My personal blog as a 'grown-up' Goth and Romantic living in the Highlands of Scotland. I write about the places I go, the things I see and my thoughts on life as a Goth and the subculture, and things in the broader realm of the Gothic and darkly Romantic. Sometimes I write about music I like and sometimes I review things. This blog often includes architectural photography, graveyards and other images from the darker side of life.

Goth is not just about imitating each other, it is a creative movement and subculture that grew out of post-punk and is based on seeing beauty in the dark places of the world, the expression of that in Goth rock. It looks back to the various ways throughout history in which people have confronted and explored the macabre, the dark and the taboo, and as such I'm going to post about more than the just the standards of the subculture (Siouxsie, Sisters of Mercy, Bauhaus, et al) and look at things by people who might not consider themselves anything to do with the subculture, but have eyes for the dark places. The Gothic should not be limited by what is already within it; inspiration comes from all places, the key is to look with open eyes, listen carefully and think with an open mind..

Showing posts with label lights. Show all posts
Showing posts with label lights. Show all posts

Saturday, 27 October 2012

Hallowe'en Fun - Ness Islands: Haunted!

This evening I went to 'Haunted!' at Ness Islands in Inverness. It is a family-friendly event, so it's not meant to be very scary, more entertaining. Most of the set up was created by the Highland Council’s Lighting Department, which considering the Islands already have lots of cool lighting that lights up the trees in colours, and involves chains of coloured bulbs strung along the paths, was quite bright but still atmospheric - I think it would have been spookier without the crowds, and the regular (non-Hallowe'en) lighting is always quite magical. The acting and suchlike were done by Arts in Motion, Eden Court Creative and Fly Agaric. A lot of the performers were young people and children, and I think it is excellent that there were so many young people getting involved. 

It was a costume event, and as the event was themed around witches, I came dressed up as a fairytale witch, with black lace cape, fancy makeup (to the point that it was almost face-painting with makeup) and, of course, a point hat! My pointy hat is from Poundland, and is covered in spiderweb lace. I used tome extra lacey stuff that was lying around my closet to tie my hat onto my head, with a bow under my chin, as it was quite windy out. A lot of the visitors, especially the children coming to watch, were dressed up. I saw some really good costumes on visitors, some out-doing the performers! One little girl came as a zombie in a once-pretty white dress, and I thought her costume was very good, and actually quite scary for someone so young! My costume must have been fairly good because  a lot of the children and several of the adults apparently thought I was part of the haunt. I took that as a compliment and did a few random cackles and spooky poses for children that I thought would appreciate them. It was really busy, and there were loads of children. I saw a few of the children that go to the school I work at, and gave them all a wave. 

The first section of the haunt was a gathering of witches around a cauldron, dancing and creeping through the trees. The cauldron was glowing and frothing, and the witches dancing around it. The actresses playing witches ranged in age from young teenagers to adults. Their creeping through the trees was certainly the best part of their act, and quite spooky for the younger children. The next part was a shadow-play of a devil. The path curved 'round, to where the witches were visible once more, chanting around their cauldron. The next section was mainly done with lighting effects, and involved projections of skulls and creepy things onto trees, and section where UV reactive skeletons hung near UV lights, which was not particularly in itself (although the UV lights do glow strangely) but was a good opportunity for me to stand around and let my makeup glow, seeing as a lot of it was done with UV reactive makeup! A pair of stilt-walkers guarded the entrance to the next section, both dressed as 18thC ghosts. The female ghost had a flintlock in one hand, and a knife in her chest, so I asked her if she managed to shoot her attacker before she got stabbed, to which she replied that she had, and gotten away with his money! 

