-stroke if I had worn all black. When the weather gets that hot a lot more white and grey enters my outfits, despite my usual preference for darker hues, and I wear lots of cotton and looser clothes. The tatters skirt is wonderful in that it is warm in winter and cool in summer, and I can wear thin stockings or even bare feet and sandals with it in summer, or layered thick tights and long lace-up boots in winter. 
Dandelion Clocks
Photo by Raven, Tweaked by Housecat
As it was rather warm out, I opted for minimal makeup. Instead of lots of foundation and eye-makeup and such like, there is just sun-screen, primer, and concealer with a bit of kohl around my eyes, a touch of silvery white eye-shadow  and some bright red lipstick to match my hair. I keep my skin clear and youthful by not wearing much makeup most days, washing my face with water, drinking well and remaining hydrated throughout the day, and wearing sunscreen. I even wear sunscreen in winter if it looks vaguely bright out. I am terribly pale by nature, and if I burn I go very red indeed, and if exposed to too much sun, but not enough to actually burn me, I develop freckles.

This outfit is not really Goth at all, definitely more in the lands between general anachronism and Aristocrat and Japanese street-fashions and subcultures. I guess bright red hair is too vivid for historical anachronism and probably also for Lolita and Aristocrat fashion, but as I like it I will ignore that. I am far more interested in keeping cool in a physical sense and appeasing my own tastes than in abiding by the "rules" of subcultures and fashions. It sort of boils down to "It's a free country and I can sit in a meadow in white lace with a parasol and bright red hair if I so wish... Unless there the grass is wet and there are too many slugs, which will ruin my dress and force me to stand."

Saturday, 2 June 2012

Interview: Midnattsol - Alternative Model

I met Midnattsol not through photography or modelling, but as a friendly and terribly bouncy patron of the Goth club I used to frequent. I later found that she, along with another friend at the club Nitr0gene, was a model, and after having looked through her modelling portfolio was truly amazed at how good she is a model and how lucky she is to be photographed by some really good professional photographers. I asked her if she would be willing to be interviewed, and she was. She was very kind and got permission for me to use some of the professional photographs from her portfolio to illustrate this blog and showcase her amazing talent as a model. As per usual, text in bold is mine, and ordinary text is the response.


Midnattsol in ©Andy Proper Photography
⚜ About Midnattsoll:
Describe yourself!
Not sure what to say!! Im just a normal 25 year old girl who lives in Oxford, who dresses a little oddly, with brightly coloured hair!! I'm a total geek, who loves anything cute or twisted… sometimes both! Huge lover of anything fantasy, in fact most of the time I’m in my own little fantasy world (I daydream A LOT!!). I enjoy going out like any young girl, and love the industrial/metal scene, yet I love just as much to snuggle up at home with a book (I read waaaay too much), play computer games, or when I'm feeling particularly nerdy, cross-stitch!!! I love all forms of art, and although haven’t done so in a while now, I paint and draw. I also do a little bit of modelling here and there when I can squeeze it in between my Job in a lab, my degree in Biomedical Science and my personal life!!

I met you at Intrusion, Oxford's monthly Goth club night and a lot of the fashion you have modelled could be considered Gothic, but do you consider yourself a Goth? Ifso, what does Goth mean to you?
I’ve never really thought of myself as anything! I’m just me! I’ve always been interested and inclined more towards what people would describe as ‘gothic culture’, though I like a lot of normal things too. Goth is such a broad topic! To describe it would take me days. Initially what comes to mind when I hear the word is a sort of a dark, romantic beauty; from flowing gowns and beautiful castles to the more futuristic ‘Industrial’ take on goth!

How would you describe the clothes you wear in daily life?
I don’t think I could! My wardrobe contains such a huge variety!!! On a daily basis to work I wear 6 inch new rock platforms, skinny jeans or bondage pants with some kind of funky t-shirt! Generally all black. I currently love anything cute but dark such as Cupcake Cult and the Killer Panda clothes! If I’m feeling like dressing up a little more, I have all sorts, from Victorian gowns, to fetish wear!


What is your favourite food to cook yourself?
I love cooking when I have the time! I love experimenting with things and throwing bits together to see how it turns out.


⚜ About Modelling:
How long have you been modelling?
I’m not entirely sure! I guess on and off for about 4 or 5 years now,though photographic modelling I think only 3.

