Romantic Goth: My first love in Goth style

Aesthetically, Romantic Goth is my first and most constant love. Yes, my hair is a fantastical set of neon colours, but they owe more to the myth of mermaids drowning sailors than to the CyberGoth hybrid subculture - although I like that sort of more danceable industrial too! 

This top from :Punk Rave: has inner mesh sleeves.
The outer sleeves are velvet and split all the way to the elbow

The first time I saw a Goth was probably 1993; my family had gone to Reading - a town in Berkshire - for some shopping, but this happened to coincide with the Reading Festival, one of the UK's largest rock festivals. I think The Cure were playing that year, and a lot of Goths turned up. The one I remember most clearly, was a woman in a deep red crushed velvet fantasy dress with bleached platinum hair back-combed; a more colourful variant on the usually black version of this look. I thought this was beautiful, the prettiest lady I had seen, and unfortunately, being a small child with no appreciation for - or understanding of -what was taboo in my household, I think I said something excited about this, and got sharply chastised by my mother who dragged me away and gave me a lecture on how these were bad and dangerous people I shouldn't associate with... but I think the seed was sown, and that aesthetic imprint stayed with me. 

Me in my study: my aesthetics aren't limited to my clothes.
The velvet top I am wearing the Saphira top from :Punk Rave:

I've been a fan of the Romantic Gothic aesthetic ever since - that wonderful mix of the macabre, fantastical and historical, and this post is something of a paean to that.  

The Romantic Gothic aesthetic is certainly one that is enjoyed outside of the Goth musical subculture, and one that pre-dates it; it's that Hammer Horror, Elvira, and 'vampire' aesthetic of villains and supernatural creatures that has existed for centuries. It's not surprising that is has been adopted by fans of the Gothic in general as well as Goth, and being visually striking, it's also not surprising that a lot of people come to the aesthetic before the music (same with all Goth and Gothic styles).  I was one of those people, and although I came to the Goth subculture eventually, it was a path that went via lots of Symphonic Metal and bands like Evanesence, Nightwish, and Within Temptation where that aesthetic was prominent. There were plenty of films with gorgeous costumes, too, especially older horror films and a good few fantasy films with more 'Gothic' looking villains and villainesses. I saw all that and I wanted to look like them. It was magical, romantic, otherworldly, and while I knew it was a costume, but every now and again I would see someone, maybe online, maybe walking through the Queensgate shopping mall in Peterborough or past some Oxford colleges, or maybe in Shrinking Violets in Bristol, who dressed that way, in ordinary life, and I knew it was possible.

The first Goth shop I went into was actually a Hippie shop called Rod & Maureen's in Peterborough, that had a Gothic section in its upstairs. I was more into fantasy-inspired hippie clothes at the time, but I saw some gorgeous purple velvet dresses in there... The second was probably Mystic Rose in the Harris Arcade in Reading, where I wanted everything Raven and Alchemy Gothic made, but could barely afford a pair of earrings, then I went to the indoor market - St. Nick's - in Bristol - while I was in my Steampunk phase, and I bought my first ever made-for-Goth item, a black frock-coat, to wear with a white frilly shirt from a mainstream store, and green velvet trousers, and whatever brocade waistcoat I could find, a monocle and a cheap costume-shop 'top-hat', or with a high-necked blouse, and a floor-length purple velvet skirt from a hippie shop... I still have that coat, although I'm a now a bit too busty to fit it.

I wasn't allowed on eBay as a teen, and I didn't have PayPal, so I mostly relied on charity shops; mail-order catalogs and Goth shops were generally more than I could afford, and while my Dad didn't openly disapprove, he was hardly going to let me spend money on that sort of fashion.  I rapidly learned that I wasn't going to find exactly what I wanted in Oxfam, and that I would have to learn to modify things, and rapidly learned to apply lace and better buttons to things, and how to do other simple modifications. With a limited budget, basic sewing skills, and a general lack of time and resources, I was a long way from looking like an evil sorceress-queen or a vampire lord, or really looking like anything that was vaguely put-together, but with patience, improving my sewing skills, and finally getting access to the great secondhand resources of eBay and the like, well as becoming an adult and having a full-time job, I could finally start to build a wardrobe that I really like. 

New hair-do required matching make-up

A decade and a half later and it literally is enough clothes for two wardrobes  and several boxes, because I'm something of a clothes collector now. I'm slowly scouring the internet for all the beautiful dresses I pined over as a teen but which were then far out of my price-range, and finding them secondhand on the internet for about £15 -£20, and then customising them with lace and trims. There's a meme on the internet 'be the Goth queen your 12 year old self dreamed of' and while 'queen' isn't always the aesthetic I'm going for ('prince', 'pirate', and 'terrifying bog-witch' sometimes), it's something I feel strongly about; it might have taken many years to get there, but I've actually achieved a (fairly minor) goal; I look like the kind of person my younger self admired. 

I went through a lot of style switches and hopped subcultures as a teen, but even when I was dabbling in Steampunk or a more 'Hippie' aesthetic, things with lace-up details, big bell sleeves, lots of lace, full skirts, brocade waistcoats, velvet trousers, etc. always ended up in my wardrobe. It appealed to my love of history and also to my love of fantasy - whether that was the graceful elves of Lord of the Rings or the decadent vampires of 'Interview with a Vampire' - it also always felt luxurious to be wearing this rich fabrics and fancy lace, and growing up very poor, I'd had very little luxury. At some point I would like to do an article on class dynamics and the 'fantasy aristocrat' aesthetic, but this isn't going to be it. 

