Study/Studio Re-Decoration Part 4: Worktop & Workspace

This is the part of this room that is most used for the purposes of studying and art. I've shared a lot of my Book Nook and meditation space because it's probably the part I feel is most finished and which I am happiest with, as well as being most relevant to the Witchcraft-related topics I've been writing about recently. However, that is not really the primary purpose of the room; literally it's just a corner in an alcove off my study, and my study's main purpose is to be where I study for university and where I do things relating to art.

Work-top and too-small window, computer and shelves

My computer is shoved in the corner by the window to minimise the glare on my screen and to maximise available worktop space, while simultaneously hiding the ugly PC tower as best as I could; modern electronics are completely out of keeping with my aesthetic. Eventually, probably after I upgrade my hardware, I would like to build a new case for the tower based off Gothic architectural aesthetics, and probably a matching screen for my monitor.  

My study is dingy because my window is overly small and my walls are dark. Most of the time I end up working there after dark anyway, so it is not much of a bother as I rely on artificial light anyway, but it does make trying to photograph the room in daylight sometimes a tad difficult, especially in the low sun of early spring. 

Desk and Computer

My desk is a worktop of MDF wrapped in the sort of self-adhesive vinyl for covering kitchen worktops, and it is pretty good as a wipe-down surface. Archimedes has scratched it in a couple of places, but that is fairly minor damage, however if anyone wants to build a desk like this and does crafts involving blades I would definitely recommend a cutting-mat. Raven built the desk/worktop and the legs are re-purposed from the banisters of a stair-rail.

Above the desk are shelves for the art-materials I use most often, so mostly pens of various types as well as my water-colours. The purple box is where I store technical drawing tools, the ivory drawers my stamping materials. For storage I like to try and find aesthetically pleasing containers as many craft items come in bright colours and garish modern packaging, so they get put in tubs and tins - especially vintage tins. On my desk I have used a spice-rack with a spindle for kitchen-towel as more art-material storage; things that come in shallow trays like paints and pencil-sets get put there, as they do not store easily on the main shelving. I use the spindle for tape (pictured) but also kitchen towel as intended. My tablet and my Harry Potter book-lamp are on recipe-book stands. Kitchenalia is useful for craft rooms!   

Shelves, art materials, Gothic arches & candlesticks

While storage is the primary concern, I do also like displaying ornaments on my shelves, and also sourcing ornamental containers, such as the skull tub. I have some of my Gothic arch candle-sconces on the wall next to my shelves, and the ones that are not too close to the ceiling do actually get used. All of them are secondhand; the two with wooden frames are from eBay, the metal Gothic arch was given to me by a colleague, and the moon sconce came from a candle-shop and is there by dint of being the wrong size for the Book Nook.

Archimedes on my desk!

Archimedes is a cat, and therefore it is his prerogative to interrupt my work, so he spends a lot of time on my desk.

I have to at some point do an overview of the whole room, but I think that will wait until I have finished it. There's so much left to do on this room, but a lot of it hinges on getting contractors in; the ceiling is definitely something that requires a lot of that, and I can't afford it [at the time of publishing this article, which is approximately a month after actually writing it, we are now in 'lock-down' due to the Covid-19 pandemic, so even if I could afford it, it would not be possible to bring in contractors]. My ceiling requires first the attention of someone to replace the section that was put up incorrectly and has bowed and to patch the hole from the botched attempt at putting in a light fixture that was done for the previous owner by someone clearly not very good at that sort of thing, then it needs an electrician to put in two over-head lights in the long section, and one overhead light above the Book Nook, with new switches (and maybe a power-outlet inside my cubby), and not until then can I paint my ceiling, put up plaster stars, and add coving to my room. There's also little point in starting work on restoring the star-shaped ceiling lights I bought (very cheap) until I have something to mount them to when they are done.

I have some furniture customisation/up-cycling projects that I would like to share next, but each of those has come to a stumbling block, so are currently incomplete, but when they are done, there will be a book-case where I replaced the wicker shelves with MDF painted with acrylic pour technique, a drawer mounted underneath my desk with a hand-painted drawer-front and skull drawer-knob, a set of miniature drawers for my calligraphy things, my painting the inner-face of my door in violet and viridian, re-painting a set of shelves in with glass doors, and eventually, re-painting a Gothic arches book-case.

This blog will definitely return to some of its original purpose, looking at my Gothic home (hence it's name DOMESTICATED Goth) with more craft-projects, and maybe this year some spooky cooking! I have a back-log of photographs from trips to various spooky places from last year that I would like to share, as well. [Lock-down means no more spooky trips for the foreseeable future, but hopefully they will resume in a few months]. I also have some art of skulls, etc. that I would like to share, and I will be setting up some e-commerce in future so that I can sell my art online. 