There was a projection of a toad, which seemed odd, and it was animated, and deliberately an unpleasant specimen of a toad! He was projected onto a large screen just over the small bridge joining the island. Some people were dressed as skeletons, which beckoned you over and reached out as if to shake hands - as visitors reached back out, they'd jump backwards! There was a game for children, involving a projection of a skeleton with a sword, and some foam swords, where one went up against this projected skeleton on a screen, and had to hit it with the foam sword until it collapsed in a pile of bones. It was clearly aimed at young children, and I think would be quite fun for that age group. At Ness Islands there is a circular seating area cut into an artificial mound, which for Haunted! served as temporary Hellish arena, lit in an eerie red, for a dance troupe dressed as the undead  that lurched and danced in front of a live string ensemble (also in ghoulish costumes). Their dance was quite athletic, and I must imagine that repeating it over, and over, and over throughout the evening must have been quite tiring, especially considering how cold out it was.  There was a very large inflatable skull, but it did not seem to be part of any haunt scene. 

Some chaps dressed as wizards did a dance in front of a projection of occult symbols and a portal, but while the set was good, their costumes were let down by them wearing their winter clothes visibly under their cloaks. It would have been better if the cold of a Scottish winter had been taken into account when they were designing the costumes, so that they could be both warm and more convincingly wizardly. I did see one of the visitors in a warm-looking wizard costume (with a vast fake beard!), so it is certainly possible. A chap dressed as a medieval flautist akin to the pied piper was playing an eerie tune, and a group of ghostly children in night clothes (over black warmer clothes) were following him around. His music was spookily enchanting.  

The next section had eerie red lights, and a group of girls on temporary pedestals acting as living statues, who'd suddenly move. Their costumes were very good. With them were 'undead' children, carrying lanterns, who would mingle with the crowd as they moved past, and then suddenly shriek and all drop down! I knew it was coming and still gave me a start. I think their movements as eerie members of the undead, and the empty gazes on their faces were very good for such young actors, and this was certainly the creepiest section of the haunt. Maybe this is because I've watched too much Dr. Who and it reminded me of the Weeping Angels. There was an acrobat on  a broom suspended between two trees, doing all sorts of gymnastics and stunts, including hanging upside down from her broom-trapeze and generally larking about high in the air. I thought she did a good job doing such fancy things while in costume, and did very well not loose her hat! She was very impressive and entertaining, and I wish I could clamber about like that! 

There were a pair of actors dressed as giant seagulls, with articulated snapping beaks who were deliberately messing with the visitors. Any person who has been mobbed by a flock of seagulls for food will be able to say that as far as birds go, seagulls are indeed bothersome creatures! I thought this interactive section was quite good, as it was both funny and engaging with the visitors. The last section of the haunt was a series of ghosts from various historical periods, including a casualty of the Battle of Bannockburn, still dragging about his sword, and a zombified WW2 soldier! There was also a victorian maid with one kitchen knife in her back, and another in her chest, ranting about how the blood had ruined her best white pinny and how she'd have to make new rice pudding, and how this was a lesson for children not run with knives! 

All in all, it was good fun, and I think the actors put in a good effort, especially considering it was outdoors and it was raining out. It wasn't particularly scary, but I didn't expect any real scares, just some Hallowe'en fun, and that it provided. The haunt was free to enter which was very good, and unexpected. There were a few food stands and public toilets, which was very sensible, considering the numbers. I bought myself an artisan pizza with no tomatoes! 

Thursday, 22 December 2011

Solstice, Christmas and Decorations

This is a blog, with lots of pictures,about how my partner and I have decorated our apartment for the season. I'm going to do a separate blog about the food. That blog will hopefully also have lots of pictures.

This is our very first Solstice living together in Scotland! This is very exciting!

My partner is very traditional about Christmas. He comes from an Irish Catholic background, but was brought up in rural Wales, and to a much larger family than mine. His Christmas vision is that of a family gathering, of traditional foliage and red-green-gold, and his favourite part of the Christmas tradition is the food. To him, Christmas dinner is a gift to the family, the best gift of them all. My partner cooks to share.

