My personal blog as a 'grown-up' Goth and Romantic living in the Highlands of Scotland. I write about the places I go, the things I see and my thoughts on life as a Goth and the subculture, and things in the broader realm of the Gothic and darkly Romantic. Sometimes I write about music I like and sometimes I review things. This blog often includes architectural photography, graveyards and other images from the darker side of life.

Goth is not just about imitating each other, it is a creative movement and subculture that grew out of post-punk and is based on seeing beauty in the dark places of the world, the expression of that in Goth rock. It looks back to the various ways throughout history in which people have confronted and explored the macabre, the dark and the taboo, and as such I'm going to post about more than the just the standards of the subculture (Siouxsie, Sisters of Mercy, Bauhaus, et al) and look at things by people who might not consider themselves anything to do with the subculture, but have eyes for the dark places. The Gothic should not be limited by what is already within it; inspiration comes from all places, the key is to look with open eyes, listen carefully and think with an open mind..

Showing posts with label decorations. Show all posts
Showing posts with label decorations. Show all posts

Wednesday, 25 December 2019

Gothic Christmas

I decorated my study with Gothic-aesthetic Christmas decorations. As has been explained in this blog already, I don't celebrate Christmas as a religious thing, more an honouring of family traditions. It's very much a secular Christmas in our household, with the big religious celebration being Midwinter's Day on the 21st of December instead. The decorations in my study centre around the 'Gothmas' Tree - something that's part in-joke, part household 'tradition'. The 'Gothmas' Tree started when Raven and I first moved in together, nearly 10 years ago. His family are quite traditional about Christmas, and so Raven wanted to continue that. At that point, I wasn't really into Christmas very much as I came from a home where it wasn't really celebrated because it held too many painful memories and too much anxiety, it was a very simple occasion with no turkey, a very briefly apparent Christmas tree, and usually a lot of sorrow. I went to Christian schools, so Christmas was a big thing there, and I sang with church choirs when I was younger, so I'd performed in many carol concerts, and so it wasn't a completely bleak and sombre affair (and even the worst Christmas of my life ended up with me falling asleep in glittering lights of the basilica in Rennes) but it just wasn't something I felt a deep connection to, at least not a positive one. 

A photograph of Christmas decorations. The wall behind is purple, there is a black dado rail, and greyscale wallpaper of Gothic arches. There are three shelves on the right holding art materials, and the upper two shelves are garlanded with tinsel, grey at the top, iridescent green and purple in the middle. There is a 2 and a half foot tall black Christmas tree densely decorated, with a glittery snowflake on the top that is too large and leans slightly to the right. The tree is on a desk with a fake black marble work-surface. The bottom of the tree is wrapped in a Hallowe'en table-cloth of black lace. The tree is decorated in a purple and silver colour-scheme, with skulls and stars as the primary motifs; it has lots of tinsel. Behind the tree is an ornate black metal stand for a tablet computer.  There is a grey vintage-style desk-lamp on the desk.
The 'Gothmas' tree & my tinsel on my desk. The snowflake is too big, so leans
I wanted to go for a Gothic 'Christmas' that was just a second Hallowe'en (my favourite holiday, of course) so I could still be celebrating something when surrounded by the huge cultural pressure to do Christmas, but my partner is very much into a traditional Christmas. The compromise was that we'd do both; I could have my own Gothic tree, and we would have a big traditional tree in the living room, and I could watch 'Nightmare Before Christmas' and he could play old-time Christmas songs from the '40s and '50s, and we'd get together for roast dinner with the fancy black-handled ornate cutlery reserved for special occasions I brought back from Ireland. It was said in jest that my Gothic tree was so I wouldn't 'ruin' the Yule tree with skulls and bats when Raven wasn't looking because I kept trying to 'sneak' black baubles onto the Yule tree, especially when I found baubles that were very pretty but too big for my little black tree, and they are now permanent fixtures on the Yule tree (which has a lot of more unusual decorations).