Samhain/Samhuinn: Our Home Altar

Statue of Badb

Samhuinn is a complex holiday - an old one, but one that has changed many times over the centuries, and the Neo-Pagan version is in many ways as different from the historical version as the contemporary commercial version of Hallowe'en. For a historically informed account of the British calendar of festivals, I suggest looking at Prof. Ronald Hutton's book 'The Stations of the Sun' which is very educational and well-researched. While I draw from historical traditions, I don't emulate them entirely, and I don't strictly follow the rituals for Samhain of Wicca or any other Neo-Pagan groups that use the Gardner-Nichols eight-fold year; in this respect I'm somewhat eclectic.

There are two specific and distinct aspects of Samhuinn for me; one is the aspect of ancestor worship, paying respects to the honoured dead, and contemplating both familial and ideological ancestors, and the other is seeing Samhuinn as the start of the Dead Time until the Winter Solstice, where light and lengthening days return. I don't think there's any historical precedent for the concept of the Dead Time, but I've seen similar ideas in other Neo-Pagan writing, although it doesn't seem that ubiquitous. 

Skulls on the altar

For most people reading this, some concept of ancestral practice will already be familiar, so I won't explain that in too much depth, especially as that isn't something represented on this altar. Effectively, the ancestral practice is about reaffirming the link between those in the present and those who came before both in terms of being mindful and thinking about them, and in terms of reinforcing a spiritual connection at a time when the boundaries between this world and the Otherworld are particularly thin, which will have different connotations depending on personal beliefs as to the nature of the afterlife/afterlives, whether they believe in reincarnation or not, etc. I personally do believe in reincarnation, but other Neo-Pagans and Reconstructionalists have different concepts of an after-life with different ideas about how fixed after-life states can be.

Samhuinn 2018. 

In the past I have had a more Morrígan based Samhuinn altar set up - the one from 2018 is pictured, with my victorious Morrígan/Macha statue centrally, on a pedestal clad in red (a colour associated with the Morrigan, being the colour of blood) brocade cloth. Badb is on the left, hard to make out in these darker pictures as all the candle-flames are above Her statue. In front of the cloth-covered pedestal is a Samhain card with overt iconography of the Morrígan that stays permanently the rest of the year at my multi-aspect shrine to the Morrígan on the mantle-piece. I now focus more on Badb as a psychopomp than on the victorious war-Goddess aspect of the MorríganThe crowned skull is on the right, my best approximation at the time of (Brythonic/Welsh deity rather than Goidelic/Gaelic deity) Arawn, King of the Underworld/Otherworldv (in Gaelic mythology, who is King of the Otherworld changes, and each King serves a term, in Brythonic mythology Arawn is the constant King)
. 

Samhuinn altar 2019 - note the lack of a statue of the Morrigan

My altar for 2019 is blacker than the previous one, with a grey and black scarf at the base and the black and white pentacle altar cloth moved to Badb's pedestal. I wanted the altar to be sombre, funereal, a memento mori. Bloodshed isn't really the sort of death I want the altar to represent, more for it to be reflective, to be a place to contemplate our own mortality and the finite time all things have, as well as the cyclical nature of things. 

Next year I would like to incorporate my figure of an Ankou - a type of psychopomp spirit, very much like the Grim Reaper, but also like a Dullahan in some ways - a corpse (skeletal, usually, but sometimes as an undead old man) that drives a cart or wagon. Like a Dullahan, an Ankou is not a personification of death, or a death deity, but a psychopomp spirit that is subordinate to Death itself. There are various different stories about who became an Ankou and why. The Ankou figure I have is hand-made clay, quite simply designed, and is also a cone-incense burner, where the incense smoke comes out from under the hood, and he holds a 'soul' (a greenish marble). 

Samhuinn altar, frontal view. 

I would also like to put a representation of The Cailleach on my altar next year, as she is the Gaelic (especially Scottish) Goddess of the winter, who spreads her cloak of snow across the hills, and we get ice and snow from November through to February in varying amounts (it's actually between Winter Solstice and Imbolc that we get the most snow, and there's sometimes still snow on the hills in April and May!). Samhuinn marks the transition between autumn and the depths of winter. In the last decade, it's been noticeably wetter, warmer and less snowy in the Highlands, a result of climate change; putting a representation of the Cailleach on my altar will also be a reminder of what we as a species are doing to our planet. 