I was brought up by my mad-scientist Dad, and after Mother left, Christmas was only ever vaguely traditional in our house and I, a batty Pagan and latterly a Goth, was left in charge of decorating, and had been from an early age (my Dad was a brave, brave man, letting me do the Christmas decorations as a kid. One year I made all the baubles out of K-Nex and tried to build a tree...) so my vision is of a quiet Christmas, outside playing in snow, or at home admiring the tree, with a silver-purple-blue-black and ice, snow, a winter theme and my favourite part of Christmas is decorating the tree and turning the lights on. Christmas was never really a true "family" thing as there was only my Dad and I involved, not the extended family. We were a family of sorts, but it wasn't exactly a gathering. To me, Christmas was a time to be creative, to decorate things and make presents.

These are pretty much opposites, they're even opposite colours, but we're trying to bring them together. There are similarities to our approaches; both of us are Pagan, and my partner had time off on the Solstice, but he is working on Christmas day, so that at least gives us a focus; we both like decorating the tree, we both think it is a brilliant occasion for candles. Together we have made our small but cosy apartment into a festive one.

The Solstice is the shortest day, and is about the changing seasons and the knowledge that the days are going to get longer, and while it might get worse before it gets better, Spring WILL come. One can celebrate a secular Solstice, which is simply a celebration of the celestial patterns and changing seasons, as well as a Pagan one, so if anyone wants a less sarcastic approach to an alternative to Christmas than Festivus, a secular Solstice is a possibility.

In the UK, the Solstice marks midwinter, but apparently in places with a continental climate (the USA, at least, maybe also in mainland Europe) the Solstice is actually considered the start of winter, because although the days are getting longer, there is a lag in the change in actual weather, meaning that the worst is still to come. As you may have noticed from my previous post, Scotland has winter already! We've had a few good coverings of snow, and I have seen the most beautiful sparkling white snow on the mountains. It will probably be worse in January, and maybe early February, but snow started falling in October in a light dust on the mountains, and was definitely around in November, and Samhain (Halloween) definitely makes more sense as the start of Winter here, and Imbolc (Candlemas) as the beginning of Spring. I haven't seen Spring in Scotland yet, but I've seen snowdrops in February when I lived in England. The UK being islands detached from mainland Europe, does not share the same climate as the majority of Europe (from what I remember of Brittany, northern France has a similar one, though) but has a maritime climate, and one also affected by the Gulf Stream.

Most Pagans see the natural world (and broader Universe) as Divine, with varying theologies from pantheism to polytheism, so each Pagan has a different way of seeing it in a religious sense. To me I celebrate the fact that I live in a Universe so wonderfully arranged, by perfect chance, that there are perpetual cycles, an order to existence, and remember that however bad life gets, it eventually does get better. I see the Divine as intrinsic to the Universe, so to me the geometry of the heavens is holy, the cycles of life are holy, the physics that means our universe sustains life is holy, the sun is holy, the moon is holy, the snow is holy, the trees are holy, the mountains are holy, etc. etc. etc. I don't ascribe to any literal interpretation of any mythology, or have an anthropomorphic vision of deity, but in Neo-Pagan mythology (which is basically poetry based on many older mythologies) the Solstice is when the Sun is reborn of the Dark Goddess. For lucky druids this can involve a battle (sometimes literal, staged with swords) between two men, one representing the Holly King and the other the Oak King.

Ah, Paganism, we have a festival of death (Samhain/Halloween) a festival of sex and fire (Beltane/May Day) and a festival where we get to have sword fights if we're Druids - we're so Metal :P

As the Solstice is a celebration of returning light, we're having a fiery solar theme to our celebrations. Borrowing from a Chinese New Year tradition, and adapting it for the solar new year, we're going to light a sky-lantern, and we're going to paint our wishes for the coming year on it first. We've bought a completely bio-degradable lantern with a bamboo frame because the paper disintegrates pretty quickly and if the metal-framed ones land on farm land, the metal-frames can pose a danger to livestock and wildlife. I don't want to honour the changes in nature by doing something that's going to harm nature. It's obviously important not to let them off near airports (I think we're far enough from the city airport) and and power-lines. They seem to be quite popular in the West now, and I think they're brilliant. I always find it quite moving to watch them float away until they're invisible, getting tinier and tinier as they go. The winds were actually too high to launch our lantern, so that will have to wait until it is calmer out, but we will launch it with our wishes!

