Hallowe'en Fun - Ness Islands: Haunted!

This evening I went to 'Haunted!' at Ness Islands in Inverness. It is a family-friendly event, so it's not meant to be very scary, more entertaining. Most of the set up was created by the Highland Council’s Lighting Department, which considering the Islands already have lots of cool lighting that lights up the trees in colours, and involves chains of coloured bulbs strung along the paths, was quite bright but still atmospheric - I think it would have been spookier without the crowds, and the regular (non-Hallowe'en) lighting is always quite magical. The acting and suchlike were done by Arts in Motion, Eden Court Creative and Fly Agaric. A lot of the performers were young people and children, and I think it is excellent that there were so many young people getting involved. 

It was a costume event, and as the event was themed around witches, I came dressed up as a fairytale witch, with black lace cape, fancy makeup (to the point that it was almost face-painting with makeup) and, of course, a point hat! My pointy hat is from Poundland, and is covered in spiderweb lace. I used tome extra lacey stuff that was lying around my closet to tie my hat onto my head, with a bow under my chin, as it was quite windy out. A lot of the visitors, especially the children coming to watch, were dressed up. I saw some really good costumes on visitors, some out-doing the performers! One little girl came as a zombie in a once-pretty white dress, and I thought her costume was very good, and actually quite scary for someone so young! My costume must have been fairly good because  a lot of the children and several of the adults apparently thought I was part of the haunt. I took that as a compliment and did a few random cackles and spooky poses for children that I thought would appreciate them. It was really busy, and there were loads of children. I saw a few of the children that go to the school I work at, and gave them all a wave. 

The first section of the haunt was a gathering of witches around a cauldron, dancing and creeping through the trees. The cauldron was glowing and frothing, and the witches dancing around it. The actresses playing witches ranged in age from young teenagers to adults. Their creeping through the trees was certainly the best part of their act, and quite spooky for the younger children. The next part was a shadow-play of a devil. The path curved 'round, to where the witches were visible once more, chanting around their cauldron. The next section was mainly done with lighting effects, and involved projections of skulls and creepy things onto trees, and section where UV reactive skeletons hung near UV lights, which was not particularly in itself (although the UV lights do glow strangely) but was a good opportunity for me to stand around and let my makeup glow, seeing as a lot of it was done with UV reactive makeup! A pair of stilt-walkers guarded the entrance to the next section, both dressed as 18thC ghosts. The female ghost had a flintlock in one hand, and a knife in her chest, so I asked her if she managed to shoot her attacker before she got stabbed, to which she replied that she had, and gotten away with his money! 

There was a projection of a toad, which seemed odd, and it was animated, and deliberately an unpleasant specimen of a toad! He was projected onto a large screen just over the small bridge joining the island. Some people were dressed as skeletons, which beckoned you over and reached out as if to shake hands - as visitors reached back out, they'd jump backwards! There was a game for children, involving a projection of a skeleton with a sword, and some foam swords, where one went up against this projected skeleton on a screen, and had to hit it with the foam sword until it collapsed in a pile of bones. It was clearly aimed at young children, and I think would be quite fun for that age group. At Ness Islands there is a circular seating area cut into an artificial mound, which for Haunted! served as temporary Hellish arena, lit in an eerie red, for a dance troupe dressed as the undead  that lurched and danced in front of a live string ensemble (also in ghoulish costumes). Their dance was quite athletic, and I must imagine that repeating it over, and over, and over throughout the evening must have been quite tiring, especially considering how cold out it was.  There was a very large inflatable skull, but it did not seem to be part of any haunt scene. 

Some chaps dressed as wizards did a dance in front of a projection of occult symbols and a portal, but while the set was good, their costumes were let down by them wearing their winter clothes visibly under their cloaks. It would have been better if the cold of a Scottish winter had been taken into account when they were designing the costumes, so that they could be both warm and more convincingly wizardly. I did see one of the visitors in a warm-looking wizard costume (with a vast fake beard!), so it is certainly possible. A chap dressed as a medieval flautist akin to the pied piper was playing an eerie tune, and a group of ghostly children in night clothes (over black warmer clothes) were following him around. His music was spookily enchanting.  