I think there's an element of escapism, in that Romantic Goth clothes let you dress like something apart from the regular world, but I don't think it's necessarily a pretense; there's a little of that when it starts getting into painting yourself an undead grey/white, wearing contact lenses and fangs, latex ear prosthetics etc. deliberately looking like a fantasy creature, but that tends to be reserved for the sorts of festivals where taking on a persona is part of the fun, or for photoshoots - one step down from LARPing, but for most people involved, we don't think we're literally vampires, demons, sorceresses and fae, nor are we LARPing - what we're doing is expressing our fandom, our enjoyment of literature, film, comics and art depicting fantastical themes. I can't speak for others, but I'm not trying to take on a persona (sometimes I do as a bit of a joke, but it's several layers deep in irony and campiness), I'm expressing what I love in those things.It's not about being the villain, it's about having their  wardrobe; it's not about being someone else, it's about being enthusiastically and outrageously myself.

My decor is stereotypically Goth in black and silver

To me, Romantic Goth embracing all the decadence, drama and fanciful things that many people only allow to be expressed in the realms of fantasy; there is no reason other than social acceptability to NOT to dress like that. Building my identity positionally to 'the mainstream' is something I think is pretty pointless, and I don't dress differently as some act of defiance, but it's not like I'm oblivious to the fact I stand out, that even many other Goths dress a lot more casually than I do, especially with the popularity of the more minimalist Nu-Goth aesthetic at the moment. I turn heads, and not always in a good way; I don't like attention even if it's positive, and while I disregard the negative opinions of strangers as irrelevant, it's a lot harder (and stupider) to ignore when that escalates to outright aggression. However, as I've written about before, I will never trade expressing myself for blending in.

While a lot of Romantic Goth takes historical inspiration, primarily Medieval Europe, Baroque and Victorian, and more recently there's an increasing interest in the Norse cultures of the 8thC to 11thC, there's a wide variation from those who are interested in getting the historical attire correct for the period, with the right shoes, undergarments, and maybe some actual elements of antique dress, to those who are less interested in recreating history and more interested in being creative with the inspiration - I am certainly the latter; I love history (hence my second degree studies being in history & archaeology), and I also know how much time, effort and research it takes to do historical garb justice, and I don't have that time, sewing skill, or money to pay someone who does. I also love the creativity and aesthetics of the more fantasy orientated designs. I do like to borrow elements from historical dress, especially Edwardian and Victorian, sometimes a little 18thC stuff, but I don't want to recreate history, just use it for inspiration. 

I've noticed a slight decline in the Romantic Goth aesthetic - I think it was pretty popular in the '90s, and then with the explosion of Goth-specific manufacturers, became a lot more accessible in the '00s, but in recent years the Pastel Goth and Nu-Goth aesthetics have dominated, although the 'witchy' aesthetic that was previously characterised by white-on-black occult prints seems to be shifting to something involving more black dresses, with the same big black hats popularised by American Horror Story: Coven. There's also a lot of people into a Norse aesthetic at the moment - 'Vikings' 'Norsemen' 'Vinland Saga' and 'The Last Kingdom' probably contributing strongly to that! I think there's something perennial about Romantic Goth, and while which particular fantasy/supernatural icon or historical period dominate, it will continue. A lot of the older Romantic Goth brands seem to have dwindled, although some like Sinister and Dark*Star are still going strong, but new ones - like the sponsor of this post, ::Punk Rave:: are filling that niche. 

I accepted the ::Punk Rave:: sponsorship because I've bought quite a few clothes from them in the past, and I've always been impressed by both the attention to detail and the quality. They're at the pricier end of the scale, so I tend to buy new clothes from them once in a while, but even secondhand they are well worth checking out because the clothes are durable enough that they'll still be in good repair. These are definitely clothes worth the money. I really love their take on the Romantic Goth aesthetic, as there's a lot of influence from Gothic Lolita and Visual Kei aesthetics, which is refreshing compared the usual Western fare. Unlike many Goth brands, Punk Rave actually show their factory on their website and have their clothes made within the company rather than outsourced to a supplier; this allows for a lot more oversight in quality, and my guess is that the better fabric choices came when they opened their own factory, as their very early garments had lace that really wasn't as nice as it is now. Punk Rave's lace is often FAR nicer than I see on many other brands - no scratch raschel lace! A $50 coupon is wonderful, and I will be putting it towards ::a lovely cloak:: from them, but my opinion isn't bought - I will only ever recommend brands I genuinely trust. 

What is that expression I've got??

As a bonus for reading this far, have a 'blooper reel' picture of me in an awkwardly imperious pose - it's an out of context image from me trying to film a room decor tour, but at least you get to see the whole outfit with faux-leather cincher and mesh insert skirt. I will try again at filming a tour of my study decor, which is just as Romantic Goth as my clothes are - my love for the aesthetic goes far beyond just fashion. Check out my Instagram account of @domesticatedgoth for more decor pictures. I'm wearing a corset in the photo; those elasticated cinchers don't give an hourglass figure. 

Expectations for Unnatural Hair

I didn't originally plan to write this, but after having recently changed my hair again (I will post about that tomorrow!) a few things have come up in regards to people's expectations of bright hair. As anyone who has been following me on my blog, or on Instagram knows, I have very bright hair. I have got a lot of compliments on my hair, both in person and online, which has included a few people who have said they'd like to get their hair done similar to mine... I also know that a lot of people don't actually know how much work is involved, or that not all hair styles are really suitable for all hair types. As such, I want to write about what actually goes into having hair like mine, and what expectations for bright and creative/artistic hair styles are reasonable.

First of all, my new hair! I now have a multi-green-turquoise transition for the bulk of my hair, with a purple and fuchsia pointed fringe. 