We've got lots of solar themed decorations, including a sun topping our tree. The "sun" is actually a gold and orange 'star' with many points and a circular design, but as out sun IS a star, astronomically speaking, that is fine by me. I picked it up in Pound Stretcher reduced down to 99p. I thought that was a real bargain, cheaper than making one, which was my original idea. The round sun mirror is one I bought in a charity shop really cheaply a couple of years ago, but the gilt on the edges of the flames really catch the light and as we live in quite a small flat, it is nice to have a mirror, it makes the space feel a small bit lighter. Our living room has a a reasonable size window, but daylight is scarce at this time of the year, so the mirror's main duty is reflecting the candles and lights back into the room. The jar candles are really useful, but I can't remember where I bought them, I think Cargo in Henley-on-Thames. They were originally lanterns, but I took the wire loops off and have been using them ever since. I've taken them on night-time candle-lit picnics, I've had them light up home-made oriental dinners, and now I've got them lighting up my Solstice decor. Those jars carry lots of warm, romantic memories of lovely evenings with my partner, so it is quite important to me to have them up at this time of the year. The sun candle-holder is being lit by a tea-light in another, horizontal candle-holder. The tea-light holder was a gift from my wonderful friend Dawn, back when I was still at school, and the vertical sun candle-stick is one I've had so long that I have forgotten where I got it from, but my guess is going to be a charity shop. I got back in touch with Dawn a couple of years ago, and we're pen pals/internet friends now. She has a blog about being a writer.

Solstice Decor (Photographs by the ::Other Half::, editing by me)
In order for me to satiate my desire to have a few festive trimmings in Gothic style, I have a second Christmas tree. This tree is has no warm reds, no gold at all, and lots of black and silver. It is synthetic, only three feet tall, and the tree itself is black. Hanging on its boughs are purple, silver and black baubles, a silver bead chain, and purple star-shaped battery LED lights. I painted my own designs, in metallic purple and silver nail-polish, on the larger black gloss baubles. I am on a budget, so my baubles were from Poundland, Pound Stretcher and Tesco, and the tree itself, as well as the bead-chain and lights, were also from Tesco. The tree was £5 and I spent about £12 in total on decorations for it, most of that spent on the lights. The lights I am planning to use after Christmas as decor for our room, as it is in a purple, black and silver theme, and I like fairy-lights. I found some real glass mini-baubles (the perfect size for such a small tree!) in Pound Stretcher for £1.99, and they had lots of nice budget baubles. If I were rich, I would only have glass baubles and wooden ornaments, but I am unemployed and we're not a wealthy household, so I have mostly plastic baubles and am slowly (very slowly) accumulating better quality baubles. Not all the baubles are yet as I would like; the small glittery purple baubles from Tesco, for example, are a little too close to pink for my liking, while the metallic ones from the same tub are a much cooler shade. £17 is quite a large chunk of my budget, but as this is all from scratch, and will be used for years and years from now, hopefully a recurring Yuletide feature of my gothic boudoir (well, attempted boudoir), I don't mind it so much, especially as a large chunk of that is on the lights, which will be used year-round until the bulbs go, and as they are LEDs, that might take a while.
The "Gothmas" Tree (Photographed by The HouseCat)
On the main tree are some rather fancy black decorations, in onion and teardrop shapes, but these will also be turned into house decorations after Christmas. I am planning on tying them into two matching bunches with some broad black ribbon and tying them at either end of the curtain pole in our room. I also bought some beautiful LV lights from Tesco, which are just white, but each bulb has a punched metal orb around it, and these were only £6, so a real bargain. The other half, being a little bit taller than me, strung them up around the curtain pole in our room, and I think they look rather nice. If I buy something a bit dearer, I want it to have a life that's more than just for Christmas time. I know at £1.50 each, the baubles might not be considered that dear to some, but I'm on quite a limited budget. Anyway, the baubles look more expensive than they are, and I think combined with some broad ribbon and possibly a few beaded details that they would add a bit of classy fanciness to our bedroom rather than look like tacky Christmas decorations at the wrong time of the year. Once I've actually got everything done in our bedroom, I will take pictures of the new lights and the curtain-pole decorations made from baubles.