The next section had eerie red lights, and a group of girls on temporary pedestals acting as living statues, who'd suddenly move. Their costumes were very good. With them were 'undead' children, carrying lanterns, who would mingle with the crowd as they moved past, and then suddenly shriek and all drop down! I knew it was coming and still gave me a start. I think their movements as eerie members of the undead, and the empty gazes on their faces were very good for such young actors, and this was certainly the creepiest section of the haunt. Maybe this is because I've watched too much Dr. Who and it reminded me of the Weeping Angels. There was an acrobat on  a broom suspended between two trees, doing all sorts of gymnastics and stunts, including hanging upside down from her broom-trapeze and generally larking about high in the air. I thought she did a good job doing such fancy things while in costume, and did very well not loose her hat! She was very impressive and entertaining, and I wish I could clamber about like that! 

There were a pair of actors dressed as giant seagulls, with articulated snapping beaks who were deliberately messing with the visitors. Any person who has been mobbed by a flock of seagulls for food will be able to say that as far as birds go, seagulls are indeed bothersome creatures! I thought this interactive section was quite good, as it was both funny and engaging with the visitors. The last section of the haunt was a series of ghosts from various historical periods, including a casualty of the Battle of Bannockburn, still dragging about his sword, and a zombified WW2 soldier! There was also a victorian maid with one kitchen knife in her back, and another in her chest, ranting about how the blood had ruined her best white pinny and how she'd have to make new rice pudding, and how this was a lesson for children not run with knives! 

All in all, it was good fun, and I think the actors put in a good effort, especially considering it was outdoors and it was raining out. It wasn't particularly scary, but I didn't expect any real scares, just some Hallowe'en fun, and that it provided. The haunt was free to enter which was very good, and unexpected. There were a few food stands and public toilets, which was very sensible, considering the numbers. I bought myself an artisan pizza with no tomatoes! 

Spirit Day 2012

Today is Spirit Day. Spirit Day started off as a Canadian phenomenon, but has since gone global, in no small part due to internet users, and is a day of standing in solidarity with LGBTQ youth and in solidarity against bullies. To take part in Spirit Day, show your support by wearing purple.   

Of course, bullying is not a one-day-a-year occurrence but to some a near-daily blight on their lives. I'm not going to preach about how bullying people is wrong, or about how there is nothing wrong with being lesbian, gay, bisexual or being outside of the traditional gender binary, because these things should be pretty obvious to anyone.

What I will say is to do your best to help those who are hurting, and if you yourself are bullied, find someone to talk to, someone who will listen - I know that educational establishments often don't do enough, and that some parents are hardly sympathetic, but these aren't the only people in the world - talk to a friend, a relative, an internet friend (although I do stress being careful on the internet, and sadly note that the proliferation of internet attention seekers crying wolf does mean that more public pleas for help and rants/venting are often met with derision), somebody - don't keep it to yourself, that only makes it worse. Do try and seek justice and help via the proper channels, and do try and explain to your parents if at all possible. In the UK there are advice and listening telephone numbers, with people at the other end to help. 

Bullying doesn't mean that that the bullied person is a bad person; it means that the bullies are bad people.

Spirit Day was founded in response to teen suicides related to bullying, and that's one thing this world doesn't need any more of. 

As a teenager, other girls made assumptions about my sexuality due to my lack of adherence to gender roles, they called me a dyke, a lesbian, and plenty of things too rude to type here, they spread malicious rumours and generally used the assumption that I was a lesbian as another difference to make fun off (as if being a gangly, academically successful (to the point of having skipped a year at school), alternative girl with braces wasn't enough. What made it worse was at the time, I actually did have a huge crush on a girl at the time, and had not yet had a crush on anybody male, which  were things I was too afraid to acknowledge, because the use of "gay", "dyke", and "lesbo" as insults made it seem like those were bad things to be, that there was something wrong with me, that worst of all, the bullies were right. It took me a while to openly acknowledge that I was bisexual. 

I'm now in a long-term (hopefully permanent) relationship with a man, so in terms of societal acceptance I seem superficially to be heteronormatively acceptable, but that doesn't mean that I agree with the way that certain members of society treat LGBTQ people, or that I don't understand what it's like to be a young person questioning and learning about their own sexuality in the face of the prejudices of others. 

As such, my heart goes out to all that suffer due to the prejudices of others, and remember - you are not alone, and you are not a bad, broken, or evil person for being LGBTQ - those who bully, on the other hand... 

Links

::Spirit Day at GLAAD:: - the official website for Spirit Day.

::Samaritans::, for the despairing and suicidal - they have a letter, telephone and e-mail service.

::ChildLine:: helpline for children facing a variety of issues, including bullying. 