A bauble in the shape of a jaggedly pointed star with many points, made of clear plastic with an iridescent rainbow finish that tends towards green and purple. The bail for suspending the bauble is two silver beads It is infront of the black Christmas tree and a dark purple wall. Bright purple tinsel is visible
Spiky iridescent bauble, I think from B&M or Tesco, on the 'Gothmas' tree

I couldn't afford a second full-size tree on that first Christmas because I'd recently been made redundant when the shop I was assistant manageress of shut down for good a couple of months previous, so I bought a small tree, to bring a spark of spooky joy into what I feared would be a very bleak Christmas in a new country where I knew virtually nobody except my partner, hundreds of miles from my family, jobless, broke, and celebrating that festival that I usually hated. Christmas that year actually wasn't too bad, and I think I managed to even continue the pattern from our first Christmas where I bought Raven a hamper of unusual ingredients and favourite foods! Ever since then, there has been the Gothmas tree - in our old apartment it used to be in the bedroom, and now it is in my study, where being purple and black it matches everything else in there as the whole room is purple and black. 

In the upper left corner is a white foil stylised skull with a crack in its temple, it is attached to black tinsel. The whole thing is ensconced in black synthetic Christmas tree branches, but only the skull is in focus
Skull tinsel - cracked skull tinsel, to be precise, from Poundland
Apart from being very short, my little black tree is quite weedy, so I fill it with tinsel - purple, black, silver, and one that's purple and black with black cats, and another that's black and white with skulls. It looks a lot bushier once I've wound it around with all that tinsel - full length tinsel meant for full size trees, too! It's about all I can do to make it a passable Christmas tree and not a sad Christmas branch instead.

A black gilltery tombstone-shape cut from acrylic, with a transfer in white stylised spindly letters saying 'Festive Fears', suspended in a black Christmas tree, with a white star bauble in the foreground, and a grey six-pointed star bauble to the left. There is skull tinsel in the background
'Festive Fears' tombstone decoration from SpookyBoxCo
Some of the decorations like the glittery stars and black baubles are just ordinary Christmas decorations - it's quite common to find purple and black decorations these days, and silver is a traditional festive decoration for anything snowy. I quite like the spiky glittery stars, and there iridescent star shown at the top. I've also got decorations from SpookyBoxCo from when I used to be subscribed. Some are black tomb-stones with spooky mottos, and some are white skulls (pictured bellow).  There's also glittery purple skulls tucked into the boughs, but all the photographs that I tried to take turned out blurry, unfortunately. 

A cartoonish white acrylic skull, very glossy, hanging in the black Christmas tree, with a clear bat-shaped LED string light, silver bead garland, purple tinsel, and black tinsel with white skulls. The shelve and lantern-styled string lights are visible in the background, out of focus, in the upper left
Cute skull decoration from SpookyBoxCo
As you can see in the background of the photograph above, the lights on the tree are bats. They glow a blue-ish violet, but all the photographs I've taken of them look purely blue. I promise they aren't entirely blue. They're Hallowe'en lights, I think probably from Poundland, but I can't be certain of that. I don't have many Hallowe'en specific string-lights in my house any more - I used to have several in my study when it had the more kitschy aesthetic, but I've now rehomed them to people who have more of that sort of aesthetic. I still have two strings of skull lights, one with small clear resin skulls, and one with blown mercury glass large skulls, but they are in our bedroom. I bought some purple bat miniature LED lights, which are on the edge of my shelves. 