Is most of your modelling work professional?
Most of it is I guess, though I love it so much it always seems like a fun hobby to me! I’m registered by a few agencies, such as Dark Arts and Spirit Models which I get bits and pieces in from. I also work ;a lot on my portfolio, due to my continuously changing look which I love doing as I can be a lot more creative! I also do a lot for fun too! I’m constantly coming up with themes and ideas I want to create into an image. It’s a huge creative release for me!

How did you go from being an attractive young alternative lady to being a paid model?
I fell into it completely by accident. I never dreamed I’d be considered attractive enough to model, to be honest I still feel the same and am continuously amazed at it! I started off modelling at events. While out shopping and at events I’d get asked by the clothing designers to model for them at future events. I was also getting asked by event photographers to model for them, but I was so low in confidence it took me a couple of years to finally agree to give it a go! At my first shoot I had so much fun that I quickly became hooked!

What attracted you to modelling?

It was never really something I was particularly interested in doing, as I said I fell into it accidentally, though I always looked and admired with a distant envy at all the beautiful models! It was one of those dreams that every girl has, but never thought it was possible, so something I never actively pursued.


Midnattsol modelling for Alienskin Clothing, © Nick Parry Photography


Modelling for Alienskin Clothing
© Nick Parry Photography
How much does your modelling work reflect your personal fashion style?
Well a lot of my shoots involve clothing I wear out and about! My fashion style is so varied it does cover most of the styles I wear in my shoots! I use a lot of shoots as an excuse to wear clothing that I love but could never get away with wearing in real life!!

Which outfits from photo-shoots would you most like to take home with you?


Modelling for Alienskin Clothing
© Nick Parry Photography
A lot of clothing I’ve modelled that aren’t from my own wardrobe I’ve been allowed to keep, the only things I haven’t really have been are most of the latex outfits and I’d take all of them home if I could!

What outfits were your favourites to model?
A lot of my favourite outfits that I’ve modelled aren’t really ‘real’ outfits as such!! I’ve worn all sorts such as being wrapped in fairy lights with a dress made from cling film over so it glowed!! That was great fun to wear and be dressed in. I’ve also created a dress out of fishing netting, which I loved. I love anything creative!!




Part of the Fishing Net Dress, © Nick Parry Photography
The stereotype, in terms of appearance, for models is that they're all at least 5'10" and thin to the point of it being unhealthy - do you think you receive any negativity as a model for being 5'2" and a healthy shape?
Not at all!!! The only real negativity I get is from myself!! Most photographers I’ve worked with have been extremely impressed and I have worked with again and again! Due to being in proportion to my height, most people don’t actually realise how teeny I am! A few people have been shocked when meeting me in person!


Fishing Net Dress
© Nick Parry Photography
Do you get positivity for being outside the stereotype?
Not particularly! The people I’ve worked with have always been positive, but that’s because of my versatility and we’ve created images we love and have always got on well! My height and shape has never been an issue either way!



How does alternative modelling compare to mainstream modelling?
Mainstream seems to be stricter with what’s required to be a model, such as height and weight, whereas alt modelling is more accepting to a wider variety of people. Though I have been turned down for work for not having enough tattoos or piercings! The way you model seems to be different too; mainstream modelling is a lot of posing to get a perfect image, whereas alt modelling feels more like acting. I feel I can bring a character into the image which is what I love doing best. I love to be able to portray a lot of emotion and feeling into my work.


The Fishing Net Dress In Full
© Nick Parry Photography
I saw you got published in Devolution magazine! What was it like being published in a popular alternative magazine?
I feel very humbled and honoured by it! It’s a magazine I love and am now an official devo girl for which is extremely exciting!

What is it like coming across pictures of yourself on the internet? I still go "Ooo! That's my friend!" when I spot you at places like AlienSkin Clothing.
It’s extremely exciting!! It doesn’t always feel real and it’s hard to always think of that person in the photo as me!! I’m so normal in real life! I’m always coming across published bits of me that I didn’t even know existed, such as being on flyers for bodypainting events in Mexico!! It’s always a nice surprise, and I feel extremely honoured!

© Nick Parry Photography
Do you ever get insecurities about being visible on the internet?
Like everyone, I have bumps and flaws that I don’t like to be seen, and having them on full display to everyone is sometimes hard!! I also get quite embarrassed at times! There's a huge poster of me in ::Neo Hair::, and as proud as I am, I always get embarrassed when getting my hair done in case someone recognises me from the image and thinks "oh, she’s not so great in real life" I get so scared of disappointing people!!