::Lesbian & Gay Switchboard:: UK advice for LGBT people.

Trip To Dundreggan With Trees for Life

I will unashamedly say that I think Scotland is Paradise. If it wasn't for the lack of mead and boar, I'd say this was the afterlife and that I'm already dead :P 

Today I went to the Dundreggan Estate (::read more here::) to help with the efforts of replanting the Caledonian forest. I left Inverness train-station at 09:00 this morning, so I was up fairly early in order to get ready and to the city for that. The journey to Dundreggan was certainly scenic. I saw deer. It was a silvery landscape; everything was covered in glittering crystals of hoar-frost. Mist from the sea, the lochs and the rivers hung trapped between the mountains. Things are beginning to look distinctly wintery, but the snows haven't come this far down yet; the peaks shine white, but the slopes and the valleys are still autumnal.

River Moriston

Dundreggan Lodge was at the end of a lovely drive, shrouded in mist. Things were less wintery, more autumnal - the trees have golden leaves, which have begun to fall, and the grass, while frosty, was definitely not snowy. At the lodge we went indoors for a cup of tea, and a discussion of the plan of action. The discussion turned to life in bothies, being snowed in, and living in winter without running water and being cut off from modern life - I recalled fond memories of Raven's parent's farm in Wales, during deepest winter. I met a Buddhist lady, talked about life, and eyed up the Lodge's piano (but didn't touch!). 

Misty Avenue

We then went to the tree nursery, where I observed young saplings being tended, before heading off to the carpark to get organised. I borrowed some waterproof trousers, and hopped into a minibus that took us further up the mountain. Our trip was, for reasons I don't yet know, being filmed. As I got into the minibus after a group had already been filmed getting into it, I had to get out of the minibus, stand out of camera shot, and wait while the minibus was filmed arriving and everyone getting out was filmed, and then the minibus was filmed arriving again, and everyone getting out was filmed... again. 

We then hiked our way to the exclosure (it's an inclosure if it keeps animals in, this fence was built to keep deer out of where the young saplings were growing, so it is an exclosure), through some very, very lovely countryside. I really, really wish my photographs from my walk by the river, through the trees and up to the exclosure had turned out reasonably well, but sadly they were mostly blurry or badly taken. Instead, have a photograph of some melting hoar-frost. 

Glittery, glittery, glittery.

The exclosure is out on the heather, on some very open and wind-swept slopes.  The view was spectacular, but it isn't a place of many colours, only leaden sky and bronze slopes. 

Trees for Life have so far planted over a million trees - the millionth was planted in May of this year - and today I planted 96 more. Our target for the day was 1,000 trees, and we may well have exceeded it. Our saplings were as 'plug-plants', and all we had to do was dig a hole, put in a sapling, fill in around it, and tap it down - hard to do when the ground is frozen and there are crystals of needle ice growing OUT of it! (Although, when the needle ice formed, the ground had not yet frozen.) I also spent an awful lot of time talking with a chap who turned out to be a fellow LARP enthusiast, gamer, guitar player and person with an interest in swords, knives and weaponry (and who once fenced sabre) - it's amazing the places you meet like-minded folk.

Trying to put up a fence,
Dec '11. Photo by M. Drury

It rained, then sleeted, and I got very wet, and my waterproof trousers proved not to be very water-proof, for water and mud seeped through and my legs got soaked, and then chilled by the cold, cold wind. Tree planting with Trees for Life is certainly a rewarding task, but generally involves mountainous hikes and inclement weather, followed by hard work, so is something for adventurous and outdoorsy types. As well as the day trips like the ones I attend, they also run conservation weeks, with accommodation, for those who would rather do something useful when they take time out of their regular lives. I've been volunteering with Trees for Life since last autumn/winter, and while my trips are always an adventure, and every time I go out I go "I'm never getting that cold and wet EVER again!" and then every time I get the chance to go again, I'm rushing to sign myself up.

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I would like to clarify to readers that despite certain rumours, I am not a Pictsie, am very much alive, and am decidedly Franglais. 

Domesticated: Now on YouTube

Domesticated Goth now has a YouTube Channel! 

I want to start vlogging, making cookery videos, and craft/sewing how-tos. I'd like to start with an introduction and Q&A session, but first I need questions! You can ask questions here, or on the Domesticated Goth ::Facebook page:: where you can also suggest topics for blogs, or ask questions for me to answer in written form, or ask for craft how-tos. Ask me questions about being Goth, about blogging, and suchlike :) I may not be able to answer all questions in the video, but I'll be able to answer a few (and will probably write replies directly to the comments).