The black Christmas tree is illuminated by a light that appears blue; in the centre is a lit bat LED light, it is brightest in the middle, so bright it is almost white in the photograph. The rest of the tree is very dark, much is black. In real life, the bat glows a more purple-y colour.
A purple bat that looks blue. 
The rest of the string-lights in the picture below are all permanent fixtures in my study, except for the ones on the tree. The festive period is probably the only time of the year when I have all of the string-lights turned on, although I do sometimes put a few one for things like ambience while gaming at my PC or mood-lighting for D&D. I also like to put a few on when I'm meditating, and don't want the bright over-head light or stand light. I think my study possibly has far too many lighting options, and I'm saving up to get an electrician in to give me even more lighting options, hopefully in summer, so maybe I'm just overly finnicky about lighting adjustability... The lantern string lights were originally clear plastic with brown frames and I used glass-paint to make them purple and green and nail-polish to re-paint the brown plastic frames black. The skull, lanterns and purple orb lights were all from Poundland. They run off batteries. 

The small black Christmas-tree is just right of centre in the picture. The camera looks diagonally towards the shelves. There is a Gothic arch mirror behind the Christmas tree. There is also a lamp, turned off, in the shape of a book, with a Harry Potter themed cover that says Liber Lux behind the tree. The tree is on a shiny simulated marble worktop. A computer screen is just visible on the far left, but it is turned off. There is a grey vintage-style desk-lamp underneath the shelves. The shelves are black with ornate Victorian brackets. Hanging from the lowest shelf is a string of lantern-shaped string lights, quite small - the panes are green and purple. On the first shelf there are ornate boxed of art materials and a glass skull filled with small white LED lights. The second shelf is farlanded with iridescent tinsel that seems to be glimmering in the low light. On the second self there is a string of tiny purple bat-shaped lights reaching upwards and a rack with coloured markers. The small black Christmas tree has bat-shaped lights that seme very blue in the photograph. There is a row of round purple lights running under some black dado rail; it illuminates grey wallpaper depicting Gothic arches so it loos purple, and reflects off the glossy worktop.The image is dark, it is taken at night to maximise the effect of the string-lights. The wall is visible in the upper right and it is a very dark purple. There is a Highlands and Islands region sticker for the Scottish Green Party on the Gothic mirror behind the Christmas tree.
Lanterns, a skull, tiny bats, & glowing orbs are the tip of the lighting iceberg
In both the first photograph and the one above you can see there's tinsel on my shelf. I think they're both from B&M, although one might be from The Range, I can't remember. I've got two more photographs of tinsel and I'm not writing two more paragraphs on the topic of tinsel; one is iridescent green and purple/pink, and the other is petrol grey, and they're thick with long fronds - that is all there is to say about tinsel. I think the iridescent one looks quite magical. 

Iridiscent green and purple tinsel with almost transparent fronds, against the background of a dark purple wall. The image is very busy, and the tinsel takes up most of the image
Iridescent tinsel
I think next year I will get two more strands of tinsel, so each shelf has one, as just two shelves looks a bit awkward. I'd like to get some really chunky black tinsel, and maybe some purple or some silver tinsel. 

Grey tinsel above a blurred purple bauble and against the background of a dark purple wall. The fronds of the tinsel are quite chunky, the tinsel is dark grey and metallic
Grey tinsel
Another element of Christmas decorations in my study are foil garlands, spider garlands, and a foil star. They are the sort that come flat, and you fold them out to expand them. I know a lot of people think these decorations are quite tacky, but I like them, and they remind me of Christmas at my grandmother's house back in the early '90s, maybe even the late '80s. I liked Christmas at my English grandmother's house, but she passed away when I was a child. I tried really hard to photograph the garlands, but I could not get a good angle. I did get a good couple of photographs of the star that hangs from my ceiling however. 

A star with alternating purple, silver and blue points, made of thin coloured foil, suspended in front of a dark purple wall
A foil star with silver, purple and blue
There's a spider garland that has a pretty similar concept - it's purple (six legged???) spiders made of tissue-paper strung along a cord - but I didn't get a photograph of that either. 