The purple card at the front of the altar has a sigil a friend within our Open Circle designed to reflect our group being connected, even though we couldn't actually meet up on Samhuinn for a ritual this year due to clashing schedules.  

As I am Goth, it is very easy for me to decorate my altar for this holy-day of death, as skulls and black fabric are part of my normal household decor for other parts of our home. As a Gothic person, I probably contemplate mortality and death more than the average person, and have a fascination with the macabre, which I think makes it easier for me to connect with this holiday in the abstract sense, rather than as grieving or honouring anyone specific, although some of my deceased family that I knew as well as ancestors who died before I was born and the historical people who have inspired and influenced me are honoured elsewhere. 

Domesticated: Study Decor

Originally, when I set up Domesticated Goth, I intended it to be about crafts, homemaking, cooking and decorating - a blog to give people ideas on how to make Gothic things for their house, small art projects, etc. Unfortunately, I moved into a rental apartment that had strict rules on decorating, and that put a real dampener on that idea, and instead the blog evolved into a more general Gothic & Goth lifestyle bog, with Gothic tourism, art projects, accounts of my involvement with Gothic Lolita, photography, the odd musical post (I am terrible at writing about music intelligently) and discussion of the Goth subculture itself. 

Three years ago, however, Raven and I bought a house - we didn't buy it outright, we have a mortgage on it, and it's not a very big house, but it's where we call home. Over that time, we've been decorating. Not all of the house is Gothic (the living & dining rooms are open-plan with each other, and have a more earthy, slightly witchy sort of feel, with lots of greens, dark wood and natural and Pagan motifs) and some rooms are more Gothic than others. There's also still a lot of work to be done, so many rooms are still very incomplete; we don't have much money, so we can't hire people to decorate for us, and we barely have the time and the money to do it ourselves, so it has been dragging on. However, my study is the smallest room that isn't a bathroom, and therefore it's one of the more complete.

Spiderweb candelabra and skulls are still quite 'Hallowe'en'

My initial idea was to decorate it in a deliberately kitschy, Hallowe'en-esque sort of way - LOTS of skulls, cartoon bat decals on the windows and ceilings, and quite a vivid purple (Valspar's 'Purple Storm'). However, having had the room for 3 years, I feel that style both feels a bit overbearing and doesn't really reflect my personal aesthetic any more, as I've definitely got further and further into a Romantic, Gothic and very Victorian/anachronistic sort of aesthetic, and I want my study to feel more like it is inhabited by a vampire from an Anne Rice novel than one from a Tim Burton movie. I've still got the vinyl decals on my window because I simply can't get them off, and I think I'm going to have to use a heat-gun to remove them!

My window, with its bat stickers as well as SunSeal mandalas
There are a lot of pentagrams and stars hanging up in my window.

Some of the vinyl decals, those of Gothic architecture and Gothic arches, I will keep. I feel like it's still in keeping with the reproduction 1820s Gothic Revival wallpaper of window tracery, especially the arcade of grey/silver arches - something I need to get a good photograph of! I'm in two minds about the vinyl decals of buildings. I'm not sure if they are too cartoonish to look good, or if their simplicity is a good thing, or whether they should go entirely, or whether I should carefully take a scalpel to them and give them a few more details to make them a bit classier (including making some of the Romanesque arches into Gothic ones!). I don't want to make my study too Victorian either; my 1960's house doesn't have high enough ceilings to really pull off the Victorian look without feeling claustrophobic; the spaces are too horizontal. 

The rounded arches and lack of details annoy me!

I have two favourite sections of my study so far, my 'book nook' reading corner, and my feature wall. My study has a weird L-shape, with a short stubby bit over the staircase, and an above-the-stairs cupboard that I store manga and art materials in. In the stubby area, I have a book-case, a corner unit, a wicker peacock-back chair (inspired by Morticia Addams) and a two-handed broadsword! The broadsword is a claymore, the distinctive variation from Scotland. 

My book nook. Chair pulled out to get a good photograph.

The bookcase is all non-fiction. The top shelf is architecture books, the middle shelf history, culture and anthropology, and the bottom shelf is for big A4+ size books, mostly art, but a few history ones too. It's not big enough for all of my art and architecture or history books, but it's got a few. More shelving is actually something my study desperately needs, and is something I've been working on. Some friends of mine are moving to Scandinavia, and have a lovely double-Gothic-arch bookcase that I would like to buy off them, and I've put two new above-door shelves up in my study, one above the main door for ornaments, and one above the cubby door for notebooks (you can see a bracket for it, sans shelf, in the photo above). I'm awaiting some more shelves in our bedroom, so that I can move all my fiction books out of their stacks under my study desk! I've also got a stack of art books under my study desk, and another stack of art books next to the book-case, all of art books too big to go on the bottom shelf of the bookcase. I've got a few shelves above my desk, but they're for art materials, not books. 