Please ask your questions below or on FaceBook!

The Synthetic Aesthetic & Hypocrisy

Recently, Amy of ::Stripy Tights and Dark Delights:: wrote ::this:: post on Goths that denigrate people of a certain popular aesthetic (Essex Girl in the UK, Jersey Shore to an American, I would guess that a lot of places have their equivalent) for being "fake" because of the fake tan, fake eyelashes, bleached hair, fake nails, hair extensions, heavy makeup, bust augmentations, etc. etc. I am probably repeating what she said here, but it is an important message, so I feel like reiterating it in my own words on this blog 

A lot of Goths and other Alternative types are just as "fake". I certainly go around with a corseted waist, a wig, fake eyelashes, heavy makeup, a pallor that is partly nature and partly makeup (more to even it out than make me paler), high heels, piercings etc. My waist is not naturally that thin, my hair is is not actually red (not even by dye), my eyelashes are pretty long, but they don't come with feathers, and I got all those jewellery-attachment-points through having someone poke holes through me! I go to great lengths to achieve a particular aesthetic, and that is all that these 'Essex Girls' are doing. There are people who have had far more extensive body mods than me; more piercings, elaborate tattoos, and even fangs, pointed ears and horns, all in search of a particular aesthetic. This is certainly a synthetic aesthetic, one that is created through artistry overlaid on nature. 

Usually someone comes in with the justification of something akin to 'oh, but they are following a trend, to them it's about fitting in and appealing to men and getting attention, they must be really insecure! We do it in the pursuit of our own personal aesthetic!' 

Who are we to judge? 

Unless you know someone well enough to have good estimation of their real motivations, you have no business judging someone. It is the same sort of prejudicial assumption as when mainstream people assume that we dress and look the way we do for attention or to rebel against our parents or to opt out of decent society. Considering the time and money and effort spent on a lot of these women's looks, I would say that there has to be a significant proportion who really are chasing their dream aesthetic. Yes, there certainly are those who follow that aesthetic to be trendy, to get attention, to impress men, because they are insecure with who they are under the fakery, etc. but there are also people who co-opt the Goth aesthetic in order to get attention, to impress men, to be rebellious, to try and shock people, because they are insecure with who they are under the fakery, etc. It is unfair to judge a group by the action of individuals who are not necessarily representative. It is easier to distinguish a Goth from someone co-opting the aesthetic, because there is some broader definition of Goth, but the 'Essex Girl' aesthetic is just an aesthetic (the party animal lifestyle, drinking, etc. are not inherent; plenty of people who don't follow this look behave like that, and not all who follow this look behave like that); there is no co-opting it away from a broader subculture. 

Basically, this is an encouragement not to judge; instead take people on their individual merit, on their own actions and behaviour. How somebody looks is not necessarily and indicator of what they are like, as we should all well know. A dose of humility and an open mind are good things to have. 

Project: Step-By-Step Halloween Cards 1

This one of the styles of Halloween cards I will be making this year. I don't see many Halloween (and certainly no Samhain) cards for sale in the high-street card shops in the UK. I know it is possible to buy some very lovely cards online, and have custom cards printed, but I quite enjoy paper-crafts of various sorts, so I will be making my own.

Components for card making:
Card blank, sprayed card blank, black paper, "lightning bolts",
marbled paper, drawing of a Devil-skull.

To save a bit of time, I have bought some plain black card blanks and matching envelopes (from The Works for £1.49). I would have had to have bought sheets of black card and black paper anyway and this actually worked out cheaper than buying the card and paper! The first thing I did was mist the cards and envelopes with Magical Shimmer Mist, which is a suspension of shimmery metallic particles in an adhesive spray. It comes in a variety of colours, but for this project I have used silver. You can get similar effects with water-based silver paint and splattering, but it is more time-consuming to achieve. 

Shimmery shimmery shimmery...

As the card blanks were drying, I set about drawing the pictures for the front of the cards. Each person will be receiving a different image on their card. For the purposes of this blog, I have photographed the making of a particular card  with a Devil-skull as the image. I drew it in cheap black biro on ordinary utility white paper - no fancy materials. 