A foil star of alternating purple, silver and blue sections viewed from the upper right, looking down onto it, with a dark purple wall in the background and on the purple wall is the black metal frame of a former-mirror missing its glass - it is a black Gothic arch with swirling spirals and three candle-sconces on the bottom. Three glass hearts are hanging from the candle-sconces. The foil star is in focus, the black mirror frame isn't
My glass-less Gothic arch former-mirror for scale and position.
That was my Christmas decorations for 2019. If by next Christmas, I have my cornice up and sort out my ceiling (maybe with two new lights...) then you might get a half-decent photo of the garlands, too. 

Tuesday, 19 February 2013

Makeup Tutorial: Date Night

I figure ivory is a good counterpoint to black... 
This was going to a bit earlier in the month, on Valentine's day, to be precise, but it wasn't ready. This is a makeup tutorial recreating the makeup design I wore to the dinner date with Raven that we had to celebrate three years of us being together, earlier on this month! As I wore a ruffled satin blouse and floor-length skirt, and my curly black wig, I wanted something to break up pillar of black effect, so opted for ivory lace gloves and pearls, and thus consequently, ivory eye-makeup. 

Photographs by SuzyBugs
My hand looks awkward because my thumb nail is actually bandaged.
I didn't get chance to photograph my makeup on the actual night, but decided that it definitely needed a step-by-step so recreated it a bit later. You might notice that it is decidedly similar to my last makeup tutorial, and this would be right, but this is my preferred style - asymmetric with swirls only on one side. Many thanks to SuzyBugs for photographing me (and I'm not even a spider!).

On to the tutorial itself!


Neatly plucked eyebrow and moisturised and primed skin.
Preparation
As always, it is important to start by preparing your face. First of all, wash your face, then carefully pluck your eyebrows and any extraneous facial hair (I find that this is less uncomfortable after I've washed). Moisturise your skin. Once this is done, apply a good toner. After that, a good primer is essential - go for a very lightly coloured translucent primer. Once the primer has dried, apply concealer. If you don't wait, the concealer is thinned by the primer and does not conceal very well. The three brown moles on my cheek don't conceal very well as they are slightly raised, so I don't bother, personally I think leaving them gives me character as most of the time I am not aiming for a doll-like look. 

Foundation
I used a very light amount of foundation, thickest over my nose and on my face either side of my nose, where I tend to be the pinkest. I then set the foundation with a porcelain-coloured powder, and a light dusting of matte white on my cheekbones, forehead and nose as a highlight. My nose has a tendency towards pinkness and I work to counteract this.


I use Rimmel Kohl pencil; these are my favourite.
Kohl
Starting in the middle, under my lower lashes, and working towards the outer corners I drew in my eyeliner with a soft kohl pencil. I used soft kohl because it goes on quite dark and can be blended outwards with a brush for a smokey effect. I did indeed blend it outwards with a brush, and added a light amount of black eye-shadow as a powder to set it afterwards. I did not do anything to my upper eyelids as working in off-whites and white means that I need to add anything black afterwards to avoid the white getting mucky.


White on the waterline makes my eye look larger.
White Waterline
I added white to the lower waterline to help give me the illusion of larger eyes. This is done carefully with a white eye pencil. I also add just a little bit to the inner corner of my eye, where it meets my nose, to help give me the illusion of a slightly narrower nose or slightly further apart eyes (depending on which way you see it), and to contrast nicely with the black eyeliner I applied later.


Cream eyeshadow near the inner corner, white towards the outer.
Eyeshadow
This is was relatively simple and I only used two colours - a matte creamy off-white and white with a very slight amount of shimmer. Before I got that far, I primed my eyelids, as I wanted a dense colour that would last. You can get special eye-makeup primers, but I use my regular primer with no issues. I used an eye-shadow sponge (the kind with the nice long handle, like a brush) and started with the cream colour, working from the inside corner of my eyelid to the middle, and patting it on rather than sweeping in order to keep it dense, then I used the white eye-shadow from the outer corner inwards to the middle and carefully blended them, trying not make them patchy in the process. I then took a small fluffy brush and added a dusting of the cream eyeshadow out along my brow bone and out to my temples. At this point it is done symmetrically, but once I decide which side the swirls will go on, I add slightly more to that side in order to give a nice contrasting creamy base for the black swirls.