Purple fringe was originally cut in by my friend Melody, and I was hoping to get her to trim it back as it had grown long, but I had an issue with my ID card, and needed a new photograph that was up-to-date and was going to reflect what I looked like all term, and I had let my colours fade out and my fringe grow, my roots grow in (sometimes I let my hair rest), etc. so I needed to get my hair done quickly before the start of term. I was going to just re-colour it, and wait until my friend was back at her hair-dressing course to cut my fringe back in, but as I've been basically tying my hair up and wearing bandanas for about 3 weeks I hadn't realised just how in my eyes and scraggly it had got, so made the terrible mistake of cutting it back myself quite harshly, not just merely trimming 5mm of the ends or whatnot, and so it's choppy/uneven and asymmetric. I have managed to fix it quite a bit since this photo, but now my fringe is shorter than I'd like... I will wait for it to grow a couple of centimetres and get Melody to trim it properly (and hope she doesn't crucify me for ruining her work!).

Damaging My Hair

First of all, while my hair looks nice at first glance, it is actually quite fried and unhealthy. I've had the worst of the over-bleached, badly damaged hair trimmed out back in May, and my stylist had to cut out a good 4½ inches more than I'd have liked because of how much was just chemically and heat ruined nastiness. I have done my own hair for years, and to begin with I did a lot of things that really weren't good for my hair - leaving bleach on too long (once FAR too long because an emergency involving my sister occurred in the middle of me bleaching it - that resulted in hair that snapped off and chemical burns!), trying to bleach it too many shades lighter in one go, using too much heat styling on my hair, and things like trying to make a sudden switch from a dark colour to a bright, etc. I have naturally very dark hair, and while (allergies aside) dyeing it black myself for years did it no real harm, wanting bright colours out of my hair probably isn't a long-term sustainable thing, because of the amount of bleaching required to get my hair to a light blonde, and the continued bleaching of my roots - which, when done on my own inevitably gets on already bleached hair, however hard I try to only bleach the roots -involved in the upkeep. In order to get it looking good day-to-day, I do a lot of conditioning treatments, use oils, etc, but once hair is damaged it doesn't repair itself along the existing length, as it is technically dead material, and repairing treatments only really temporarily put smoothing coatings on the hair strands.

If you have naturally light blonde hair, getting bright hair is much easier, and much less damaging for your hair. If it's light enough, it won't need bleaching - especially if you're putting a colour over it that is sympathetic to the undertones (eg. bright green hair dye over pale blonde hair will probably pick up some of the yellows and pale browns to end up leaf green) and if it does need bleaching, it won't need as much bleaching to get it pale. If, like me, you have very dark brown hair, it takes a lot of bleaching to get it pale enough, and honestly I don't think it's a good idea to do that to your hair, having done it myself repeatedly and damaged my hair. I don't bleach my hair to blonde in one session - I do it in two sessions spaced out, which means it doesn't get prolonged exposure to one long cumulative reaction, and I also don't bleach all my hair out at once - that means no sudden colour changes! - I try to only bleach the roots. Getting my hair bleached professionally is out of my budget, but would probably mean greater damage limitation again, but with bleaching all you can really achieve is damage limitation because the colour stripping process is inherently a damaging one. Bleach does not cover your hair a colour the way dye does, it strips colour, natural or otherwise, from hair. It has two main components - an alkali that makes your hair more porous, and a peroxide that chemically reacts with the melanin in hair, and it is a harsh chemical.

Edit: 
I personally think it's much better to get hair bleached professionally if you can. Even using bleach to the letter with the instruction, you can have different results and problems, especially in relation to how naturally porous your hair is, oils, and very importantly, whether or not you've used home colouring on it before, especially permanent box-dyes as they can react badly with the bleach, or be very resilient to bleaching. I had a lot of trouble getting light hair after I had dyed my hair black for years with cheap(ish) dyes and had to grow the ends out.  I have utterly fried bits of my hair, got very uneven bleach development leading to weird patchy hair, and even had chemical burns (as mentioned above).

Two-Person Job
Secondly, I used to try and do all of my hair on my own. That was a terrible idea - first of all, I am not a hair-stylist, I'm an amateur with unusual tastes, and secondly hair dye is really works best with a second person doing it, to get it nice without patches. If I am bleaching my hair at home, I get Raven to help me by doing the back parts that I can't see clearly even with two mirrors and when it comes to colouring, I get one of a few friends who are experienced with brightly coloured hair to help me. This means I get an even colour, most of the time. Sometimes even after all that, my hair ends up patchy and I have to go back and fix it. Ombre (or really, 'gradient' because I have transitions between colours over all my hair being lightened, not dark roots and bleached lighter coloured tips) hair usually takes me more than one session of dyeing to get the transitions smooth and even! It is very easy to make mistakes with doing your own hair, even if you research your plans first.

Edit: With bleach it is important to work fast as it starts to react immediately, and you can still be putting bleach on one part of your hair while a different part is done! With the application, trying to rush it doing it on yourself is a good way to get uneven application and patchy hair, and possibly even bleach-burning bits of your hair, or getting it on your scalp or ears and getting chemical burns on your skin. I really think that even if you're bleaching your hair at home, you should get a second person to apply it.

When I first started doing interesting things to my hair, there wasn't the explosion in popularity of bright colours, and brights were generally mostly available as DIY options - I'm sure most professionals could, and probably did, do vibrant colours before then, but your average hair salon didn't advertise that sort of thing as an option  and it seemed like the hair salons that did were a bit specialist, and only available in big cities with large alternative communities. Now, as brights have become fashionable, even a small city like Inverness has places that will professionally do bright colours, so I really recommend going to a professional to get your hair coloured if you can afford it. They also tend to use different dyes, including better quality, more permanent ones (although there isn't a great range of permanent brights yet).