Close-up of fanged skull

I cut the drawing out, then traced around the drawing onto marbled paper (HobbyCraft, less than 50p per sheet) and drew a slightly larger rectangle around that, and cut out the piece of marbled paper. I then took a sheet of black paper and drew around the marbled paper onto it with a white pencil, and then drew a larger rectangle around that. I put the drawing, rectangle of marbled paper, and the rectangle of black paper aside (into my crafting tray). 

Lightning bolts

The next step was to cut out the jagged lightning-bolts. I cut these out of more white utility paper, laying them out on the now-dry card blank to see what size they needed to be, using the two paper rectangles as a guide, and how many I wanted, and also to get a better idea on design. They are quite finicky to cut out, and easy to tear, so once each was cut out, it went straight into the crafting tray for safe keeping.

Layered papers

The last step was gluing it all together in order. I started with gluing on the black rectangle, then arranging all the lightning bolts, then the marbled paper, and finally the drawing.

Finished card

I decorated the envelope in the same way, with the same layers, papers and materials, and with a similar design (with lightning) except with an address label instead of a drawing, but because it is an address label, I am not posting a picture of it up on the internet. 

Arthurian Legend, Medieval History and Gothic Architecture

Or how I came to fall in love with anachronism...

This is in response to Jess, who suggested the topic on the Domesticated Goth Facebook Page.

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I have always had a broad appreciation of history. My father is involved in archaeology as a geophysicist and archaeological surveyor, and I was therefore brought up saturated in local history and British history. This, however, can only partially explain why I like history in general, and not really explain why I have a fascination for the medieval in particular, or how this ties in with my other historical interests (we're heading over to Pre-Raphaelite territory...)

My attempts to be a real-life Pre-Rpahaelite depiction of Morgan LaFey

⚜ Childhood Fascination

It all started with an illustrated book of fairy tales from when I was a very, very small child. In it were children's versions of some Arthurian tales. I really, really wish I still had the book, but sadly it is long gone. I can't even remember what the book was called, but I remember that it had lavish, beautiful illustrations in full colour and great detail. There was this fabulous image of a knight in armour on a horse, with the horse adorned in barding and caparison and the knight with a very sharp and shiny looking sword. Then there was a book ordered from the back of a packet of Weetabix (::this:: book - I'm showing my age! ) which I read avidly and repeatedly and with great enthusiasm. It was the first book on history I ever owned, and my favourite section was that from the Norman Conquest on to Henry VIII - just a bit broader than the time-span  referred to as the 'High Middle Ages' and 'Late Middle Ages'.

This interest was picked up, and I was given a French language (I was brought up bilingual, my first language is actually French) history book with a few transparent pages called ::Le Château Fort:: which just fed this interest. I even got taken on some trips to some real-life castles, such as Rochester Castle in Kent, which probably sealed it for me. 

I can't really place what it is that drew me to these things, but  it was partially a confusion between what was myth and reality (probably on account of being a child with a broad imagination). There was something wonderful and exciting about believing that all these knights and maidens and brave chivalrous warriors and fierce monsters and witches and wizards had been real, just centuries and centuries ago. For some time, as a small child, my career ambitions were "knight"... 

As I read more I quickly learnt that no, dragons were not real (dinosaurs, on the other hand...) and neither was the Green Knight, and that chivalry and courtly love were not as later poets would have us believe. I also learnt, over time, that the "shining armour" of knights was often actually depictions things such as 1480s Gothic plate armour from what is now Germany and other parts of the Holy Roman Empire, that there are an awful lot of types of "pointy arches" buildings, and recorders are fabulous musical instruments with a long, long history. Basically, I learnt that a lot of the things I found really interesting came from between the mid 11thC and very beginning of the 16thC. 

⚜ Art History And Gothic Architecture

The more I got to know of art and architecture from that period, the more I realised that it was rich aesthetics that I adored, and still adore. 

I gained an interest in calligraphy and illuminated manuscripts when I was about 12 or 13, after being introduced to them in an English lesson focused on Arthurian myths. I began my first pseudo-'illuminated' Book of Shadows, the precursor to my current book of Shadows, which is all written in uncial calligraphy, richly decorated with a mixture of foliate, spiral and knot-work designs, a lot of silver and gold embellishments (albeit via more modern techniques) and even has a few illustrations. 