Eyeliner
I use a dip eyeliner with a fine brush tip to first of all line my upper lid, then draw narrow 'cat-eye' tails at each outer corner. The eye-lining is decidedly wider towards the outer corner. I draw a very narrow line on my lower lids, coming down slightly as I approach the inner corner in order to add to the illusion of larger eyes. 


Still needs more swirls...
Swirls
At this point I pick which side will have swirls, add a touch more cream eyeshadow, and draw the swirls on. The brush tip is what allows for the calligraphy-like variation in line thickness and clean swirls. My skin is not as smooth as it once was, and I do sometimes have to go back and touch up any patchy sections. One thing I have to make sure of in the preparation stage is that there are no fine, almost invisible hairs on my temples, because if eye-liner gets on them, they become instantly very visible! Swirls are tricky, but it just takes practice. Doing them with either a gel or liquid eyeliner and brush or a brush-tipped eyeliner makes them so much easier. I tend to go for finer, more intricate swirls, but Adora BatBrat often does good examples of what can be done with bolder strokes. 


I added a couple more swirls in...
Mascara
Mascara is the last step. As you may have seen in the photos above, I am lucky enough to have fairly long and curly lashes anyway, so do not curl them, but if you want to, you can.

As before, yes, I do have naturally grey eyes, and they are not contact lenses. If you look at all my photographs you will see that I do indeed have grey eyes, but in this set the lighting makes them seem slightly darker than normal. 

Sunday, 1 April 2012

Dead Flowers, Decay and Beauty

While being Goth is about primarily music and then fashion, being Gothic is about seeing beauty in death, decay, the transience of life and the fragility of our existences. Dying flowers typify this, once bright, colourful and beautiful, time drains the of their colours, dries out their vibrant petals and turns them into brittle, fragile things that fall apart at even a gentle touch and crumble to dust, but while dried and dead are still beautiful, and even more beautiful for their fragility. As such, I took a few photographs. I tend to keep bouquets that I am gifted until they dry out, and then keep them on display as dead, dried flowers because to me they are still beautiful.



Held up against the sun in a cloudy sky, the structure of the twisted petals becomes clear and the translucence visible. This flower has naturally faded to grey, with only vein-like tracery left in a bloody, rusty red. 





All of these have been held against a matt green background (some card) and photographed such. I wanted to show how papery this flowers had become. I love how the very tips of the petals had remained dark, like they had been carefully dipped. 


This is the same as the last of the black and white photographs. I tried to find a background in a similar colour to the green of the dried stems. I think the subtle variation in colour makes this work better as an image than those in black and white, but that the black and white versions suit the aesthetics of my blog better. 

Thursday, 22 December 2011

Solstice, Christmas and Decorations

This is a blog, with lots of pictures,about how my partner and I have decorated our apartment for the season. I'm going to do a separate blog about the food. That blog will hopefully also have lots of pictures.

This is our very first Solstice living together in Scotland! This is very exciting!

My partner is very traditional about Christmas. He comes from an Irish Catholic background, but was brought up in rural Wales, and to a much larger family than mine. His Christmas vision is that of a family gathering, of traditional foliage and red-green-gold, and his favourite part of the Christmas tradition is the food. To him, Christmas dinner is a gift to the family, the best gift of them all. My partner cooks to share.

I was brought up by my mad-scientist Dad, and after Mother left, Christmas was only ever vaguely traditional in our house and I, a batty Pagan and latterly a Goth, was left in charge of decorating, and had been from an early age (my Dad was a brave, brave man, letting me do the Christmas decorations as a kid. One year I made all the baubles out of K-Nex and tried to build a tree...) so my vision is of a quiet Christmas, outside playing in snow, or at home admiring the tree, with a silver-purple-blue-black and ice, snow, a winter theme and my favourite part of Christmas is decorating the tree and turning the lights on. Christmas was never really a true "family" thing as there was only my Dad and I involved, not the extended family. We were a family of sorts, but it wasn't exactly a gathering. To me, Christmas was a time to be creative, to decorate things and make presents.