Being very visibly alternative and walking into a spaces that were mainstream-fashion centred, and in areas that are in general less accepting of eccentric styles, was somewhat daunting, especially for someone like me who is actually quite shy and socially anxious in person. While I have the confidence to ignore mean comments, and disregard other's opinions on my appearance in general, trying to persuade a hair professional that doesn't like alternative designs that yes, I really do want bright green hair, a pointed fringe, whatever else, is not something I really wanted to have to do. This isn't about ignoring professional advice on what my hair can and can't take (which, to be honest, I wish I had been given a long time ago, when I first started dying my hair vibrant colours!), but specifically about those who just think that the sort of things I want are weird, unfashionable, ugly, etc. Trying to find someone willing to do a pointed fringe was interesting, to say the least - the lassie that currently cuts my hair is an Goth studying hair at the same college building as I study architectural technology, and she put my pointy fringe in (and I couldn't make an appointment with her to get it tidied up before the start of university, so I did it myself this time... I regret it!). However, times have changed, and the availability of people willing to do more creative things has increased - especially if you find someone who likes having the opportunity to do something artistic and different once in a while!

Also, if you do things yourself, remember that there's actually a lot of skills and techniques in styling hair - for many it's the difference between able to do DIY home improvements and being a qualified tradesperson, but for hair. Just as you might be able to fix a ding in a wall with some filler and sandpaper, but maybe not plaster a whole wall in a way that is smooth and even, sometimes more complicated tasks are better left to someone who is trained and practiced, and if you do end up doing yourself, do realise that it might not work out right the first time. I've been regularly dyeing my own hair -with help!- for years (I started as a teenager, and I'm now nearly 30...) and I still can't get it as perfect and amazing as some of the salon-done examples I've seen. I've learned to trim my fringe, but on my fifth time keeping my fringe out of my eyes, I've still got a HUGE skill difference between how much better it looked the first time Melody (my friend who is a hair-dressing student) ever did a pointy fringe, just because Melody had a lot of experience and tutoring in cutting hair and fringes prior to the pointy one.

Internet Vs. Reality
Thirdly, there are definitely people who are only exposed to what my hair looks like on Instagram, here, Facebook, etc. and only see it in photographs. Even before the photograph is taken, I'll have probably spent a substantial amount of time getting my hair just right, brushing and combing it, styling my fringe, etc. etc. I also tend to take selfies within a week of my hair having been recoloured, so it is at its most vibrant. When I'm actually taking the photographs for my selfies, I make sure I'm well lit, against a white cloth background (actually a lined curtain turned inside out, so the pretty side is hidden and the shiny white lining cloth is visible behind me!) and in a mixture of natural light, reflected natural light (an array of mirrors out of shot!) and sometimes some artificial light. Usually selfies are a document of my latest make-up, so everything is carefully posed to flatter my face, too! After all that, I then make digital edits to photos to adjust saturation, contrast, colour balance, etc. Sometimes I do more substantial colour corrections - especially if I've not had the opportunity to take a selfie in optimal lighting conditions. What people see in a photograph is my hair at an ideal moment. It does not look like that two weeks after being coloured, when humidity is making it fluffy and weird, when the wind has blown my fringe all out of shape, in some terrible lighting that makes it look blue when it's not, etc. etc. This isn't just me, this is what goes on behind the scenes of a LOT of people who put their hair on Tumblr, Instagram, whatever. It was only recently that Ursula Goth went viral for posting their lovely pink, purple and blue ombre hair before styling for a selfie, and then after styling and ::writing about:: the need for honesty and knowing that there's a difference between social media highlights and real life.

Upkeep
Fourthly, unnatural hair colours take a lot of work to maintain. Solid colour permanent dark dye over unbleached hair is the easiest to maintain. When I dyed my hair black, all I had to do was re-dye my roots when they grew long enough to be obvious (that will depend on how your natural hair colour contrasts with what colour you have dyed it) and every now and again re-tone the whole thing as it started to fade back to brown - which took a very long time compared to bright hair, and with cumulative layers of black it became more and more permanent. Solid colour bright/light colours over bleached hair take more work, as first of all the roots need dyeing before re-colouring, and secondly, depending on the colour and brand of hair-dye, and whether it is permanent or semi-permanent (most bright dyes are semi-permanent), and other factors like sun exposure, how often you wash it, and with what shampoos, etc. it can fade in anything from a mere week and a half to much longer, but they usually fade in a few weeks, and to the point where it is very obvious in about a month. Gradient brights are even more work because of recolouring the length with several, but because it's a smooth gradient, it can be redone in a distribution that isn't an exact match to where the colours where before and still look good. Layered, sectioned, or any other hair colouring that involves lots of different sections of solid colour hair is really difficult to maintain the way it was done. 

Sectional multicolour hair, with ombre.

I gave up on multi-colour hair done in layered sections because the upkeep was just too time-consuming. The amount of time I spent trying to section my hair in all the same places as when I first did my multicolour hair, because getting green over purple or whatever would result in muddy colours and browning, was inordinate - I would go through my hair with a rat-tail comb and lots of hair ties and very patiently over about 2 hours, try and part my hair exactly into all the individual locks I had initially put it into, made even more complicated when I re-bleached the roots, because then the first inch-and-a-half to two inches of my hair were blonde, so tracking back to my roots where the sections previously were became much, much harder! It also faded very unevenly, and when I tried to re-colour it it became harder and harder to get it looking good like it had before, especially as some colours fade to quite strong tones - hence why I ended up eventually with mostly turquoise hair with neon green bits that didn't look the best. 