I also fell in love with Gothic architecture (no surprise to my regular readers). I like most styles of highly decorative architecture on grand scales, from the temples at Angkor Wat to Christopher Wren's St. Paul's Cathedral, but I have a special fondness for the Gothic and Gothic-Revival. I especially like buildings in the later Gothic styles, especially the Perpendicular Gothic, with their emphasis on verticality and arrays of stained glass windows. I can't explain why I prefer a pointed Gothic arch or fan-vaulted ceiling to a round Romanesque arch or barrel-vaulted ceiling, nor what it is about tracery designs that appeal to me, but that is the way I am, and I could spend all day looking at them. 

It is not enough for me to merely find interest in the appearance of buildings, I am always led to their function, and that then draws me back into the history - old abbeys, cathedrals, grand houses etc. always have rich histories, and it fascinates me how the uses of buildings change over centuries, and boggles me to think of all the thousands of people from so many periods and places that have visited these places and looked at them with their own unique perspectives. 

What also amazes me is the size and complexity of the buildings designed considering the limited understanding of physics and mathematics at the time. People sometimes think that because people in the past were illiterate and superstitious with a limited grasp of science and mathematics that they were stupid but education and intelligence are different things, as can be shown by ::this:: article, where it describes how a string and a weight could show if the vast spire of Salisbury Cathedral was straight or not (it wasn't, it was leaning, and Christopher Wren figured out how to straighten it in 1668) in an age long before optical surveying equipment, let alone laser levels! These cathedrals were built by a largely illiterate work force. People had to be creative and use their initiative to overcome the lack of technology and get things done by other means. 

This does not just apply to great cathedrals across Europe, or even to medieval times alone, of course, but it is one of the things about the medieval period that does intrigue me. 

Also, as an enthusiastic archer, and a person with an interest in historical arms and armour, Medieval European weaponry is very interesting to me, and to understand the weapons, one has to understand the conflicts that were their context, and how they became visual symbols in later periods, which necessitates some understanding of medieval life. 

(Those interested in medieval weaponry may be excited to know that I have asked a friend who is more knowledgeable than me in this area to write a guest post on such things!).

⚜Understanding Where I live
As my readers already know, I live in the UK, currently in Scotland and previously down in the Thames Valley. I am the sort of person that likes to know the history of the places where I live; they make up part of the culture, and inform present day attitudes (like someone I know here, with a tattoo of the Declaration of Arbroath, which was originally made in 1320). The history of the UK stretches back millennia and millennia before the Middle Ages, but much of its best recorded  history is that recorded by the monasteries and onwards, i.e Saxon through to Medieval and onwards. 

Earlier history interest me too, especially the pre-Roman 'Celtic' history of the various Iron Age, Bronze Age and earlier peoples of Britain, but much of these cultures is lost to time, and what we know is pieced together from artefacts and remains, and the writings of later Roman authors writing as outsiders. The very early history is full of mysteries, and these mysteries intrigue me, but they are mysteries, not things we know. 

Medieval history, on the other hand, includes quite a body of knowledge about what life was like then, and is quite accessible - it is not that expensive to go on a tour of Oxford castle and get quite good account of the castle's history, starting with its ecclesiastical history and moving forwards, and I certainly studied the Norman Invasion, the Charter of Liberties, the Magna Carter and the Peasant's Revolt at school, and am sure that various aspects of Medieval history are fairly widespread in history teaching at various levels. I guess it was something I could easily get into, and unlike Roman history, I wasn't faced with my Dad's near-obsession (he spent several years working at a Roman pottery manufacture site with several kilns and a processing works for clay) with the subject. 

⚜The Victorians Have A Lot To Answer for

Another thing my readers may well know is that I have an interest in Victorian things, and as all the Victorian-era Gothic Revival and Scottish Baronial architecture I photograph show, and the subject matter of many Pre-Raphaelite paintings also, there was a definite interest in a fairy-tale and Arthurian Medievalism in that period (as well as an interest in legitimate history). My interests become recursive at this point. To elaborate on the previous examples, I look at a Victorian Gothic Revival buildings, and see in them their stylistic ancestors (and giggle at the Victorian tendency to turn practical medieval things into nonsensical decorative devices.), I look at Pre-Raphaelite depictions of Arthurian legends, and wonder which suits of armour were used as costume references, and how many details are flights of fancy.  

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Hopefully I have managed to detail from where my interest stems in a helpful manner to those curious, and have not been too boring and introspective. Personally, I find the history far more interesting than my appreciation of it! I don't think this explanation is exhaustive, and in racking my brains I wonder if I am overlaying too much of who I am now onto my past self, but hopefully it is at least a bit helpful.