These are pretty much opposites, they're even opposite colours, but we're trying to bring them together. There are similarities to our approaches; both of us are Pagan, and my partner had time off on the Solstice, but he is working on Christmas day, so that at least gives us a focus; we both like decorating the tree, we both think it is a brilliant occasion for candles. Together we have made our small but cosy apartment into a festive one.

The Solstice is the shortest day, and is about the changing seasons and the knowledge that the days are going to get longer, and while it might get worse before it gets better, Spring WILL come. One can celebrate a secular Solstice, which is simply a celebration of the celestial patterns and changing seasons, as well as a Pagan one, so if anyone wants a less sarcastic approach to an alternative to Christmas than Festivus, a secular Solstice is a possibility.

In the UK, the Solstice marks midwinter, but apparently in places with a continental climate (the USA, at least, maybe also in mainland Europe) the Solstice is actually considered the start of winter, because although the days are getting longer, there is a lag in the change in actual weather, meaning that the worst is still to come. As you may have noticed from my previous post, Scotland has winter already! We've had a few good coverings of snow, and I have seen the most beautiful sparkling white snow on the mountains. It will probably be worse in January, and maybe early February, but snow started falling in October in a light dust on the mountains, and was definitely around in November, and Samhain (Halloween) definitely makes more sense as the start of Winter here, and Imbolc (Candlemas) as the beginning of Spring. I haven't seen Spring in Scotland yet, but I've seen snowdrops in February when I lived in England. The UK being islands detached from mainland Europe, does not share the same climate as the majority of Europe (from what I remember of Brittany, northern France has a similar one, though) but has a maritime climate, and one also affected by the Gulf Stream.

Most Pagans see the natural world (and broader Universe) as Divine, with varying theologies from pantheism to polytheism, so each Pagan has a different way of seeing it in a religious sense. To me I celebrate the fact that I live in a Universe so wonderfully arranged, by perfect chance, that there are perpetual cycles, an order to existence, and remember that however bad life gets, it eventually does get better. I see the Divine as intrinsic to the Universe, so to me the geometry of the heavens is holy, the cycles of life are holy, the physics that means our universe sustains life is holy, the sun is holy, the moon is holy, the snow is holy, the trees are holy, the mountains are holy, etc. etc. etc. I don't ascribe to any literal interpretation of any mythology, or have an anthropomorphic vision of deity, but in Neo-Pagan mythology (which is basically poetry based on many older mythologies) the Solstice is when the Sun is reborn of the Dark Goddess. For lucky druids this can involve a battle (sometimes literal, staged with swords) between two men, one representing the Holly King and the other the Oak King.

Ah, Paganism, we have a festival of death (Samhain/Halloween) a festival of sex and fire (Beltane/May Day) and a festival where we get to have sword fights if we're Druids - we're so Metal :P

As the Solstice is a celebration of returning light, we're having a fiery solar theme to our celebrations. Borrowing from a Chinese New Year tradition, and adapting it for the solar new year, we're going to light a sky-lantern, and we're going to paint our wishes for the coming year on it first. We've bought a completely bio-degradable lantern with a bamboo frame because the paper disintegrates pretty quickly and if the metal-framed ones land on farm land, the metal-frames can pose a danger to livestock and wildlife. I don't want to honour the changes in nature by doing something that's going to harm nature. It's obviously important not to let them off near airports (I think we're far enough from the city airport) and and power-lines. They seem to be quite popular in the West now, and I think they're brilliant. I always find it quite moving to watch them float away until they're invisible, getting tinier and tinier as they go. The winds were actually too high to launch our lantern, so that will have to wait until it is calmer out, but we will launch it with our wishes!