In our living room we have the seasonal spectacular itself, the Solstice Tree. As you can see on the full length picture, our tree is over six feet and festooned with baubles. The tree is always my favourite part of the seasonal festivities, and has been since the Christmas trees of my childhood. I absolutely adore decorating the tree and try my best to keep it up as long as possible. My partner wanted a more traditional colour scheme, and I did my best not to drown the tree in black baubles (my favourite sort of baubles ;-) ). The Other Half kept jesting that I'd not be able to get ALL the baubles onto the tree, but lo, I managed it.

Solstice Tree (Photographed by the ::Other Half::)
The pine-cones are my partner's favourite decoration on the tree. I've got to admit these ones my partner bought, but it's easy enough to make them if you find some suitable sized pine cones, spray them/paint them gold (I prefer paint to spray; no aerosol) and then tie some gold ribbon around the top. Next year, if I am less stressed and busy, I shall make some extra special pine-cones for the tree. The clear baubles with snowflakes on are my favourite not-black baubles and they used to hang on my Dad's tree. They remind me of home. My Dad sent me a box of baubles from home, and it is nice having a few things on the tree to remind me of Dad. I used to have more clear snowflake baubles, but Kuro, my cat, knocked the entire tree over last year and a few baubles met a premature demise.My partner really likes the red baubles, and I bought him some gold lantern baubles, to him the tree should be warm, in colours and in light.

The red drop bauble was painted by myself, with nail-polish. The fixing at the top where the string goes through is also painted green, and the bottom tip is dipped in green. I did 12 of these in total. I use nail-polish because it is durable and gives a good metallic finish and I have it in the house anyway, so don't have to go out and buy paint especially. I like painting things somewhere between tribal patterns and canal-boat brush-stroke designs. I did these the same way as I did the baubles on my goth tree. Re-painting cheap baubles is a good way of having unique baubles.



Solstice Tree (Photographs by the ::Other Half::)

In our living room we don't have much counter space, and having no fire, no mantlepiece to hang stockings or cards on, so I have strung the cards up above two door-frames, and currently two strands of cotton thread, adding more as we get more cards. I decided it would save space and if I just doubled up the thread, putting another string below the first, rather than put more across the room. It's a corner of the room between the boiler cupboard door and the hallway door, so it's not a very used area, and so we're not likely to catch our heads on the cards. Talking of cards, cards from previous years with the pictures cut out make cheap and green gift tags. If it's a scenic card, you can cut several small sections of the scene for quite a few tags from one card.

I'd really like to see pictures of other people's Christmas, Solstice, Hannukah, etc. decorations, especially that of other goths. Has anyone else got a "gothmas tree"? Have you put your decorations up yet? What are your family traditions for this time of year? Does anyone celebrate a religious Christian Christmas? Does anyone else celebrate a Pagan Solstice? Please comment and tell me what you'll be doing, even if you're completely un-festive and just want peace and quiet. I can empathise with being un-festive, after working in retail several Christmases running, finding Christmas a miserable time of the year for past family reasons, and generally being grouchy, I ended up with a black Santa hat with "Bah Humbug" embroidered on its fluffy white brim, and mutating into the unholy product of Scrooge and the Grinch, but my partner seems to have cured this. What music will you be playing this Christmas? Until I was 20 I was heavily involved in church and cathedral choirs, and still love the traditional carols and anthems. Please do comment!

Bane, at Goth It Yourself, the Gothic home decor and project blog, has some really lovely pictures of her ::snowy solstice::. It wasn't snowy here in the Highlands - our lovely snow got washed away a few days ago.