Cubby visible in mirror!

My cubby needs a lot of work; it already has shelves, but they're too broadly spaced out, but too close to simply put an additional shelf in between - I need to take the existing shelves out and put new ones in.  There's also a crack where the back board of the cupboard has come away from the wall, and I'm not sure what the best way to deal with that is, as the problem appears to be lack of an allowance for the expansion and contraction of the building. I think perhaps an L-shaped piece of wood, attached to the brick wall and not the board, will cover the gap while allowing the different materials to expand and contract sensibly. I'm not sure whether the back wall of the cubby should have wallpaper or be painted, and if so, what colours. I also want to save up to get an electrician in, both to move the main overhead light at the conjunction of the two parts of the study, but also to install an additional light in the ceiling of the cubby, so I can see what's in there better. 

The purple and gold book is actually a Harry Potter themed lamp! They're available ::here:: and at the time of writing, they're on sale below half price at £35 (hence why I could afford one!). I'm a bit of a Harry Potter fan, so this was perfect. If there had been a silver on purple version, I would have loved that even more. I had the cover text customised to 'Liber Lux' - book of light (probably slightly wonky Latin; it's been over 12 years since I studied Latin!). When you open it up, the pages light up, and create a lovely ambient glow. I put mine on a mini-lectern/book stand so I can use it while I'm letter-writing or whatnot.

My mini-bodhran and a Gods' Eye weave.

Another thing I use my study for is music practice. I have my bodhran and my doumbek, my fiddle and a whole lot of recorders (flûte à bec, not for recording music), whistles and flutes. Eventually I wish to move my harmonium (pedal organ) up into my study, but my staircase is steep and winding, and Raven and I alone are not strong enough to carry it upstairs; I think it's a four-person job, but not a four-person staircase! I'd like to get a piano for the living-room to sit where the harmonium currently is; I used to play, and my nice piano is at my father's house. 

Raven, in front of a resin crow figure from TKMaxx
The silver and black damask bag behind has love-letters he sent me.
The silver and black box below has letters from friends and family.

I also have a desk, which is where my computer sits, and where I do a lot of my art-work. I haven't taken any proper photographs of the desk itself, because currently my desktop is just some MDF (medium-density fibreboard) and I'd like to get something like some black sparkle formica to make desk-top. I've been looking at the wonderful geode-inspired resin art-work of ::Mrs ColorBerry:: (which is totally incredible; I seriously recommend checking it out!) and I'd like to learn to do something similar to make a cool poured-resin worktop for my desk, although I wonder how heavy that would be! Raven built my desk, and to get ornate table-legs, he cut some banister spindles down to size! 

Hand-painted skulls, and easy DIY project. Just prime then paint!

I do like skull motifs, even if they are sometimes a bit kitschy. These three are small skull decorations from Hallowe'en - £2 for a pack of 9 - which I repainted using nail-polish, to immortalise some of my favourite nail-polish combinations. The iridescent green and purple one is my favourite. These skulls are tiny, about and inch and a half high each. 

I love the Art Nouveau packaging

I love burning incense in my study, although it tends to leave an ashy, dusty mess around the burner. I keep the incense for my study (which has cheesy names like 'Werewolf's Bite' or 'Gothic Prayer') in that purple vase. I used to have dried roses in the vase, but they just disintegrated entirely. I love the Art Nouveau packaging for the 'Yesteryears' incense, so I keep that particular incense out on display. The wall faces on the window aperture are painted a lighter purple (I think it's called either 'Lightning Bolt' or 'Haunting Melody'; I can't remember which of those two I eventually settled on. More Valspar paint.) 

My favourite part of my study is the wall behind where I sit at my desk. I painted it black, with silver glitter dusted into the paint, and it is the feature wall I use to display art work. The art work is on rotation. Currently I've got a lenticular image of a crow on a skull, which I think is from Alchemy Gothic, and a postcard of a cat as Moriarty (having stolen the crown jewels). Half of the picture frames are from TKMaxx and Dunelm Mill, and the other half are thrifted. I'm starting to swap out the artwork for fine art images. Not really visible in this picture, but the image in the concentric rectangles frame at the upper left is a postcard of a Edward Burne Jones sketch  (it is of a woman looking down to her left, with a crown of golden leaves, done in chalks or pastels on a purple background, you can see a version ::here::). I'm going to hopefully fill all the frames with classic art soon, just need to accumulate prints/postcards at the right size. The picture of my father (at work, he's an archaeologist) on the far right is going to be re-framed in a black frame and moved to our bedroom, where we have a wall of friends and family pictures.