We've got lots of solar themed decorations, including a sun topping our tree. The "sun" is actually a gold and orange 'star' with many points and a circular design, but as out sun IS a star, astronomically speaking, that is fine by me. I picked it up in Pound Stretcher reduced down to 99p. I thought that was a real bargain, cheaper than making one, which was my original idea. The round sun mirror is one I bought in a charity shop really cheaply a couple of years ago, but the gilt on the edges of the flames really catch the light and as we live in quite a small flat, it is nice to have a mirror, it makes the space feel a small bit lighter. Our living room has a a reasonable size window, but daylight is scarce at this time of the year, so the mirror's main duty is reflecting the candles and lights back into the room. The jar candles are really useful, but I can't remember where I bought them, I think Cargo in Henley-on-Thames. They were originally lanterns, but I took the wire loops off and have been using them ever since. I've taken them on night-time candle-lit picnics, I've had them light up home-made oriental dinners, and now I've got them lighting up my Solstice decor. Those jars carry lots of warm, romantic memories of lovely evenings with my partner, so it is quite important to me to have them up at this time of the year. The sun candle-holder is being lit by a tea-light in another, horizontal candle-holder. The tea-light holder was a gift from my wonderful friend Dawn, back when I was still at school, and the vertical sun candle-stick is one I've had so long that I have forgotten where I got it from, but my guess is going to be a charity shop. I got back in touch with Dawn a couple of years ago, and we're pen pals/internet friends now. She has a blog about being a writer.

Solstice Decor (Photographs by the ::Other Half::, editing by me)
In order for me to satiate my desire to have a few festive trimmings in Gothic style, I have a second Christmas tree. This tree is has no warm reds, no gold at all, and lots of black and silver. It is synthetic, only three feet tall, and the tree itself is black. Hanging on its boughs are purple, silver and black baubles, a silver bead chain, and purple star-shaped battery LED lights. I painted my own designs, in metallic purple and silver nail-polish, on the larger black gloss baubles. I am on a budget, so my baubles were from Poundland, Pound Stretcher and Tesco, and the tree itself, as well as the bead-chain and lights, were also from Tesco. The tree was £5 and I spent about £12 in total on decorations for it, most of that spent on the lights. The lights I am planning to use after Christmas as decor for our room, as it is in a purple, black and silver theme, and I like fairy-lights. I found some real glass mini-baubles (the perfect size for such a small tree!) in Pound Stretcher for £1.99, and they had lots of nice budget baubles. If I were rich, I would only have glass baubles and wooden ornaments, but I am unemployed and we're not a wealthy household, so I have mostly plastic baubles and am slowly (very slowly) accumulating better quality baubles. Not all the baubles are yet as I would like; the small glittery purple baubles from Tesco, for example, are a little too close to pink for my liking, while the metallic ones from the same tub are a much cooler shade. £17 is quite a large chunk of my budget, but as this is all from scratch, and will be used for years and years from now, hopefully a recurring Yuletide feature of my gothic boudoir (well, attempted boudoir), I don't mind it so much, especially as a large chunk of that is on the lights, which will be used year-round until the bulbs go, and as they are LEDs, that might take a while.
The "Gothmas" Tree (Photographed by The HouseCat)
On the main tree are some rather fancy black decorations, in onion and teardrop shapes, but these will also be turned into house decorations after Christmas. I am planning on tying them into two matching bunches with some broad black ribbon and tying them at either end of the curtain pole in our room. I also bought some beautiful LV lights from Tesco, which are just white, but each bulb has a punched metal orb around it, and these were only £6, so a real bargain. The other half, being a little bit taller than me, strung them up around the curtain pole in our room, and I think they look rather nice. If I buy something a bit dearer, I want it to have a life that's more than just for Christmas time. I know at £1.50 each, the baubles might not be considered that dear to some, but I'm on quite a limited budget. Anyway, the baubles look more expensive than they are, and I think combined with some broad ribbon and possibly a few beaded details that they would add a bit of classy fanciness to our bedroom rather than look like tacky Christmas decorations at the wrong time of the year. Once I've actually got everything done in our bedroom, I will take pictures of the new lights and the curtain-pole decorations made from baubles.