Weird green top to blue after fading and ineffective touchups

Some styles are also a lot of upkeep, too, regardless of what colour. A fringe needs to be regularly styled to maintain its shape, especially my pointy one that is easily re-arranged to be oddly asymmetric by the wind! Both V or 'vamp fringes and 'Vintage Pin-Up' fringes, and other fringes that require a crisp style and curving under usually involve fringe straighteners, a hair-dryer, a comb, and hair-spray or product to keep them in place (I am allergic to hair-spray!). Back-combing can go from deliberately ratted to plain ratty and matted if not taken out and re-done at the right frequency - too often and you snap and damage the hair, too infrequently and the build up of product, natural oils, and anything that gets trapped in that sort of style can become a bit gross. Under-cuts need to be re-shorn otherwise they grow out oddly, and anything with styled ringlets or waves also requires work (although I haven't got personal experience with the last two, but I have friends that do). I like my long hair loose, but often put braids in my hair just either side of my face to keep those bits from getting in my way, and those get re-done each morning. If you want to have 'mermaid hair', that usually requires both curling/waves and far more complex braids to get the full effect, etc. and some styles if not re-styled in full just turn into a fluffy explosion or stick up at weird angles, or flop down oddly, etc. so to look nice, you're bound into doing something with it each day that's more than just brushing it and/or tying it back, even if it's not putting it back into the full style. 

Edit: Dyeing your hair at home is also likely to stain your shower/bath, as well as anything you spill it on, and many home semi-permanent hair-dyes are not colour-fast in rain/dampness! I live somewhere pretty rainy, and the collars of so many of my clothes have ended up green because I've been rained on and colour has transferred. Your towels will get stained too.

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I am not saying this to dissuade people from brightly coloured hair or from having interesting styles, or to try and show off how hard I've worked on my hair, but to give people realistic expectations of what having some of the more colourful and complex styles entail. Also, if you do go to a stylist, and want something done, please be aware that if they're trying to dissuade you on the grounds that it might damage your hair, or inform you it could be quite expensive and take several sessions, they aren't necessarily judging your style, or trying to scam you for unnecessary extra work - as I mentioned above, bleaching dark hair can take several sessions, and dyeing is usually a separate session, not to mention any cuts/styles to be done, and hair-dressing is a skilled trade that requires decent compensation. 

Hair Adventures 3: Green Hair, Purple Fringe

I completely forgot about doing the conclusion to my hair adventures, so I'm sorry for not putting this up months ago!

As you may recall from ::Hair Adventures 2: Feeling Blue::, I previously dyed my hair pine green with a violet fringe, and while it was pretty freshly done, it rapidly faded to two-tone blue, which while it wasn't objectively bad, was just not what I actually wanted. The picture on the right shows the colours in my hair when it was done the first time around, and you can click the link above to see what happened when it turned blue.

As I mentioned in that previous blog, I had a plan to turn the blues back to greens and purple - put in very vibrant yellow green over the aqua blue, and neon pink over the royal blue fringe! I used Stargazer UV Green and Stargazer UV Pink over the faded blue hair, but before I did that, I made sure to fade it out as much as possible, to pastel turquoise-blue, and a bright blue for the fringe. To help it fade as quickly as possible, I used original formula dandruff shampoo, which strips temporary dye much quicker than ordinary shampoo, and does help as I can get dandruff in summer. 

My hair fixed with lime green and pink!

The bright lime green alone wasn't quite enough to get my hair a colour I wanted, so I put Directions Apple Green (a staple for my hair for ages, my favourite green dye) over it, to get it REALLY green! To keep it green, once every other week or so, I was mixing up some left over green dye (including some of the Crazy Colour Pine, and lots of the Stargazer UV Green) in with some conditioner and leaving it on my hair to deep condition it (it gets pretty fried with all the bleach and styling) and to make the hair more vibrant. I'm not sure this is the best method, but it was recommended to me by a friend, and it seems to be working for me - of course, 'your mileage may vary' as they say, and I am not a professional hair-dresser or stylist, so whether leaving conditioner on for the time it takes my hair-dye to usually set is a good idea or not is not something I am qualified to say. 

Slightly more Pine Green in the mix this time!

Putting more of the Crazy Colour Pine green results in a slightly darker green, but it also does fade bluer (I think it is more like a blue dye with yellow dye mixed in, rather than a green dye, and the yellow tones wash out faster). The Stargazer UV Green dye does fade pretty quickly, though, and when I'd run out of Pine and was just using UV Green to touch it up, it was fading to a more minty green. I was using Stargazer UV Pink, mixed with a little of the left over Violette to keep the fringe bright - and still am, as it doesn't take much dye and I still have some of that first bottle of Violette and a third of a bottle of UV pink!

Slightly faded out

If you have my Domesticated Goth account followed on Instagram - viewable in browser ::here:: - you will have already seen the 'Moon Child' makeup picture, and Birthday M.U.O.T.D (make up of the day) picture - I'm more active on Instagram than I am here, and I put content on Instagram that's more about my make-up, fashion, artwork and aesthetics, as I feel that Instagram is a better platform for primarily visual blogging. For wordy blogging, thoughts and even posts that are nearly articles/essays, then I will continue to blog here. I have been busy renovating my house over summer, so hopefully in the near future I will do a room-by-room account of my decorating ideas and inspiration, what still needs to be done, etc. However, I am back at college, so that might take a while!

This isn't actually the conclusion of my hair saga; there's going to be a Hair Adventures 4! On Friday night I stayed up most of the night dyeing my hair a more interesting way... why doing my hair took all night, and what I've done with it will be revealed in the next (and final) instalment of my hair adventures for this year (although those on my FB page will have had a sneak preview yesterday). I'm not changing my hair drastically again until at least next year - which I have a specific plan for, as I am aiming for a rather radically different change in about a year's time. 

Multicolour Hair... Again!

My hair is once again a mixture of cool-tone colours, but this time a slightly different selection. My friend Catastrophe Plague helped me with the dyeing.

Selfies taken on Raven's phone.

I started off with bleaching my regrowth and the under layers of my hair, which with my length of hair and how dark my natural hair colour is (dark cool-toned brown), means I have to bleach it in two sessions with several boxes of bleach. I left a lot of my hair jade-green, especially near the tips, as several years of bleaching my hair every few months mean it isn't as healthy as it could be (and the tips definitely need trimming as some are a bit fried) so I try not to over-bleach it if I can avoid it. If the gradient with the bleaching had been smoother, and if I felt that blonde suited me, I might have kept it with the green ombre effect, but alas I am so pale that blonde makes me look the wrong sort of ghostly.