Display wall from the other angle, with sword.
Also note the Gothic Revival wallpaper in grey.

You may have noticed I have another sword. I collect them, especially antiques. The sword on my display wall is an antique officer's dress sword from the 1870s-1880s, from Italy, with a beautifully engraved blade. I love the duality of beautifully made weaponry; both artistic and aesthetic, yet designed for a lethal function. There are dents along the spine of the dress sword that indicate it's been used in some form of combat, and I wonder if someone fought a duel with it. It's definitely not a battle weapon (unlike say, a cavalry sabre). 

Unfinished wall with broken sconce; the mirror got shattered.

As you can see, this is not a complete over view of my study, and there is much left to do. I'm going to put a Gothic arched cabinet over my radiator, and I've got facings to put on the shelves over my door. I need to take more pictures of things I have added to my study, like the two new shelves. I still don't have a final floor covering; I've got a rug over floor-boards as I can't afford enough laminate flooring to cover my study yet (however I do have a roll of underlay!). I'm going to try and 3D print a single tile of cornice, then make a mould, and then use that to make dozens of foam ones, in order to get a repeating Gothic arch design to go around where the ceiling connects to the walls. I've already painted skirting board gloss black, but I can't put that in until I've got the laminate floor down. I still don't have enough shelving, as detailed above, and I still have lots of stuff in boxes. 

If my readers are interested, I can update the blog with progress on my study, and with how other rooms are decorated. Please comment if you want to see more of the Gothic décor in my house. There's the witchy living & dining area mentioned before, a French belle-epoque inspired aesethetic, just with added skulls, for our main bedroom, a more modern take on Gothic decor for the spare bedroom/games room and the kitchen. The upstairs hallway is going to be quite opulent, with some really fabulous wall-paper, but I'm still currently stripping the original wallpaper! 

I also suggest checking out two Gothic DIY blogs:
::GIY: Goth It Yourself::, which is currently on hiatus, but which has an archive of PLENTY of projects worth reading and looking at, and

::Me And Annabel Lee:: which is also full of wonderful Gothic decorating and craft ideas and tutorials. 

Cilgerran Castle & Teifi Gorge

I've been on holiday! 

Day 1 of my holiday was in Wales, in the South West of the country. I visited Cilgerran Castle in Pembrokeshire with Raven. Raven, though Irish, lived in Wales for over 20 years and has been teaching me snippets of Welsh vocabulary. 

Afon - River

(Hence the River Avon in Somerset, West England, as 'f' is pronounced like 'v' in Welsh)

Pysgod - Fish

Raven drove in the sunshine across the Welsh countryside along narrow winding roads with spectacular views until we got to this small village above the Teifi Gorge. We went down a particularly steep and narrow lane to a car-park down beside the river where there were some remarkably posh stone-built public toilets with a sheltered display on the outside wall of informative plaques telling of the river's history in both Welsh and English. As it was Easter Sunday afternoon and actually sunny, it was quite busy with families out to enjoy the outdoors.

Path above the River Teifi

Photograph by the Housecat

We strolled along the riverside and up the wooded slope, and rapidly I figured that a long skirt and even low-heeled granny-boots were both a bit impractical as I snagged my skirts on brambles and walked very carefully up the many steps indeed. Raven rather enjoyed photographing every interesting thing he came across, as did I. In the end I took over 100 photographs that afternoon, even if I am only showing a few here on this blog entry - things could get rather slow on the loading time otherwise! We walked past an old slate quarry and up alongside the river. 

Taking notes
Photograph by Raven of Chance Photography

I sat for a bit in this wonderful slate-encircled seating area amongst the trees, which if I go again I will note as a nice picnic spot. In the photograph I am writing in a notebook I bought especially for this holiday, to take notes for both my diary and my blog. 

The Sally Gate
Photograph by the Housecat

We walked beneath the castle for a bit, looking up at the towers and in through the 'Sally Gate' as I heard someone call it. I over-heard a father tell his son that it was not named after a woman called Sally but thus called because one sallies through it! I took several photos of the gate, but I liked these two detailed photos most of all. 