What's it like modelling for alternative fashion makers/retailers such as Fetasia Latex and Alienskin Clothing? Do you own clothes by them?I’m always shocked they want me to model their clothing! But it really is amazing!! The clothing from everyone I’ve modelled for is just beautiful! I don’t own any from Alienskin yet, and Fetasia Latex I have my first piece coming within the next couple of weeks which is a custom piece based on Quorra from Tron. I do however own pieces from the likes of Emerald Angel, Rubber Monkey and Iron Fist all of which I have modelled for! There are more that I cannot think of right now!


© Nick Parry Photography
In the mainstream fashion industry, modelling and photography has come under attack for being unrealistic and over the extensive use of PhotoShop and similar digital re-touching tools. Digital re-touching plays a part in Alternative and Goth fashion photographs too. Do you think re-touching is a bad thing?
I think retouching has its good and bad points. I do think these images with models with flawless skin and perfect bodies can put a lot of pressure on people and too much emphasis on appearance and what it means to be beautiful. Even I get scared meeting a photographer for the first time as I know I don’t look as perfect as I do in my photos that made them want to work with me! But then I can understand the need for it too, just maybe not to the extent that it is used. I think it’s great for artistic purposes. A huge amount of alternative images are theme based, and so some manipulation may be required!

How obtainable do you think it is to look as fabulous as the photographs of Gothic and Alternative models one sees on the internet and in adverts and magazines?
It’s a hard question! Theres a few of my images, particularly a large proportion of the ones I’ve done with Nick Parry, where I’ve personally had no retouching done at all on me!! Though even then the perfect lighting and angles make a huge difference! I do think it’s important to always be aware that these people do look as good as they do because of skilled artists! The photographers know how to light a face to create/remove shadows to enhance, to take it from the right angle to flatter the models shape. Then there’s the fact that it’s a models job to look good; they work hard to learn what angles, expressions and poses flatter them most and enhance their looks!! Not to mention the makeup and perfectly styled clothing to suit!! And then there’s the PhotoShop and post-processing!!!

Do you think that people in the Gothic subculture tend to be more at home in their own skins than in the mainstream?
I do! I think that all cultures have their own pressures on what looks good and what beauty is, but due to the nature of Goth and how it see’s beauty in things that other people might consider ugly dark etc, it is much more open to the idea of what true beauty is and that its not all superficial!

About Photography:
What's it like working with photographers? Are most of them rather pleasant, or do you get strange demands?
Most of the photographers I’ve worked with are lovely!! They are all just normal people who’s job is to create art with a camera! Luckily everyone I’ve worked with, I’ve kept in contact with and many I have ;become friends with! Not had any strange demands yet! Well not in a bad way anyway!

What do you think of photography as portraiture, and in comparison to drawn/painted portraiture?
I think photographers are not given enough credit for their work!! I think the talent needed to understand lighting, angles, cropping and what makes a good photograph is completely underestimated! And I believe that what they do is just as much art and contains just as much skill, when done right, as a painting

Do you think that people react differently to art portraiture of an actual, living non-celebrity person than they do to celebrity portraiture or historical portraits?
I don’t really follow celebrities so im not sure how to answer this. For me personally it’s the overall image that I fall in love with, not who is in it!! But I guess people tend to be drawn to what they know, so if its someone in the public eye it would make sense that they would get more attention!!

As a model, what is your advice to photographers for working with models?
Communication is essential!! Its always good as a model to know ;what the photographer’s looking for and if what your doing is right etc! we are human after all and want to get it right! Also be professional, yet friendly. To get the best performance out of a model they need to be comfortable!!

I see you work frequently with the rather amazing ::Nick Parry::! Can you tell us a little about that?
Nick Parry I met a couple of years ago, we started working together for bodypaint shoots. I think he really liked my versatility and emotion in my modelling, and how I acted rather than modelled, as he did a lot of acting for theatre! You only need to look at his pictures to see that he’s an incredible photographer! We very quickly developed not only a very good model-photographer relationship, but became really good friends! He is one of my favourite people to work with and shooting with him is always fun, and I tend to stay with him for several days. Once makeup and styling's done, I’m only in front of the camera about 10 minutes!! Its more like a mini holiday with a shoot here and there when working with him. He’s just an extremely talented and incredible person!