In our living room we have the seasonal spectacular itself, the Solstice Tree. As you can see on the full length picture, our tree is over six feet and festooned with baubles. The tree is always my favourite part of the seasonal festivities, and has been since the Christmas trees of my childhood. I absolutely adore decorating the tree and try my best to keep it up as long as possible. My partner wanted a more traditional colour scheme, and I did my best not to drown the tree in black baubles (my favourite sort of baubles ;-) ). The Other Half kept jesting that I'd not be able to get ALL the baubles onto the tree, but lo, I managed it.

Solstice Tree (Photographed by the ::Other Half::)
The pine-cones are my partner's favourite decoration on the tree. I've got to admit these ones my partner bought, but it's easy enough to make them if you find some suitable sized pine cones, spray them/paint them gold (I prefer paint to spray; no aerosol) and then tie some gold ribbon around the top. Next year, if I am less stressed and busy, I shall make some extra special pine-cones for the tree. The clear baubles with snowflakes on are my favourite not-black baubles and they used to hang on my Dad's tree. They remind me of home. My Dad sent me a box of baubles from home, and it is nice having a few things on the tree to remind me of Dad. I used to have more clear snowflake baubles, but Kuro, my cat, knocked the entire tree over last year and a few baubles met a premature demise.My partner really likes the red baubles, and I bought him some gold lantern baubles, to him the tree should be warm, in colours and in light.

The red drop bauble was painted by myself, with nail-polish. The fixing at the top where the string goes through is also painted green, and the bottom tip is dipped in green. I did 12 of these in total. I use nail-polish because it is durable and gives a good metallic finish and I have it in the house anyway, so don't have to go out and buy paint especially. I like painting things somewhere between tribal patterns and canal-boat brush-stroke designs. I did these the same way as I did the baubles on my goth tree. Re-painting cheap baubles is a good way of having unique baubles.



Solstice Tree (Photographs by the ::Other Half::)

In our living room we don't have much counter space, and having no fire, no mantlepiece to hang stockings or cards on, so I have strung the cards up above two door-frames, and currently two strands of cotton thread, adding more as we get more cards. I decided it would save space and if I just doubled up the thread, putting another string below the first, rather than put more across the room. It's a corner of the room between the boiler cupboard door and the hallway door, so it's not a very used area, and so we're not likely to catch our heads on the cards. Talking of cards, cards from previous years with the pictures cut out make cheap and green gift tags. If it's a scenic card, you can cut several small sections of the scene for quite a few tags from one card.

I'd really like to see pictures of other people's Christmas, Solstice, Hannukah, etc. decorations, especially that of other goths. Has anyone else got a "gothmas tree"? Have you put your decorations up yet? What are your family traditions for this time of year? Does anyone celebrate a religious Christian Christmas? Does anyone else celebrate a Pagan Solstice? Please comment and tell me what you'll be doing, even if you're completely un-festive and just want peace and quiet. I can empathise with being un-festive, after working in retail several Christmases running, finding Christmas a miserable time of the year for past family reasons, and generally being grouchy, I ended up with a black Santa hat with "Bah Humbug" embroidered on its fluffy white brim, and mutating into the unholy product of Scrooge and the Grinch, but my partner seems to have cured this. What music will you be playing this Christmas? Until I was 20 I was heavily involved in church and cathedral choirs, and still love the traditional carols and anthems. Please do comment!

Bane, at Goth It Yourself, the Gothic home decor and project blog, has some really lovely pictures of her ::snowy solstice::. It wasn't snowy here in the Highlands - our lovely snow got washed away a few days ago.