A closer detail of the gate.
Photograph by the Housecat

At this point I could hear distant strains of music on the wind. I couldn't make out quite what it was that was playing (I presume it was a radio or other recorded music) but it sounded like a woman singing in Welsh. It seemed quite beautiful and a bit magical to hear just these snatches of wonderful singing. Anyway, around this point I dropped the pen I had borrowed off Raven, so I didn't take many notes for a while! 

Castell - Castle

Tŵr - Tower

(These two are quite similar in both languages)

We then walked a bit further along and down to the river at a different point. Raven skimmed stones and I walked on the shallow shores where the water was an inch at most above the water and had a go at skimming stones too, but I am quite useless at this! 

Raven at the River Teifi
Photograph by the Housecat

I was wearing a scarf about my hair because even though it was sunny, it was a bit breezy and my hair kept blowing into my eyes. At least you get to see the skull scarf I was wearing, which is a cheap one from Primark, but does have a nice lace-like skull pattern on it. 

Looking out across the Teifi
Photograph by Raven of Chance Photography

After a brief hunt for the lost pen, we walked up to the castle and entered it properly. The castle is pay-to-enter and owned by the National Trust. Raven paid for my entry and I used my entry money to buy my little niece a children's book called 'The Little Dragon' and deep plum-coloured quill to carry on my note-taking with. 

Tower and cloudy sky
Photograph by the Housecat

There has been a castle on the site since around 1100CE, but the castle in its present form was built between the 13th and 14thC, with a lot done in 1223 by William Marshal Jr. (See, reading those plaques in the Castle grounds is educational!).

Walkways within the castle
Photograph by the Housecat

One of the wonderful things about visiting the castle is that you can walk inside the buildings as it is reasonably well preserved for a ruin, and as bridges have been built between the remaining stairwells. Raven took a photograph of me from above - he on a walkway, I in the base of the tower.

The Housecat with camera
Photograph by Raven

All the roofs are gone, as is often the case with ancient buildings as the timber rots once the slates or tiles fall or are salvaged (I would imagine slates at this castle, as there is so much of the stuff locally) but the stone, if built well, seems to withstand the centuries so much better. I took the photo below looking upwards in one of the towers. 

Into the light!
Photograph by the Housecat

One of my favourite things about looking at ruins is it gives such a glimpse into how the building was built. The rows of holes in the wall of this tower are where huge wooden beams would have once kept the floors up, for example. The whole castle is built of quite small (relatively) and flat blocks of slate - the local stone - and it is interesting to see something other than roof tiles as an architectural use of slate. I also like seeing the 'fans' of slate above the windows - you see that done nowadays still! Slate is quite an interesting material, with a good variety of uses. 

Anyway, I hope the castle photographs are pleasing, as there is another castle post on its way tomorrow. 

Project: Step-By-Step Halloween Cards 1

This one of the styles of Halloween cards I will be making this year. I don't see many Halloween (and certainly no Samhain) cards for sale in the high-street card shops in the UK. I know it is possible to buy some very lovely cards online, and have custom cards printed, but I quite enjoy paper-crafts of various sorts, so I will be making my own.

Components for card making:
Card blank, sprayed card blank, black paper, "lightning bolts",
marbled paper, drawing of a Devil-skull.

To save a bit of time, I have bought some plain black card blanks and matching envelopes (from The Works for £1.49). I would have had to have bought sheets of black card and black paper anyway and this actually worked out cheaper than buying the card and paper! The first thing I did was mist the cards and envelopes with Magical Shimmer Mist, which is a suspension of shimmery metallic particles in an adhesive spray. It comes in a variety of colours, but for this project I have used silver. You can get similar effects with water-based silver paint and splattering, but it is more time-consuming to achieve. 

Shimmery shimmery shimmery...

As the card blanks were drying, I set about drawing the pictures for the front of the cards. Each person will be receiving a different image on their card. For the purposes of this blog, I have photographed the making of a particular card  with a Devil-skull as the image. I drew it in cheap black biro on ordinary utility white paper - no fancy materials. 

Close-up of fanged skull

I cut the drawing out, then traced around the drawing onto marbled paper (HobbyCraft, less than 50p per sheet) and drew a slightly larger rectangle around that, and cut out the piece of marbled paper. I then took a sheet of black paper and drew around the marbled paper onto it with a white pencil, and then drew a larger rectangle around that. I put the drawing, rectangle of marbled paper, and the rectangle of black paper aside (into my crafting tray). 

Lightning bolts

The next step was to cut out the jagged lightning-bolts. I cut these out of more white utility paper, laying them out on the now-dry card blank to see what size they needed to be, using the two paper rectangles as a guide, and how many I wanted, and also to get a better idea on design. They are quite finicky to cut out, and easy to tear, so once each was cut out, it went straight into the crafting tray for safe keeping.