That's not mould by the radiator, that's wallpaper remnants.

Catastrophe took the photo above, and Catastrophe was the one who dyed most of my hair. They separated my hair into horizontal layers, with a rat-tail comb and some hair-tyes, and then started sectioning the lower layer of hair, by the nape of my neck, into locks of about an inch of hair at a time, and tied each of those up with a hair-tie. Catastrophe then went systematically through my hair, dyeing each lock separately. Each lock of hair received its own blend of colours, with the lowest layer being mixtures of fuschia and purple, the next layer being violet and blue, the next layer being blue and turquoise and the top layer being turquoise and green. 

I left my make-up on... Oops.

I ended up sitting around a while with my hair in about 30 tiny pony-tails, all looped back on themselves, looking rather silly, and with dye all over my face, but it worked out really well in the end, and I think Catastrophe did an amazing job on my hair! This is my favourite multi-colour hair look so far, the colours are just the sorts that I love, and the 

Taken in the dimming light, but hopefully the colours show

Dyes Used

A variety of dyes got used, a few being left over from the last time I dyed my hair multiple colours. I have all the left over dyes stored in plastic clip-lid tubs for when I need to touch this up. The dyes used were:

Stargazer Magenta

Directions Violet

Directions Lagoon Blue

Stargazer Tropical Green

Directions Apple Green

Stargazer African Green
As you can probably tell from the results, the magenta was mostly mixed in with the violet, and the African green used quite sparingly this time. I really love the vibrant emerald green of the Directions Apple Green layered over both the very bleached and jade sections of my hair. 

For comparison, here are the previous times I have had multicolour hair:

This was the first time I dyed my hair multiple colours, even if it was just a variety of greens in a vertical gradient "ombre" effect. I only had this style temporarily as it wasn't work suitable, and I did it for Hallowe'en. I blogged about it ::here:: when I did it. I liked how it turned out, and was sad that I could not keep it in my hair. I think this was the first time I had a really luminous, vibrant lime green in my hair, too. I like the colour, but in retrospect I think that the cooler green tones suit me better than the warmer ones.

The next time I tried multicolour hair was last summer, when I did it for my friend's wedding - to match the colourful outfit I wore, which involved an emerald green dress and a violet jacket. I used quite a few more colours than I had before, and this was the first time I used blues and purples with green. I did my hair mostly on my own, with some assistance from Raven, and realised that hair this complicatedly coloured was really a two-person task. The purple did NOT stay in my hair well, and I used magenta over it for the first time to make it more vibrant. I blogged about that half-spectrum of colours ::here::.

This was the time after that... it had actually started fading in this set of selfies, but there was definitely more turquoise and blue than previous times. These pictures were tweaked slightly to counteract bad lighting, but give a pretty good example of what my hair was like. I did put purple in initially, but again, it washed out pretty rapidly. I have only had the latest dyes in one week, and I hope they last a bit better than before. I have learnt to use less shampoo with vibrant hair, as it is the shampoo that washes the colour out the fastest. Washing it without shampoo at all would just leave my hair greasy, so I have to use some, but I try to use it mostly near the scalp where my hair gets greasiest, and to not use too much. 

Makeup Of The Day: Peacock Blue

I am still revelling in the ability to wear elaborate make-up to university. 

I haven't been wearing it as much as I like because I have been ill, and if I am coughing and sneezing I do not have a steady enough hand to apply my usual make-up, plus I am liable to poke myself in the eye, and my eyes are already watering and my face is all puffy. I am not going to try and cake myself in make-up to hide it, because it will make it worse. 

Selfies by HouseCat

I have been playing with making my makeup a bit more colourful to match my hair, and this look incorporate both blocks of dramatic, dark colour and my usual swirlies. As you can see by the top two pictures, I am trying to wear my glasses in my makeup photographs because that is both how I usually look (I need my glasses to see what I am doing at university), and because I think it is interesting to see how my makeup and glasses work together. As my glasses are quite swirly and dramatic themselves, my makeup has to be quite strong to still be the main visual element. 

Gloss black lipstick is currently something I really like doing, but sadly it is not something that lasts very well for clubbing, and certainly not eating out. It ends up matte very rapidly at college, but at least it remains black. 

Makeup Of The Day: Being batty!

Hallowe'en is coming! So I experimented with something a little bit kitsch and Hallowe'en-y.

As such, on Monday I decided it would be a good idea to draw bats on my face. I was right; bats ARE a good idea. I need MORE bats, in a greater variety of arrangements! I recently bought a selection of vinyl bat stickers for my study window, which I have arranged in a sweeping colony swirling around the edge of the glazing, and I figured that this sort of arrangement of bats would be good for curling down my cheekbone. 

Selfie by the HouseCat

I used greens and blues for the eye-shadow because that matches my hair. I was thinking of using purple for a more stereotypical Hallowe'en colour, but I think slime-green has become somewhat of a traditional Hallowe'en colour too now. Orange doesn't suit me, so it would never be orange. 

Also, these pictures are a somewhat edited, and not necessarily particularly well, because they were phone-cam selfies that turned out washed-out, faded and weirdly blue because I didn't adjust the white balance & exposure right. I tried to make the dark bits darker and the colours right, so that includes darkening up the makeup a little and putting the vibrancy back in my hair, but I know that on some monitors it looks like I have over-compensated and the pictures are too dark in places. As per usual, edited with ::PicMonkey::, which is a free online picture editor, and has a neat collage tool.