I've seen you in some rather lovely fantasy themed photo-manipulations? What do you think of mixed media digital-art and photography?
I love it! I have huge admiration for mixed media artists! I think it takes a huge amount of talent to be able to combine something real and something created and to make them match well enough to blend in and work as a whole image! It’s very exciting as a model to see what is a very basic image of you be made into something completely fantastical! I have spent many hours watching Kestrel manipulate some of our images in complete awe and fascination!

⚜ About Bodypainting:

© Nick Parry Photography
Who does the bodypainting?
I have worked with several bodypainters, the main one being the incredibly talented John Davis - another one of my favourite people to work with. I’ve also worked with world champion Alex Hansen, who worked on '300', Hollywood makeup artist and bodypainter Lyma Millot, and world bodypainting champion Raphaelle Fieldhouse! Also done some with my partner Rus, who was a special effects makeup artist and the owner of Awen Creations.


Can you give me a summary of the process?
There are 2 different methods of bodypainting, brush & sponge and airbrush. For a full bodypaint obviously you need to be nude, though many painters will paint over a thong, or you can get prosthetic thongs and nipple pasties to keep modesty while avoiding having underwear lines! If prosthetics are used they’ll be applied first. Usually a base layer is put on and layers of colour will be built up, with contouring and shading and eventually final details, either hand painted/airbrushed or by using stencils.


Photography © Nick Parry
Bodypainting © A. Hansen & L. Millot
Being painted up looks very time-consuming! Is it hard staying still while being painted? Is it cold?
My longest body paint was 10 hours for the Giger bodypaint with john Davis and Nick Parry! Think my shortest was about 4 hours! It can be exhausting standing for so long, but watching the process is completely fascinating! Standing still for that many hours can be realy difficult, and with the Giger, I was falling asleep while standing, and had to eat and drink while being painted! And when I did the paint with Lyma and Alex, I couldn’t stop shivering! They had to get a hairdryer on me to get me still enough for them to paint me! No matter how warm the room is, having high pressured air blown a you for hours does lower your body temperature, and with brush and sponge, obviously the paint is wet and cold!!!

Photography © Nick Parry
Bodypainting © A. Hansen & L. Millot

What do you think of body-paint as an artistic medium?
I have a huge appreciation for bodyart! The skill to be able to turn the body into a canvas and art form is incredible! Its hard enough to paint on a flat surface, let alone work on something as complex as the human figure, with all its shapes and textures!! There is a lot of technicality and understanding of the human body needed to be able to do it well! And seeing a piece of art that can really come to life at the end is incredible to watch!


Is it always something paired with a photographic final image or as part of a dance or other performance?
Not at all! I have also modelled at bodypainting festivals in competitions! It's also used for walking promotional purposes at events, in clubs, people get it done for fancy dress, then as I said, Alex Hansen bodypainted the warriors in the movie '300' to give them (and enhance) their six packs!

How do you feel about participating in an art form that must take a lot of time and effort to accomplish, but is transient and will ultimately be washed off you?
I always enjoy the process of watching it grow, but you do become attached to the art on your body, and I always feel guilty and hate washing all their hard work off! Afterwards I always feel so plain! But I think for the result you get, it’s well worth the hours of waiting, even if you only experience the final result for a short while. This is why I always do it for shoots! I hate the thought that all that hard work will be washed down the drain and forgotten! At least with a shoot you have a record of the artwork to be able to remember it!



Giger inspired body paint © John Davis
 Photography © Nick Parry Photography

Do you think it is under-appreciated and under-represented?
Definitely!!! They are all so talented and work so hard! Like I said before, theres so many technical aspects, and its not just about being a good artist, but being able to understand the human form and how it moves and how it affects the shape of an image; to be able to work it to the shape of a body!

Most of the body-paint work I've seen you model has been horror, science-fiction or fantasy based - how does it feel to be temporarily transformed into a fabulous creature?
Its amazing!! As I stated earlier, I love bringing out a character in my work and I act more, rather than pose for shoots, so this is ideal for me! Its crazy, but as the artwork grows you really do start becoming the character you're being turned into!! You naturally start moving the way the creature would! I love the energy you can put in! Its just such an incredible feeling!

Are you a fan of these genres outside of your modelling work?
Definitely!! In fact im obsessed with fantasy! I read a lot of fantasy novels and have lots of books on fantasy art. When I had the time to draw and paint it would be of a mythical/fantasy nature. I collect dragon statues, fairies and elves - anything magical, weird or beautiful! I love being transported to another world

In the bio-mechanical set photographed by Nick Parry, how much of that was physical costuming and how much was painted?
All of it was painted!! There was a couple of bits of prosthetics that were glued onto my skin to enhance and add texture, but these were painted too!