Layered papers

The last step was gluing it all together in order. I started with gluing on the black rectangle, then arranging all the lightning bolts, then the marbled paper, and finally the drawing.

Finished card

I decorated the envelope in the same way, with the same layers, papers and materials, and with a similar design (with lightning) except with an address label instead of a drawing, but because it is an address label, I am not posting a picture of it up on the internet. 

Mausoleums, Cemeteries and Sundials

I did not want to spam everyone with too many pictures at once yesterday, so today I am posting some of the pictures of other areas of Inverness, notably the cemetery at the end of Academy Street and pictures from Falcon Square.

A broken urn

These pictures are of a broken urn in the Cemetery at the far end Academy Street. It is not the sort of hollow urn for ashes, just a decorative one from atop a monument. I found something distinctly beautiful yet terribly tragic about this ornament. It is from above a grave marker, has broken and then been put upon the edge of this wall. I love all the textures and colours, the dark green especially, and the yellow-green of the moss. When I go to graveyards and cemeteries, I do not take photographs of actual headstones and markers, as feel it is disrespectful to the memory those interred and their families to use something so important for aesthetic entertainment. Architecture and statuary are not so personal, so I am more comfortable photographing those things. 

Sculptors' Mark on Headstone

This is an exception to my policy of not photographing grave-markers. The actual text on this grave had been obliterated by time and weather, but the sculptor's mark remained. It is also the first time I've actually spotted a sculptor's mark on a headstone. 

Skulls with Bat-Wings, Bones and Ravens

I saw this part of a mausoleum and thought it was fascinating. One difference I have seen between Scottish and English graveyards is that in Scotland there are far more open references to death - I see a lot of skulls, inverted chalices, bones etc. In England I saw more angels and Madonnas, more floral designs and more poetry. I'd never seen a skull design in a graveyard before I moved up here. The graveyard in Academy Street is full of such designs, and it does make the place a bit eerie. 

I do not just take photographs of cemeteries and churches, and there is actually quite a bit of interest in the city, as there are in most British towns and cities (and most mainland European ones too). One of the wonderful things about Scotland is that history surrounds you and virtually everything has a story. Even the modern things are often beautiful, and I see a lot of pubic statues and monuments. 

Sundial at Falcon Square

In Falcon Square, which is the main square outside the Eastgate Shopping Centre (the mall, to Americans) is a statue of a unicorn rearing on a pedestal, birds swooping round it. At the base of the pedestal there are four sun dials, one each face of the pedestal. Here are photographs of parts of two of them. A lot of people, including those who live in the city, forget that these sundials are here, or ignore them. There are people who regularly sit on the pedestal steps and have still not noticed the sundials. Personally, this is very peculiar - there are four metal dishes, quite large, inserted into the side of a very large pedestal; this should be obvious. The bronze has gained a beautiful patina, with hints of green and gold. The sundials are relatively recent, so the casting is still crisp. Personally, I find the sundials one of the more attractive features of the square. It's much nicer to look at than the bus-stops and gaggles of teenagers and shoppers, anyway. 

30 Day Goth Challenge, Day 4

I'm usually mostly out and about after dark. That is partly because I've moved North, and the days here at least feel considerably shorter than they were, but I think that this is partly because I am ringed by mountains, so the sun has set behind the mountains long before it would set behind a flat horizon. This is also because my partner works until quite late, he often finishes work at gone 19:00 and then has a 45 minute commute home, so if we want to do anything together, including mundane shared chores like food shopping, it is usually done after 20:00. I am up and awake long before then, and do get up at a sensible time, but with the weather having turned for the worse, there's less conservation work for me to do, and I am less inclined than usual to walk into town, especially as I know I'll be walking home alone in the dark if I do that. Also, if it gets dark before 16:00 and light after 09:00, there's not that much of the day when itisn'tdark here in Winter :P I'm also a sucker for not going to bed until I've done a task - for example last night I stayed up working on a Doodle or Die drawing of a Samurai, in great detail, until it crashed at 03:30. If I start something, unless something really distracting happens, I'm usually locked off from the world until I've completed it.