Half A Spectrum In My Hair

My hair is currently a bit more faded than this. The purple, which ended up being neon pink over blue as the purple dye washed out with the first wash, washed out even after being pinked, and is now a royal blue. The hair at the top ended up less neon green, and more citrus yellow. I used several different dyes, mostly Stargazer, but also a Directions dye. For the greens I used Stargazer African Green and then Stargazer UV Green for another coat over that once the African Green faded. For the turquoise I used Stargazer Tropical Green and then Stargazer UV Turquoise over it.  For the blue I used Directions Lagoon Blue and Stargazer Royal Blue. The purple at the base started off as Stargazer Plume, but was then colored over with Stargazer Magenta because it faded to blue. I had to bleach my hair twice to get it pale enough, and to get enough of the existing turquoise/verdigris dye out. The UV Green washes out really quickly, and the African Green is more permanent. I find it really hard to get any purples to stay in my hair. 

Multiclour Hair. Selfies by HouseCat

This is a very, VERY, high-maintenance thing to have done to my hair. Because of how vividly bright and light the top is, my nearly-black regrowth shows very rapidly, and the colours all wash out and muddy together. I will have to re-do all the roots at some point, and touch up all the colours, but will need to get someone to help me separate my hair where I separated the first time around, so that the colours are all over wherever I had the same colour the last time. The purple just will not stay purple! Whenever it has been freshly touched up, and when I did it originally, the colours were stunning, but it is rather hard to keep it like that. I have also bleached my hair too many times, and will need to get all the hair at the ends trimmed out where it is fried.

It was also incredibly time consuming to do. It took two goes with bleach at its longest allowable leave-in time to get my hair pale. It then took a while per colour, with each colour separated with lots of clingfilm during the curing time, and then I had to wash it all out, and then touch it all up the next day during proper daylight because I'd missed bits trying to colour it in the poor artificial light of the bathroom. I think it was approximately a day's work, just to have multicolour hair.

I did it for my friend's wedding, and I am very happy with how it looked that day. I then re-did it for the start of university, and I think knowing my hair was looking awesome really boosted my confidence on my first day. As such, it was worth it.

Will I do it again?

Maybe, maybe not. It is a LOT of work! I may just try and maintain what I have until it gets unsustainable, and then start again with a more simple variation, with fewer colours, less of a gradient. I am also thinking of having my fringe reinstated, so that will probably alter what I want to do with my hair. But for now, I will enjoy the fruits of my labours. I did gradient hair with three shades of green once before, ranging from lime green through to emerald green. That was a bit less time consuming; maybe next time I will only pick three colours.

Pictures are selfies, and I tweaked the contrast and such a wee bit (mostly to make them all consistent), then made a collage of them, in ::PicMonkey::, which is free to use, although you have to subscribe to the paid-for Royale version for stuff like better bat clip-art. 

Wedding Belle

Outfit of the (wedding) day (of one of my friends)

During the recent mini-hiatus, I went to Wales to visit family and attend a friend's wedding. The bride (my friend) had recently experienced some tragic losses in her family, so I didn't want to wear black to her wedding because I felt it would be inappropriately funereal, and she had requested that I be bright and be myself. Well, as much as I am a Goth, I do like colours, so I decided to put together an outfit in green and purple - my two favourite colours. I went with brocades lovely fabrics of the sorts that I love, and in styles that would express the sorts of things that I like in terms of fashion, just in colours other than black. 

Photo by Raven, taken in an alcove at the museum next to Cardiff city hall. 

The jacket is one you will probably recognise; it is one of my fancier jackets and is from DarkStar. I've had it a while, and I wear it relatively frequently. The green dress was quite hard to track down! Initially I planned on wearing a dark green Lolita dress, but tracking one down that was both in my price-range and in my size proved too difficult to do by the wedding, so instead I went in search of a vintage style dress. There were some modern vintage-styled dresses that I liked, but then I suddenly found this dress; an actual vintage dress from Austria, by Madl of Salzburg. I adore the fabric it is made from, and it is a rich emerald green with a fabulous pattern. The sleeves are puffy at the shoulders, but not hugely puffy.  I bought it on eBay for approximately £25 including shipping, which I think is a bargain! The skirt is quite long, and I think would fit a petticoat, but I don't have any of the right style and length to go with this dress, nor did I want to wear one to an August wedding! The tights are (if I remember rightly) from Primark, and the shoes were also bought on eBay. I can't remember who made them though. Cat handbag is from H&M. Raven necklace is from Restyle, but that particular style has been discontinued after with an issue with their supplier over the metals used for the alloys. 

Goth Meets Lolita: Outfit Of The Day

This is just a quick and belated outfit-of-the-day post. I wore this outfit just over a week ago, for some shopping, and I wanted to post it up here as an example of my day-to-day summer style. As I work at a school (for now, I will be leaving soon for university) and it is currently the summer holiday, I don't have to wear work-clothes 5 days a week so am taking the opportunity to dress more in my own style. 

Stripes. Photograph by Raven

This outfit is a mixture of Gothic Lolita and regular Goth. I wouldn't call it truly Gothic Lolita because it has elements that stray from the parameters of Lolita. The boots I am wearing are certainly more Goth than Gothic Lolita, and I am using my natural hair in all its unnaturally dyed turquoise colourfulness, and despite it being in a style not really suitable for Lolita (not to mention my roots are showing!). As such, I think of this as something just beyond the borders of Gothic Lolita. Also, I usually wear glasses. When I am photographed without them, it is usually so my make-up is visible. 

Outfit rundown: ☠ Bat Necklace: eBay, secondhand. ☠ Blouse and JSK: ☠ Bodyline set from the "separates" section. ☠ Gloves: Claire's Accessories. ☠ Charcoal and black striped tights: Poundland (yes, really). ☠ Boots: H&M. ☠ Bat backpack: gifted. 