Are you approached by the body-painters as a model, or do you approach them?
I first got into it as I had seen it on TV, and, being into different art forms, fell in love with it, so I messaged John Davis for advice on how to start learning, what paints are best etc, and he said he’d teach me if I came to be painted! Its all grown from their! It has always been a mutual thing with John. We got on well and enjoyed working together so we’d be casually chatting and would come up with incredible ideas that we’d then put into practice! Everyone else approached me!

How involved are you in the creative process beyond being a living canvas?
With John, all ideas were discussed and created together beforehand, and the things with Awen Creations I had a large design part in the prosthetics. The work with Alex, Raph and Lyma was designed by them.

 About Latex:
You have stated your desire on your Model Mayhem profile to work with latex designers, why do you especially like latex?
Well at the time it was something I was missing from my portfolio! I still don’t have enough. Latex shots seem to be really good for portfolios. Its always so flattering and shows off your figure amazingly, without the need to be nude! Plus its shiny and beautiful, sexy without being slutty.



© Nick Parry Photography

What do you think of latex's potential as a fashion fabric outside of fetish-wear?
I think latex is great as fetish wear, but I think it’s a beautiful form-fitting fabric that is great as fashion wear! Personally, if I could afford it, I’d have a huge wardrobe full! I think now though, a lot of Latex designers are creating more vintage styles in latex, rather than the traditional fetish wear, which I think is great! Like a futuristic take on traditional vintage styles!

Do you think it has become more popular to wear latex and PVC to club nights?
Definitely. I think its becoming a more accepted medium of fabric to wear, I think that people are beginning to open up to the idea of it and so are loosing their prejudices on it being a purely fetish thing and seeing it for the beauty it can be!

What sort of impact does latex's position as a material favoured by pin-ups and fetishists have on you modelling it?
Not a lot really! I was into latex before I got into the whole modelling thing, as more of a shiny futuristic industrial look rather than fetish. Only back then I couldn’t afford it so had to make do with PVC as a substitute!!

⚜ About Hair:
© Nick Parry Photography  
Your hair is always so fabulous! I can't think of a colour it hasn't been. Who does your hair?
My hair is done at ::Neo Hair Design:: by the extremely talented Owen Roberts in Cardiff! They are such a brilliant salon with an incredible team! Could never go anywhere else now!

How does having such vivid and brightly coloured hair go down in your everyday life?
I love it!! I get stopped most days when im out by complete strangers telling me they love my hair! It has never given me any problems!


© Nick Parry Photography  
You have a rather professional day-job of working in biosciences - what is it like being visibly alternative in that sort of work environment?
Its not been a problem at all! In fact they all love it! In general I have fitted in pretty well, though I have been told some of them were nervous of me when I first started! I’ve had one doctor disapprove of my appearance, being concerned of the affect it will have on the donors, but in general everyone has got used to me and find my ever-changing vibrant look refreshing!

How do you keep your hair healthy despite repeatedly dyeing it?
I always get top products from the salon to keep it in good condition. It really is worth paying the extra money for it! Also Owen, my stylist, looks after my hair, does deep treatments when needed etc. I also keep heat styling to a minimum, things like that!




© Nick Parry Photography
You seem quite unafraid to try new hair designs - do you have any dream hair-style at the moment?
I don’t have any in particular! Though I'm always seeing colours and hair I love! I’m currently really happy letting Owen decide my colour and style as he really is amazing and knows what will suit me!

Where do you get inspiration for the hair-styles from?
I don't! I let Owen design my hair! The most input I have is occasionally telling him the theme of a shoot I need it for! Otherwise I give him free reign and love seeing what he comes up with! It's become like a bit of an addiction!!


Your hair is really quite something, very colourful and creative - do you think hair design can be seen as art as well as fashion?
Definitely!! Watching Owen do my hair has proved so! You need to understand how hair will hang and fall, peoples face shapes and how the hair will change that, so knowing what to do to suit,& understanding colours, what will suit different skin tones, how it will fade so it will always look good. And the dyeing process - he literally does paint my hair! He gets an image in his head of how I'm going to look and the colour, cuts and sculpts 'til it gets there! He completely transforms my appearance, so yes, hair, when done properly is definitely an art form!


A big "Thank-youto Midnattsol for being interviewed, and to all the photographers involved for letting me illustrate this blog with their pictures of her.


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