Pale As Death

I'm naturally rather pale, though pale with a reddish tinge, and I tend to do my makeup not to make me actively paler, as I'm pale enough anyway, even for the Gothic look, but simply to make my skin less pink. I am often asked if I'm feeling ill, or what the matter with me is, but the truth is I'm fine, this is my natural, normal skin-tone. I've also got poor circulation, so my hands and feet are often very cold. As you can imagine, this means I end up the butt of corpse-jokes, but that's fine by me. I've found a lot of Goths are naturally pale people, maybe it's because Goth provides a style alternative for people who are never going to pull off the sun-kissed blonde look but can do pale and interesting quite well.

All Black Everything

Black is not my favourite colour, but it is one of them. I do tend to pick the black option even when buying items with little inherent Goth potential, not just because I don't want my cleaning stuff to clash with my clothes, but simply because I like the colour black. My four favourite colours are purple, green, black and blue - in that order. This said, I have, and this list is not exhaustive, the following: black coat-hangers, black-handled cutlery (and that actually IS deliberately Goth), black serviettes, black bedding (also Goth), a black "Gothmas" tree, square black crockery, a black electric-guitar-shaped grater, black towels, black coffee mugs, black tissue-box, black sushi plates, black plastic cooking utensils, black-handled scissors, black photo-frames (also fairly Goth) etc. etc. My wardrobe is a black-lined pit of black clothes and black shoes. Sometimes I wear a bit of green, blue, or purple, but it's mostly black on black. I get teased by friends who, when I buy something totally not goth-related and it turns out to be black, say "Oh! What a surprise! It's pink! Wait, no, it's black." Even my socks are at least mostly black.

Skulls Are Beautiful

I collect animal skulls, collect skull-shaped items, wear skull jewellery, and generally love skulls. I even paint and draw them. I also like Reapers, and bones, and other stereotypically skeletal things. I want to get a biology model skeleton to hang on my wall because I think they're aesthetically pleasing as well as educational. All my animal skulls are found pre-deceased (and mostly picked clean) on walks. I do boil them thoroughly and wash them thoroughly before displaying them. I like deer skulls the best, but have the skulls of other wildlife. I want a raven skull. My favourite art pieces are Memento Mori and Vanitas paintings.

Caught In An Explosion In A Lace Factory

I think this is as much a Lolita/Aristo stereotype as it is a Gothic one, but it's often true for me. I'll wear shirts with triple-lace cuffs, a lace trimmed skirt over petticoats, a lace jabot, lace head-gear and lace as cuff-bracelets and then tie another bit of lace in a loop under my collar and over my jabot, probably in contrasting black, and then carry a lace parasol. Trim my lace with more lace! Lace is a favourite material of mine, I love its intricacy and delicacy and the beautiful patterns it is made in. If I liked pastels and suited them, I'd probably be a Sweet Lolita cliche. I always feel very elegant when I'm wearing lots of lace.

Breathing Is Unimportant!

I lace my corsets tight and wear them pretty much constantly. I'll wear leather studded corsets with buckles, and I'll wear fancy brocade corsets over lacy tops. I like underbust, I like overbust, I like anything as long as it is mostly black, has proper steel boning and pulls me right in like an hour glass. I like white and ivory corsets to wear under period-inspired clothes, I like fancy PVC outerwear corsets to wear as a futuristic cyber-goth. I really, really, really, like corsets. In fact, I think I'm in love with them. They make me look skinnier, bustier and better proportioned. They're warm in winter. They're sexy. They're classy. They're everything I could wish for in one garment.

Bleak-eyed Writer

I wrote my fair share of angst-ridden poetry and bleak, dark fantasy fiction as a teen. Now I'm writing an apocalyptic novel set in a world where civilisation has collapsed and humanity is tearing itself apart, the environment is ruined and a lot of people die. I guess it's gone from Gothic to Rivethead literature, but hey, it doesn't depress me to write it. That said, I'm writing this novel as a warning, not an instruction manual for annihilation nor as a morbid adrenaline-junky's holiday brochure. I also like black humour, and write things that are funny-yet-morbid. I still write poetry, though it is more in the vein of admiring the beauty (and dark beauty) of the universe than in complaining about how awful my life is in poorly-written verse. My poetry abilities have also improved since I was a teen, mostly because writing poetry is one of those things I do quite frequently, for example when bored, on trains, while waiting for public transport, on long journeys, or anywhere else I get 5 or more minutes of sitting-down time. I have also learnt that angsty ramblings are not good subject matter and that good poetry requires more than just rhyme and raiding the thesaurus.

These are the main ones, but I also love ravens, magpies, crows and other corvids, do Siouxsie Sioux style eye makeup or draw curlicues, tend to go out everywhere pretty darn goth, read lots of vampire stories and hang around in graveyards. Yep, I'm a cliche, but I'm having fun being a cliche, so I don't care.