Bat-bag. Photograph by Raven

I am totally in love with the bat-backpack. It was a gift given to me as a leaving present in the sweetest of circumstances, and I love it for what it represents as well as it being a cute heart with bat-wings and a wonderful embodiment of my "perky-Goth" personality. Since I got it, I have taken it out nearly every day that I have been out. Very rarely do I cry when given something, but I was so touched that I did cry this time! Oftentimes it is far more than just having a thing that is important, it is having something that is an embodiment and token of something much greater than the object itself. I know that I touched someone else's life, and that person has touched mine, and we have both made each other's lives better, even though I will probably not see them again after September, but I will never forget them. 

Beauly Priory With Friends

This being my blog, it has a lot of pictures of me on it, and not really many pictures of anybody else unless I was at a gathering. I intend to change that this summer, recruiting friends from within the Goth subculture and friendly  to it, to be models for mini photo-shoots. I am not a professional photographer, this is only a hobby, and I do not profess to be much good.

The two models for this photo-shoot are my friend Ducky, and Catastrophe Plague (artist name, obviously) who is a good friend of Ducky's and whom I have only just recently met. These photographs are not highly styled fashion photographs, they are instead taken to capture images of my friends and fellow members of the Highland Goth and Alternative scene just being themselves. I guess it would be a bit pretentious to call this project social documentation, but I am proud of the local Goth and Alternative community, and wanted to capture some of it as a visual record of who we are and what we are.

Beauly Priory was chosen because Ducky is from Beauly, and knows the place well, and because it is a beautiful building that I had not thoroughly visited before. I had been there briefly a while ago, but there was plenty of restoration work being done at the time, and it was also not the best weather, so I took a few pictures with the camera on my smartphone but did not take any proper photographs. This time I was supposed to bring the nice Canon camera I use when I am taking "proper" photographs, but I couldn't find the charger the day before, or any batteries with full charge (it has been ages since I took it out) so the "point and click" camera had to do. 

Ducky standing in the front door. Photo by HouseCat

Beauly Priory is a wonderful Gothic building, which has long been out of use as an actual priory, is mostly in a state of ruin, and has since been used as a graveyard, with people interred actually within the building (hence the headstone behind Ducky) as well as around the building. The priory is undergoing a process of restoration, so a large portion was surrounded in scaffolding and temporary fencing. We left all of that area well alone, but the positions of the fences made it hard to walk around the priory without walking on grave-slabs. I find actually walking on them both disrespectful to those interred and likely to damage any inscriptions and carvings with repetetive passings.

Ducky ended up wearing my sunglasses. I had them in my raincoat pocket. Yes, Scottish weather is changeable enough that it is entirely possible to need sunglasses and a raincoat is quick succession. I'm often carrying sunglasses and a compact umbrella in my handbag at the same time, especially in "summer". We're prone to 'all four seasons in one day' weather. 

Ducky wearing my sunglasses. They were in my raincoat.

I took several photographs of both Ducky and Catastrophe Plague. They are not a couple, just good friends. I liked using the wall as a backdrop because there is just so much of it, and the textures of the stone, and the varying colours, look interesting. The patches of colour I presume indicate patches of construction as it was built in sections with stones from different places, or different batches of quarrying. The stones look recently repointed, probably part of the recent restoration work.

Both friends infront of the wall. Photo by the HouseCat.

Catastrophe's dress was a tad long, so if worn hanging from the straps, came down very low at the bust, so instead it was pulled up higher and the straps folded down over at the shoulders, which I think looked very witchy. An important thing about Goth fashion is that clothes do not have to be worn in the way intended; wear them however you feel like wearing them! 

Looking sorrowful in the archway. Photograph by HouseCat

This alcove is actually very low down, and Catastrophe was barely sitting in it, more leaning against the ledge. I really like how the composition turned out, and the archway provided a frame for the image. This is one of my favourites from the session. I know this could have still been done better, but considering this is my first time deliberately doing a set of photographs where people are the subject, I am very happy with this particular photograph, and reasonably chuffed with the whole set.

Portrait of Catastrophe Plague

I took some close-ups of Catastrophe, in a portrait style. I think the walls of the Priory are just beautiful, and so used them for the backdrop as much as possible. Catastrophe is lucky to have very nice cheek-bones, so I tried to pick angles that would highlight that. I am really not very experienced at taking portraits at all, so would quite like any advice my readers have on taking better pictures. 

Hair adjusting pose. Photograph by the HouseCat.

Catastrophe was doing some hair adjustment, and I thought it would make for an interesting composition, so Catastrophe ended up hair-tweaking about four times for this. I am frustrated that the raised arm came out a bit too bright compared to the rest of the skin tones, but other than that, am quite happy. The dress makes me think 'Game of Thrones' meets 'Lord of The Rings'. especially with all the vertical seams and the layering - another reason to capitalise on the splendid medieval building! 

Yellow roses signify happiness, if I remember rightly.

Catastrophe has a great fondness of roses, so especially requested this one with the yellow roses by the perimeter wall. I think the perimeter wall is a Victorian or later addition. The stones are far more finely dressed (cut more neatly) and there is fancy Gothic Revival carving on some points. I am not happy with the contrast on the roses, but I am not sure how to fix it in a satisfactory manner, as I think the lightest petals are just too washed out. I altered the contrast on the rest of the image as it needed more contrast, with the flowers masked out, but I do not know how to improve them. 

Photograph of me by Ducky

And one photograph of me! I figured there ought to be some record of my having been there. I think I was the most colourful of the three of us, with my violet and black brocade jacket and turquoise hair.

I took several more photos of both Ducky and Catastrophe, but these ones were the best o the bunch. I took 95 photographs in total, and about a dozen of them were reasonable - I think that is a good ratio of useable photographs to dud ones! I will be taking more photographs of friends willing to model, so I hope my readers like the idea of this project.